Collection: Adult

In a small town in the north of Australia, a mysterious cloud heralds both an ecological catastrophe and a gathering of the ancestors. A crazed visionary looks to donkeys to solve the global climate crisis and the economic dependency of the Aboriginal people. His wife, seeking solace from his madness, follows the dance of butterflies and scours the internet to find out how her Aboriginal/Chinese family could be repatriated to China. One of their sons, named Aboriginal Sovereignty, is determined to commit suicide. The other, Tommyhawk, wishes his brother dead so that he can pursue his dream of becoming white and powerful. Praiseworthy is an epic which pushes allegory and language to its limit; a unique masterpiece that bends time and reality, opening new literary vistas; a cry of outrage against oppression and disadvantage; and a fable for the end of days.

Ew, David!

Schitt's Creek and the Rose family have entered the hearts and homes of viewers all over the world. The heartwarming sitcom follows the newly destitute magnate Johnny Rose, his wife, eccentric soap opera actress Moira, and their two adult children, the pretentious David and jet-setting socialite Alexis, as they set up in Schitt's Creek, a town they once bought as a joke. Now for the first time, the wisecracks, melodrama, relationship advice and gratuitous celebrity name-drops have all been gathered in one place.

Ew, David! And other Schitty Quotes contains over 150 of the finest quotes from the most infamous riches-to-rags story a small town has ever seen. From side-splitting bickering between David and Alexis and Roland Schitt's political wisdom to Johnny Rose's solid business advice and of course, Moira's many regaling turns of phrase. Whether you need a pick-me-up or a well-timed put-down, let the eclectic cast of Schitt's Creek guide you on your way. Love that journey for us.

"I'm trying very hard not to connect with people right now."

David Rose on his emotional state.

"David, stop acting like a disgruntled pelican"

Moira asked David to be polite in her unique manner.

A NEW YORK TIMES BESTSELLER

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR

"A spectacular novel that only this legend can pull off." -Ibram X. Kendi, #1 New York Times-bestselling author of HOW TO BE AN ANTIRACIST, in The Atlantic

"An exquisite tale of family legacy....The power and poetry of Woodson's writing conjures up Toni Morrison." - People

"In less than 200 sparsely filled pages, this book manages to encompass issues of class, education, ambition, racial prejudice, sexual desire and orientation, identity, mother-daughter relationships, parenthood and loss....With Red at the Bone, Jacqueline Woodson has indeed risen -- even further into the ranks of great literature." - NPR

"This poignant tale of choices and their aftermath, history and legacy, will resonate with mothers and daughters." -Tayari Jones, bestselling author of AN AMERICAN MARRIAGE, in O Magazine

An unexpected teenage pregnancy pulls together two families from different social classes and explores their histories - reaching back to the Tulsa race massacre of 1921 -- and exposes the private hopes, disappointments, and longings that can bind or divide us from each other, from the New York Times-bestselling and National Book Award-winning author of Another Brooklyn and Brown Girl Dreaming.

Moving forward and backward in time, Jacqueline Woodson's taut and powerful new novel uncovers the role that history and community have played in the experiences, decisions, and relationships of these families, and in the life of the new child.

As the book opens in 2001, it is the evening of sixteen-year-old Melody's coming of age ceremony in her grandparents' Brooklyn brownstone. Watched lovingly by her relatives and friends, making her entrance to the music of Prince, she wears a special custom-made dress. But the event is not without poignancy. Sixteen years earlier, that very dress was measured and sewn for a different wearer: Melody's mother, for her own ceremony-- a celebration that ultimately never took place.

Unfurling the history of Melody's family - reaching back to the Tulsa race massacre in 1921 -- to show how they all arrived at this moment, Woodson considers not just their ambitions and successes but also the costs, the tolls they've paid for striving to overcome expectations and escape the pull of history. As it explores sexual desire and identity, ambition, gentrification, education, class and status, and the life-altering facts of parenthood, Red at the Bone most strikingly looks at the ways in which young people must so often make long-lasting decisions about their lives--even before they have begun to figure out who they are and what they want to be.

Join the millions of fans who love Momma Cusses, TikTok's #1 Parenting Unexpert!

There are lots of experts out there who will tell you they have the magic recipe to raising perfect humans. Gwenna Laithland is not one of them. She's one of us. Frustrated, overwhelmed, and exhausted. Her relatable representation of parenthood validates our experiences. In Momma Cusses, Gwenna uses her signature style of snark and sarcasm to explain her interpretation of responsive parenting vs. reactive parenting and outline the steps she takes to raise her kids. Whether you are a parent or someone who has had a parent, we all need to
learn how to handle our emotional spirals responsively.

Now we can all be in it together by tackling some of the hilarious yet all-too-real scenarios Gwenna outlines in her book, including:

YOU WILL LOSE YOUR SH*T:
Mom guilt vs. mom shame

ARE YOU YELLING OR ARE YOU JUST BEING LOUD?:
Get in control of your emotions

THE BIG FEELS LOOP-DE-LOO:
Get in control of their emotions

Accessible, digestible, and rooted in reality, Momma Cusses helps readers with navigating family dynamics and cultivating emotional resilience for everyone.

"No one builds worlds like Melissa Marr." ―Charlaine Harris, New York Times bestselling author

The Magicians meets One Last Stop in this brand-new fantasy romance Remedial Magic, about an unassuming librarian who 1) has fallen in love with a powerful witch; 2) has discovered that she is a witch; and 3) must attend magical community college to learn how to save her new world from complete destruction by New York Times bestselling author Melissa Marr!

Ellie loves working in her local library in the small town of Ligonier. She loves baking scones and investigating the mysterious and captivating in her spare time. And there is nothing more mysterious and captivating than the intriguingly beautiful, too properly dressed woman sipping tea in her library who has appeared as if out of nowhere. The pull between them is undeniable, and Ellie is not sure that she wants to resist.

Prospero, a powerful witch from the magical land of Crenshaw, is often accused of being... ruthless in her goals and ambitions. But she is driven to save her dying homeland, and a prophecy tells her that Ellie is the key. Unbeknownst to Ellie, her powers have not yet awakened. But all of that is about to change.

Octavia E. Butler meets Marvel's Black Panther in The Deep, a story rich with Afrofuturism, folklore, and the power of memory, inspired by the Hugo Award-nominated song "The Deep" from Daveed Diggs's rap group Clipping.

Yetu holds the memories for her people--water-dwelling descendants of pregnant African slave women thrown overboard by slave owners--who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly is forgotten by everyone, save one--the historian. This demanding role has been bestowed on Yetu.

Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface escaping the memories, the expectations, and the responsibilities--and discovers a world her people left behind long ago.

Yetu will learn more than she ever expected about her own past--and about the future of her people. If they are all to survive, they'll need to reclaim the memories, reclaim their identity--and own who they really are.

The Deep is "a tour de force reorientation of the storytelling gaze...a superb, multilayered work," (Publishers Weekly, starred review) and a vividly original and uniquely affecting story inspired by a song produced by the rap group Clipping.

Emily Dickinson's uncensored and breathtaking letters, poems, and letter-poems to her sister-in-law, Susan Huntington Dickinson

For the first time, selections from Emily Dickinson's thirty-six year correspondence with her childhood friend, neighbor, and sister-in-law, Susan Huntington Dickinson, are compiled in a single volume. Open Me Carefully invites a dramatic new understanding of Emily Dickinson's life and work, overcoming a century of censorship and misinterpretation. For the millions of readers who love Emily Dickinson's poetry, Open Me Carefully brings new light to the meaning of the poet's life and work. Gone is Emily as lonely spinster; here is Dickinson in her own words, passionate and fully alive. With spare commentary, Smith ... and Hart ... let these letters speak for themselves. Most important, unlike previous editors who altered line breaks to fit their sense of what is poetry or prose, Hart and Smith offer faithful reproductions of the letters' genre-defying form as the words unravel spectacularly down the original page. Renee Tursi, THE NEW YORK TIMES BOOK REVIE

Winner of the John Boswell Prize from the American Historical Association 2018
Winner of the William Sanders Scarborough Prize from the Modern Language Association 2018
Winner of an American Library Association Stonewall Honor 2018
Winner of Lambda Literary Award for Transgender Nonfiction 2018
Winner of the Sylvia Rivera Award in Transgender Studies from the Center for Lesbian and Gay Studies

The story of Christine Jorgensen, America's first prominent transsexual, famously narrated trans embodiment in the postwar era. Her celebrity, however, has obscured other mid-century trans narratives--ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence.

Drawing on a deep and varied archive of materials--early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films--Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the "father of American gynecology," to the negation of blackness that makes transnormativity possible.

Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of "cross dressing" and canonical black literary works that express black men's access to the "female within," Black on Both Sides concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993, a fact omitted from the film Boys Don't Cry out of narrative convenience. Reconstructing these theoretical and historical trajectories furthers our imaginative capacities to conceive more livable black and trans worlds.

#2 NEW YORK TIMES BESTSELLER* - "Rogen's candid collection of sidesplitting essays . . . thrives at both explaining and encapsulating a generational comedic voice."--The Washington Post

A collection of funny personal essays from one of the writers of Superbad and Pineapple Express and one of the producers of The Disaster Artist, Neighbors, and The Boys. (All of these words have been added to help this book show up in people's searches using the wonders of algorithmic technology. Thanks for bearing with us!)

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR - New York Post - Marie Claire - Self - BookRiot

Hi! I'm Seth! I was asked to describe my book, Yearbook, for the inside flap (which is a gross phrase) and for websites and shit like that, so... here it goes!!!

Yearbook is a collection of true stories that I desperately hope are just funny at worst, and life-changingly amazing at best. (I understand that it's likely the former, which is a fancy "book" way of saying "the first one.")

I talk about my grandparents, doing stand-up comedy as a teenager, bar mitzvahs, and Jewish summer camp, and tell way more stories about doing drugs than my mother would like. I also talk about some of my adventures in Los Angeles, and surely say things about other famous people that will create a wildly awkward conversation for me at a party one day.

I hope you enjoy the book should you buy it, and if you don't enjoy it, I'm sorry. If you ever see me on the street and explain the situation, I'll do my best to make it up to you.

*I was beaten by Bill O'Reilly, which really sucks.

"With a thoughtful introduction by Mikki Kendall, it will remind you why she was loved, honored, challenged and respected." - Ms. Magazine

"This new collection is essential reading for both longtime readers of hooks and new fans seeking to learn more about her groundbreaking contributions to cultural and intellectual movements." - Electric Lit

"Wide-ranging and insightful, this makes for a solid primer on hooks's ideas." --Publishers Weekly

"I will not have my life narrowed down. I will not bow down to somebody else's whim or to someone else's ignorance."
--bell hooks

bell hooks was a prolific, trailblazing author, feminist, social activist, cultural critic, and professor. Born Gloria Jean Watkins, bell used her pen name to center attention on her ideas and to honor her courageous great-grandmother, Bell Blair Hooks.

hooks's unflinching dedication to her work carved deep grooves for the feminist and anti-racist movements. In this collection of 7 interviews, stretching from early in her career until her last interview, she discusses feminism, the complexity of rap music and masculinity, her relationship to Buddhism, the "politic of domination," sexuality, and love and the importance of communication across cultural borders. Whether she was sparking controversy on campuses or facing criticism from contemporaries, hooks relentlessly challenged herself and those around her, inserted herself into the tensions of the cultural moment, and anchored herself with love.

WANTED - Bloodmaid of exceptional taste. Must have a keen proclivity for life's finer pleasures. Girls of weak will need not apply.

A young woman is drawn into the upper echelons of a society where blood is power in this dark and enthralling Gothic novel from the author of The Year of the Witching.

Marion Shaw has been raised in the slums, where want and deprivation are all she know. Despite longing to leave the city and its miseries, she has no real hope of escape until the day she spots a peculiar listing in the newspaper seeking a bloodmaid.

Though she knows little about the far north--where wealthy nobles live in luxury and drink the blood of those in their service--Marion applies to the position. In a matter of days, she finds herself the newest bloodmaid at the notorious House of Hunger. There, Marion is swept into a world of dark debauchery. At the center of it all is Countess Lisavet.

The countess, who presides over this hedonistic court, is loved and feared in equal measure. She takes a special interest in Marion. Lisavet is magnetic, and Marion is eager to please her new mistress. But when she discovers that the ancient walls of the House of Hunger hide even older secrets, Marion is thrust into a vicious game of cat and mouse. She'll need to learn the rules of her new home--and fast--or its halls will soon become her grave.

A legendary love letter to Los Angeles by the city's most charming daughter, complete with portraits of rock stars at Chateau Marmont, surfers in Santa Monica, prostitutes on sunset, and Eve's own beloved cat, Rosie.

Journalist, party girl, bookworm, artist, muse: by the time she'd hit thirty, Eve Babitz had played all of these roles. Immortalized as the nude beauty facing down Duchamp and as one of Ed Ruscha's Five 1965 Girlfriends, Babitz's first book showed her to be a razor-sharp writer with tales of her own. Eve's Hollywood is an album of vivid snapshots of Southern California's haute bohemians, of outrageously beautiful high-school ingenues and enviably tattooed Chicanas, of rock stars sleeping it off at the Chateau Marmont. And though Babitz's prose might appear careening, she's in control as she takes us on a ride through an LA of perpetual delight, from a joint serving the perfect taquito, to the corner of La Brea and Sunset where we make eye contact with a roller-skating hooker, to the Watts Towers. This "daughter of the wasteland" is here to show us that her city is no wasteland at all but a glowing landscape of swaying fruit trees and blooming bougainvillea, buffeted by earthquakes and the Santa Ana winds--and every bit as seductive as she is.

A gorgeously drawn graphic novel reminiscent of stained glass and illuminated manuscripts, telling a story of queer transmasc romance, daring adventure, and (literally) fighting your demons.

Jules is a trans man trapped in his life as a nun. The devil that the convent guards against offers him a deal to escape: an illicit tryst and lifelong possession. Jules takes the deal, and begins his new life as a criminal who's impervious to harm. He soon meets Casper, another trans man and a poetic thief, and together they steal, lie, and cheat their way through bewildering adventures, and develop feelings for each other along the way. But as Jules and Casper's relationship deepens, so does the devil's jealous grasp...

NEW YORK TIMES BESTSELLER - "Comprehensive, enlightening, and terrifyingly timely."--The New York Times Book Review (Editors' Choice)

WINNER OF THE GOLDSMITH BOOK PRIZE - SHORTLISTED FOR THE LIONEL GELBER PRIZE - NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post - Time - Foreign Affairs - WBUR - Paste

Donald Trump's presidency has raised a question that many of us never thought we'd be asking: Is our democracy in danger? Harvard professors Steven Levitsky and Daniel Ziblatt have spent more than twenty years studying the breakdown of democracies in Europe and Latin America, and they believe the answer is yes. Democracy no longer ends with a bang--in a revolution or military coup--but with a whimper: the slow, steady weakening of critical institutions, such as the judiciary and the press, and the gradual erosion of long-standing political norms. The good news is that there are several exit ramps on the road to authoritarianism. The bad news is that, by electing Trump, we have already passed the first one.

Drawing on decades of research and a wide range of historical and global examples, from 1930s Europe to contemporary Hungary, Turkey, and Venezuela, to the American South during Jim Crow, Levitsky and Ziblatt show how democracies die--and how ours can be saved.

Praise for How Democracies Die

"What we desperately need is a sober, dispassionate look at the current state of affairs. Steven Levitsky and Daniel Ziblatt, two of the most respected scholars in the field of democracy studies, offer just that."--The Washington Post

"Where Levitsky and Ziblatt make their mark is in weaving together political science and historical analysis of both domestic and international democratic crises; in doing so, they expand the conversation beyond Trump and before him, to other countries and to the deep structure of American democracy and politics."--Ezra Klein, Vox

"If you only read one book for the rest of the year, read How Democracies Die. . . .This is not a book for just Democrats or Republicans. It is a book for all Americans. It is nonpartisan. It is fact based. It is deeply rooted in history. . . . The best commentary on our politics, no contest."--Michael Morrell, former Acting Director of the Central Intelligence Agency (via Twitter)

"A smart and deeply informed book about the ways in which democracy is being undermined in dozens of countries around the world, and in ways that are perfectly legal."--Fareed Zakaria, CNN

Through intertwined threads of autofiction, lyric science writing, and the tale of a newly queer Hawaiian volcano, Sabrina Imbler delivers a coming out story on a geological time scale. This is a small book that tackles large, wholly human questions-what it means to live and date under white supremacy, to never know if one is loved or fetishized, how to navigate fierce desires and tectonic heartbreak through the rise and eventual eruption of a first queer love."When two galaxies stray too near each other, the attraction between them can be so strong that the galaxies latch on and never let go. Sometimes the pull triggers head-on wrecks between stars-galactic collisions-throwing bodies out of orbit, seamlessly into space. Sometimes the attraction only creates a giant black hole, making something whole into a kind of missing." In vivid, tensile prose, DYKE (GEOLOGY) subverts the flat, neutral language of scientific journals to explore what it means to understand the Earth as something queer, volatile, and disruptive.

A young woman living in a rigid, puritanical society discovers dark powers within herself in this stunning, feminist fantasy debut.

In the lands of Bethel, where the Prophet's word is law, Immanuelle Moore's very existence is blasphemy. Her mother's union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement.

But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased and killed four powerful witches. Their spirits are still lurking there, and they bestow a gift on Immanuelle: the journal of her dead mother, who Immanuelle is shocked to learn once sought sanctuary in the wood.

Fascinated by the secrets in the diary, Immanuelle finds herself struggling to understand how her mother could have consorted with the witches. But when she begins to learn grim truths about the Church and its history, she realizes the true threat to Bethel is its own darkness. And she starts to understand that if Bethel is to change, it must begin with her.