Collection: Adult

A vibrant celebration of the shared flavors and traditions of the Eastern Mediterranean

Since Chef José Andrés opened the doors to his restaurant Zaytinya twenty years ago, food lovers have savored his creative adaptations of the classic dishes of Greece, Turkey, and Lebanon. Zaytinya's menu has always showcased the region's extraordinary food traditions while innovating in José's signature style: delicious, surprising, and made for sharing.

From crispy fried vegetables and perfectly spiced seafood to tender grilled kebabs and warm, fluffy pita, these recipes are simply irresistible as well as accessible to the home cook. The smooth dips and delectable roasts will happily feed a family on a weeknight or friends over for weekend dinner.

Zaytinya--which draws its name from the Turkish word for olive oil--brings to life the ingredients, techniques, dishes, and histories that are central to the way many of us love to eat today.

A Sunday Times Bestseller!
A 2022 Alex Award Winner!

"Sparks fly" (NPR) in Everina Maxwell's gut-wrenching and romantic space opera debut.

Prince Kiem, a famously disappointing minor royal and the Emperor's least favorite grandchild, has been called upon to be useful for once. He's commanded to fulfill an obligation of marriage to the representative of the Empire's newest and most rebellious vassal planet. His future husband, Count Jainan, is a widower and murder suspect.

Neither wants to be wed, but with a conspiracy unfolding around them and the fate of the empire at stake they will have to navigate the thorns and barbs of court intrigue, the machinations of war, and the long shadows of Jainan's past, and they'll have to do it together.

So begins a legendary love story amid the stars.

Like Ancillary Justice meets Red, White and Royal Blue, Winter's Orbit is perfect for fans of Lois McMaster Bujold.

"High-pitched noises escaped me; I shouted, more than once, 'Now kiss!' ... in a world so relentlessly uncertain, there's a powerfully simple pleasure in the experience of a promise kept." --The New York Times Book Review

Part memoir, part sweeping journalistic saga: As Casey Parks follows the mystery of a stranger's past, she is forced to reckon with her own sexuality, her fraught Southern identity, her tortured yet loving relationship with her mother, and the complicated role of faith in her life.
"Most moving is Parks's depiction of a queer lineage, her assertion of an ancestry of outcasts, a tapestry of fellow misfits into which the marginalized will always, for better or worse, fit." --The New York Times Book Review

When Casey Parks came out as a lesbian in college back in 2002, she assumed her life in the South was over. Her mother shunned her, and her pastor asked God to kill her. But then Parks's grandmother, a stern conservative who grew up picking cotton, pulled her aside and revealed a startling secret. "I grew up across the street from a woman who lived as a man," and then implored Casey to find out what happened to him. Diary of a Misfit is the story of Parks's life-changing journey to unravel the mystery of Roy Hudgins, the small-town country singer from grandmother's youth, all the while confronting ghosts of her own.

For ten years, Parks traveled back to rural Louisiana and knocked on strangers' doors, dug through nursing home records, and doggedly searched for Roy's own diaries, trying to uncover what Roy was like as a person--what he felt; what he thought; and how he grappled with his sense of otherness. With an enormous heart and an unstinting sense of vulnerability, Parks writes about finding oneself through someone else's story, and about forging connections across the gulfs that divide us.

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This compelling and deeply personal memoir from WWE superstar Rebecca Quin--a.k.a. The Man, a.k.a. Becky Lynch--delves into her earliest wrestling days, her scrappy beginnings, and her meteoric rise to fame.

By age seven, Rebecca Quin, now known in the ring as Becky Lynch, was already defying what the world expected of her. Raised in Dublin, Ireland in a devoutly Catholic family, Rebecca constantly invented new ways to make her mother worry--roughhousing with the neighborhood kids, hosting secret parties while her parents were away, enrolling in a warehouse wrestling school, nearly breaking her neck and almost kneecapping a WWE star before her own wrestling career even began--and she was always in search of a thrilling escape from the ordinary.

Rebecca's deep love of wrestling as a child set her on an unlikely path. With few female wrestlers to look to for guidance, Rebecca pursued a wrestling career hoping to change the culture and move away from the antiquated disrespect so often directed at the elite female athletes that grace the ring. Even as a teenager, she knew that she would stop at nothing to earn a space among the greatest wrestlers of our time, and to pave a new path for female fighters.

Culled from decades of journal entries, Rebecca's memoir offers a raw, personal, and honest depiction of the complex woman behind the character Rebecca Quin plays on TV.

"This may be the most anticipated poetry book of the last decade...expect it to haunt you."--NPR.org

In reviewing Richard Siken's first book, Crush, the New York Times wrote that "his territory is [where] passion and eloquence collide and fuse." In this long-awaited follow-up to Crush, Siken turns toward the problems of making and representation, in an unrelenting interrogation of our world of doublings. In this restless, swerving book simple questions--such as, Why paint a bird?--are immediately complicated by concerns of morality, human capacity, and the ways we look to art for meaning and purpose while participating in its--and our own--invention.

* "Slippery, magnetic riffs on the arbitrary divisions made by the human mind in light of the mathematical abstractions that delete them; poetry lovers will want to read."--Library Journal, starred review

"[P]oems of passion, examining what it means to love, to be, and to create."--Vanity Fair

"Siken's stark, startling collection focuses tightly on both the futility and the importance of creating art."--Booklist

"Poems primarily about painting and representation give way to images that become central characters in a sequence of fable-like pieces. Animals, landscapes, objects, and an array of characters serve as sites for big, human questions to play out in distilled form. Siken's sense of line has become more uniform, this steadiness punctuated by moments of cinematic urgency."--Publishers Weekly

"War of the Foxes builds upon the lush and frantic magic of Richard Siken's first book, Crush. In this second book, Siken takes breathtaking control of the rich, varied material he has chosen...Siken paints and erases--the metaphor of painting with words allows him to leave those traces that mostly go unseen. He is the Trickster. If paint/then no paint. He does this with astonishing candor and passion."--The Rumpus

The Museum

Two lovers went to the museum and wandered the rooms.
He saw a painting and stood in front of it
for too long. It was a few minutes before she
realized he had gotten stuck. He was stuck looking
at a painting. She stood next to him, looking at his
face and then the face in the painting. What do you
see? she asked. I don't know, he said. He didn't
know. She was disappointed, then bored. He was
looking at a face and she was looking at her watch.
This is where everything changed . . .

Richard Siken is a poet, painter, and filmmaker. His first book, Crush, won the Yale Younger Poets' prize. He lives in Tucson, Arizona.

#1 NEW YORK TIMES BESTSELLER - An instant classic and eerily prescient cultural phenomenon, from "the patron saint of feminist dystopian fiction" (New York Times). Now an award-winning Hulu series starring Elizabeth Moss. Includes an introduction by Margaret Atwood.

In Margaret Atwood's dystopian future, environmental disasters and declining birthrates have led to a Second American Civil War. The result is the rise of the Republic of Gilead, a totalitarian regime that enforces rigid social roles and enslaves the few remaining fertile women. Offred is one of these, a Handmaid bound to produce children for one of Gilead's commanders. Deprived of her husband, her child, her freedom, and even her own name, Offred clings to her memories and her will to survive. At once a scathing satire, an ominous warning, and a tour de force of narrative suspense, The Handmaid's Tale is a modern classic.

Look for The Testaments, the sequel to The Handmaid's Tale

The New York Times bestselling novel by the author of A Single Thread and At the Edge of the Orchard

Translated into thirty-nine languages and made into an Oscar-nominated film, starring Scarlett Johanson and Colin Firth

Tracy Chevalier transports readers to a bygone time and place in this richly-imagined portrait of the young woman who inspired one of Vermeer's most celebrated paintings.

History and fiction merge seamlessly in this luminous novel about artistic vision and sensual awakening. Girl with a Pearl Earring tells the story of sixteen-year-old Griet, whose life is transformed by her brief encounter with genius . . . even as she herself is immortalized in canvas and oil.

**The 2022 Lammy Award Winner in Transgender Nonfiction**
Exploring the intersections of Blackness, gender, fatness, health, and the violence of policing.

To live in a body both fat and Black is to exist at the margins of a society that creates the conditions for anti-fatness as anti-Blackness. Hyper-policed by state and society, passed over for housing and jobs, and derided and misdiagnosed by medical professionals, fat Black people in the United States are subject to sociopolitically sanctioned discrimination, abuse, condescension, and trauma.

Da'Shaun Harrison--a fat, Black, disabled, and nonbinary trans writer--offers an incisive, fresh, and precise exploration of anti-fatness as anti-Blackness, foregrounding the state-sanctioned murders of fat Black men and trans and nonbinary masculine people in historical analysis. Policing, disenfranchisement, and invisibilizing of fat Black men and trans and nonbinary masculine people are pervasive, insidious ways that anti-fat anti-Blackness shows up in everyday life. Fat people can be legally fired in 49 states for being fat; they're more likely to be houseless. Fat people die at higher rates from misdiagnosis or nontreatment; fat women are more likely to be sexually assaulted. And at the intersections of fatness, Blackness, disability, and gender, these abuses are exacerbated.

Taking on desirability politics, the limitations of gender, the connection between anti-fatness and carcerality, and the incongruity of "health" and "healthiness" for the Black fat, Harrison viscerally and vividly illustrates the myriad harms of anti-fat anti-Blackness. They offer strategies for dismantling denial, unlearning the cultural programming that tells us "fat is bad," and destroying the world as we know it, so the Black fat can inhabit a place not built on their subjugation.

As a magical revolution remakes a city, an ancient evil is awakened in a brilliant novel from the Hugo-nominated author of Foundryside and the Divine Cities trilogy.

"An absolutely wild ride . . . Foundryside blew me away, and this is a perfect sequel."--Amal El-Mohtar, The New York Times Book Review

A few years ago, Sancia Grado would've happily watched Tevanne burn. Now, she's hoping to transform her city into something new. Something better. Together with allies Orso, Gregor, and Berenice, she's about to strike a deadly blow against Tevanne's cruel robber-baron rulers and wrest power from their hands for the first time in decades.

But then comes a terrifying warning: Crasedes Magnus himself, the first of the legendary hierophants, is about to be reborn. And if he returns, Tevanne will be just the first place to feel his wrath.

Thousands of years ago, Crasedes was an ordinary man who did the impossible: Using the magic of scriving--the art of imbuing objects with sentience--he convinced reality that he was something more than human. Wielding powers beyond comprehension, he strode the world like a god for centuries, meting out justice and razing empires single-handedly, cleansing the world through fire and destruction--and even defeating death itself.

Like it or not, it's up to Sancia to stop him. But to have a chance in the battle to come, she'll have to call upon a god of her own--and unlock the door to a scriving technology that could change what it means to be human. And no matter who wins, nothing will ever be the same.

The awe-inspiring second installment of the Founders Trilogy, Shorefall returns us to the world Robert Jackson Bennett created in his acclaimed Foundryside . . . and forges it anew.

International bestselling author Alice Kellen will flood you in emotion, following two star-crossed lovers whose destiny is inexorably intertwined.

He'll do anything to bring the light back into her eyes.

19-year-old Leah Jones used to love her life. Now, she can barely get out of bed in the morning. Still shaken by the sudden loss of her parents, her 29-year-old older brother is the only person she has left to keep her from falling into an emotional abyss. But as he prepares to move across the country for work, soon he'll be gone too, and Leah will have no one.

Axel Nguyen is her brother's best friend, and the natural person to turn to. Seeing Leah so despondent is a punch to Axel's gut. At her brother's request, Axel drops everything to move Leah in with him, to meet her every need. He's determined to push her to her limits, to break down the walls she's built to protect her fragile heart. Little does he know, she has loved him forever, and now his love for her expands to so much more. As Leah and Axel's undeniable bond grows stronger, Axel must break Leah's heart in order to guarantee her the life he knows she deserves...

Fans of Colleen Hoover, Anna Todd, and B. Celeste will immerse in this thrill of a heartbreaking emotional rollercoaster.

Born in fire. Tempered in blood.

Epheria is a land divided by war and mistrust. The High Lords of the South squabble and fight, only kept in check by the Dragonguard, traitors of a time long past, who serve the empire of the North.

In the remote villages of southern Epheria, still reeling from the tragic loss of his brother, Calen Bryer prepares for The Proving - a test of courage and skill that not all survive.

But when three strangers arrive in the village of Milltown, with a secret they are willing to die for, Calen's world is ripped from under him and he is thrust headfirst into a war that has been raging for centuries.

There is no prophecy. His coming was not foretold.

He bleeds like any man, and bleed he will.

A stunning Romantasy debut about an enchanted library, two handsome Fae, and one human who brings them all together.

A library with a deadly enchantment.

A Fae lord who wants in.

A human woman willing to risk it all for a taste of power.

In a land ruled by ruthless Fae, twenty-one-year-old Lore Alemeyu's village is trapped in a forested prison. Lore knows that any escape attempt is futile--her scars are a testament to her past failures. But when her village is threatened, Lore makes a desperate deal with a Fae lord. She will leave her home to catalog/organize an enchanted library that hasn't been touched in a thousand years. No Fae may enter the library, but there is a chance a human might be able to breach the cursed doors.

She convinces him that she will risk her life for wealth, but really she's after the one thing the Fae covet above all: magic of her own.

As Lore navigates the hostile world outside, she's forced to rely on two Fae males to survive. Two very different, very dangerous, very attractive Fae males. When undeniable chemistry ignites, she's not just in danger of losing her life, but her heart to the very creatures she can never trust.

ONE OF BARACK OBAMA'S FAVORITE BOOKS OF 2022

One of Bill Gates's "5 books to read this summer," this New York Times and Wall Street Journal bestseller shows us that America's political system isn't broken. The truth is scarier: it's working exactly as designed. In this "superbly researched" (The Washington Post) and timely book, journalist Ezra Klein reveals how that system is polarizing us--and how we are polarizing it--with disastrous results.

"The American political system--which includes everyone from voters to journalists to the president--is full of rational actors making rational decisions given the incentives they face," writes political analyst Ezra Klein. "We are a collection of functional parts whose efforts combine into a dysfunctional whole."

"A thoughtful, clear and persuasive analysis" (The New York Times Book Review), Why We're Polarized reveals the structural and psychological forces behind America's descent into division and dysfunction. Neither a polemic nor a lament, this book offers a clear framework for understanding everything from Trump's rise to the Democratic Party's leftward shift to the politicization of everyday culture.

America is polarized, first and foremost, by identity. Everyone engaged in American politics is engaged, at some level, in identity politics. Over the past fifty years in America, our partisan identities have merged with our racial, religious, geographic, ideological, and cultural identities. These merged identities have attained a weight that is breaking much in our politics and tearing at the bonds that hold this country together.

Klein shows how and why American politics polarized around identity in the 20th century, and what that polarization did to the way we see the world and one another. And he traces the feedback loops between polarized political identities and polarized political institutions that are driving our system toward crisis.

"Well worth reading" (New York magazine), this is an "eye-opening" (O, The Oprah Magazine) book that will change how you look at politics--and perhaps at yourself.

Haiti's state is near-collapse: armed groups have overrun the country, many government officials have fled after the 2021 assassination of President Moise and not a single elected leader holds office, refugees desperately set out on boats to reach the US and Latin America, and the economy reels from the after-effects of disasters, both man-made and natural, that destroyed much of Haiti's infrastructure and institutions. How did a nation founded on liberation--a people that successfully revolted against their colonizers and enslavers--come to such a precipice?

In Aid State, Jake Johnston, a researcher and writer at the Center for Economic and Policy Research in Washington, DC, reveals how long-standing US and European capitalist goals ensnared and re-enslaved Haiti under the guise of helping it. To the global West, Haiti has always been a place where labor is cheap, politicians are compliant, and profits are to be made. Over the course of nearly 100 years, the US has sought to control Haiti and its people with occupying police, military, and euphemistically-called peacekeeping forces, as well as hand-picked leaders meant to quell uprisings and protect corporate interests. Earthquakes and hurricanes only further devastated a state already decimated by the aid industrial complex.

Based on years of on-the-ground reporting in Haiti and interviews with politicians in the US and Haiti, independent aid contractors, UN officials, and Haitians who struggle for their lives, homes, and families, Aid State is a conscience-searing book of witness.

Debut novelist Laura Shepperson offers a powerful feminist retelling of Phaedra and her unyielding quest for justice, perfect for fans of Madeline Miller and Natalie Haynes.

Phaedra has been cast to the side all her life: daughter of an adulteress, sister of a monster, and now unwilling bride to the much-older, power-hungry Theseus. Young, naïve, and idealistic, she has accepted her lot in life, resigned to existing under the sinister weight of Theseus's control and the constant watchful eye of her handsome stepson Hippolytus.

When supposedly pious Hippolytus assaults her, Phaedra's world is darkened in the face of untouchable, prideful power. In the face of injustice, Phaedra refuses to remain quiet any longer: such an awful truth demands to be brought to light. When Phaedra publicly accuses Hippolytus of rape, she sparks an overdue reckoning.

The men of Athens gather to determine the truth. Meanwhile, the women of the city, who have no vote, are gathering in the shadows. The women know truth is a slippery thing in the hands of men. There are two sides to every story, and theirs has gone unheard. Until now.

Timely, unflinching, and transportive, Laura Shepperson's Phaedra carves open long-accepted wounds to give voice to one of the most maligned figures of mythology and offers a stunning story of how truth bends under the weight of patriarchy but can be broken open by the force of one woman's bravery.