Collection: Shop Black

The mist in Charleston Inner Harbor was heavy, but not heavy enough to disguise the stolen Confederate steamship, the Planter, from Confederate soldiers. In the early hours of May 13, 1862, in the midst of the deadly U.S. Civil War, an enslaved man named Robert Smalls was about to carry out a perilous plan of escape. Standing at the helm of the ship, Smalls impersonated the captain as he and his crew passed heavily armed Confederate forts to enter Union territory, where escaped slaves were given shelter. The suspenseful escape of the determined crew is celebrated with beautiful artwork and insightful prose, detailing the true account of an unsung American hero.

The Gullah people of St. Helena Island still relate that their people wanted to "catch the learning" after northern abolitionists founded Penn School in 1862, less than six months after the Union army captured the South Carolina sea islands. In this broad history Orville Vernon Burton and Wilbur Cross range across the past 150 years to reacquaint us with the far-reaching impact of a place where many daring and innovative social justice endeavors had their beginnings.

Penn Center's earliest incarnation was as a refuge where escaped and liberated enslaved people could obtain formal liberal arts schooling, even as the Civil War raged on sometimes just miles away. Penn Center then earned a place in the history of education by providing agricultural and industrial arts training for African Americans after Reconstruction and through the Jim Crow era, the Great Depression, and two world wars. Later, during the civil rights movement, Penn Center made history as a safe meeting place for organizations like Martin Luther King Jr.'s Southern Christian Leadership Conference and the Peace Corps. Today, Penn Center continues to build on its long tradition of leadership in progressive causes. As a social services hub for local residents and as a museum, conference, and education complex, Penn Center is a showcase for activism in such areas as cultural, material, and environmental preservation; economic sustainability; and access to health care and early learning.

Here is all of Penn Center's rich past and present, as told through the experiences of its longtime Gullah inhabitants and countless visitors. Including forty-two extraordinary photographs that show Penn as it was and is now, this book recounts Penn Center's many achievements and its many challenges, reflected in the momentous events it both experienced and helped to shape.

Onyeka and her superpowered friends set off to England on a rescue mission in this third installment in the Onyeka middle grade series, perfect for fans of Rick Riordan, The Marvellers, and X-Men.

Solari--children with superpowers--have always been native to Nigeria, but Onyeka and her friends have been alerted to one hidden in England. Tasked with retrieving the young Solari, they successfully complete their mission, arriving safe and sound back at the Academy of the Sun with Tobi in tow.

Tobi's identity and superpower remain a mystery, until a breadcrumb trail leads Onyeka to the truth. But someone else has uncovered the secret, and unlike Onyeka, they don't have Tobi's best interests at heart. Can our superhero save the day once again?

Best friends since the sandbox, Yoshi, Bird, and Shayla are all fighting demons from their childhood while navigating young adulthood. 

Abandoned by her mother as a child, Shayla grew up with a hole in her heart that was full of doubt, depression, and pain. With a drug-addicted father and a brother who can only hustle backward, she specializes in living rough and settling for struggle. All she has are her best friends, Bird and Yoshi, to link with, but they are both caught up in generational curses. Bird's dark past makes her careless, reckless, and ruthless, but also bitter and lost. She's looking for love in all the wrong places. Yoshi, loyal to everyone but herself, is busy chasing a fantasy while being cheated out of her dreams.  

The clique stays close until the summer before graduation, when a mysterious man with ill motives moves into the neighborhood. Bonds are broken, all bets are off, secrets will shatter their worlds as these ladies realize the love they've been searching for is the same love that's going to wreak havoc on their young hearts.

What I Should've Texted is a collection of words that have been buried. A spill of hidden thoughts that never made their way out.

This collection from poet Pierre Alex Jeanty is a beautiful expression of the unspoken things that needed to be said and must leave our lips as we attempt to close chapters that we were forced to abandon.

Whether you are looking for closure from past heartbreaks or trying to make sense of your feelings and emotions during a current one, What I Should've Texted will help you give life to the thoughts that never got a chance to escape.

An NAACP Image Award Finalist for Outstanding Literary Work--Non Fiction

James Beard award-winning author Adrian Miller vividly tells the stories of the African Americans who worked in the presidential food service as chefs, personal cooks, butlers, stewards, and servers for every First Family since George and Martha Washington. Miller brings together the names and words of more than 150 black men and women who played remarkable roles in unforgettable events in the nation's history. Daisy McAfee Bonner, for example, FDR's cook at his Warm Springs retreat, described the president's final day on earth in 1945, when he was struck down just as his lunchtime cheese souffle emerged from the oven. Sorrowfully, but with a cook's pride, she recalled, "He never ate that souffle, but it never fell until the minute he died."

A treasury of information about cooking techniques and equipment, the book includes twenty recipes for which black chefs were celebrated. From Samuel Fraunces's "onions done in the Brazilian way" for George Washington to Zephyr Wright's popovers, beloved by LBJ's family, Miller highlights African Americans' contributions to our shared American foodways. Surveying the labor of enslaved people during the antebellum period and the gradual opening of employment after Emancipation, Miller highlights how food-related work slowly became professionalized and the important part African Americans played in that process. His chronicle of the daily table in the White House proclaims a fascinating new American story.

Perfect for fans of The Day You Begin and Evelyn Del Rey Is Moving Away, author Jamilah Thompkins-Bigelow and illustrator Shahrzad Maydani's Sister Friend is a heartwarming new picture book celebrating the unique joy of cultivating friendships within your cultural community.

Ameena feels invisible. It's been that way since she started at her new school. But now there is another new girl in class. Ameena sees her brownness and her hijab, even though the other kids do not.

Ameena wants to be her friend, but she can't seem to find the right words or do the right things. Until one day, they find them together: "Assalamu Alaikum, Sister. Welcome."

For African American women, the fight for the right to vote was only one battle.

This Coretta Scott King Author Honor book tells the important, overlooked story of black women as a force in the suffrage movement--when fellow suffragists did not accept them as equal partners in the struggle.

Susan B. Anthony. Elizabeth Cady Stanton. Alice Paul. The Women's Rights Convention at Seneca Falls. The 1913 Women's March in D.C. When the epic story of the suffrage movement in the United States is told, the most familiar leaders, speakers at meetings, and participants in marches written about or pictured are generally white.

That's not the real story.

Women of color, especially African American women, were fighting for their right to vote and to be treated as full, equal citizens of the United States. Their battlefront wasn't just about gender. African American women had to deal with white abolitionist-suffragists who drew the line at sharing power with their black sisters. They had to overcome deep, exclusionary racial prejudices that were rife in the American suffrage movement. And they had to maintain their dignity--and safety--in a society that tried to keep them in its bottom ranks.

Lifting as We Climb is the empowering story of African American women who refused to accept all this. Women in black church groups, black female sororities, black women's improvement societies and social clubs. Women who formed their own black suffrage associations when white-dominated national suffrage groups rejected them. Women like Mary Church Terrell, a founder of the National Association of Colored Women and of the NAACP; or educator-activist Anna Julia Cooper who championed women getting the vote and a college education; or the crusading journalist Ida B. Wells, a leader in both the suffrage and anti-lynching movements.

Author Evette Dionne, a feminist culture writer and the editor-in-chief of Bitch Media, has uncovered an extraordinary and underrepresented history of black women. In her powerful book, she draws an important historical line from abolition to suffrage to civil rights to contemporary young activists--filling in the blanks of the American suffrage story.

"Dionne provides a detailed and comprehensive look at the overlooked roles African American women played in the efforts to end slavery and then to secure the right to vote for women." --Kirkus Reviews, starred review

Somali women tell their stories, sharing experiences of love, war, displacement, family, identity, and everyday life.

After civil war broke out in Somalia in 1991, thousands of families fled the country and sought asylum all over the world. Many Somali women carried the responsibility through this catastrophic time for finding safe passage and new homes for their families. Minnesota now holds the largest number of Somali immigrants of any state. Despite many obstacles, Somali women have built new communities here and become business owners, authors, scholars, activists, elected officials, and change-makers. Unfortunately, the rich stories of Somali women are often reduced to clichés of devastation and trauma--or tokenization and exceptionalism. Rarely are these women depicted with the multilayered humanity they deserve.

Daughters of Arraweelo presents, in the women's own words, the stories of mothers and daughters, teachers and social workers, scientists and medical professionals, lawyers and politicians--all Somali women who have made their marks on Minnesota.

Arraweelo, a legendary queen of Somalia, was a powerful and eccentric ruler, and her name is also used as a disapproving tease for assertive Somali girls. In this book, fourteen remarkable women who share her complexity and charisma demonstrate their insights, humor, and brilliance, telling stories of family, identity, love, war, displacement, and everyday life.

Justine Holmes is a widow, former activist, and funeral thief, mourning her husband's death during the aftermath of the Ferguson unrest in St. Louis, Missouri. As family tensions deepen between Justine and her three grown children - a former Bay Area activist at odds with her hometown's customs, a social climbing realtor stifled by the loss of her only child, and a disillusioned politician struggling with his sexual identity, the matriarch is forced to face her grief head-on. By reconciling a past tied to her secret involvement in civil rights activism during the early 1970's in St. Louis, Justine quickly learns the more she attempts to make peace with her history, the more skeletons continue to rise to the surface.

Excerpts from BONE BROTH have been featured in Eleven Eleven, The Offing, Joyland, The Stockholm Review of Literature and Entropy.

From its origins in the 1750s, the white-led American abolitionist movement adhered to principles of "moral suasion" and nonviolent resistance as both religious tenet and political strategy. But by the 1850s, the population of enslaved Americans had increased exponentially, and such legislative efforts as the Fugitive Slave Act and the Supreme Court's 1857 ruling in the Dred Scott case effectively voided any rights black Americans held as enslaved or free people. As conditions deteriorated for African Americans, black abolitionist leaders embraced violence as the only means of shocking Northerners out of their apathy and instigating an antislavery war.

In Force and Freedom, Kellie Carter Jackson provides the first historical analysis exclusively focused on the tactical use of violence among antebellum black activists. Through rousing public speeches, the bourgeoning black press, and the formation of militia groups, black abolitionist leaders mobilized their communities, compelled national action, and drew international attention. Drawing on the precedent and pathos of the American and Haitian Revolutions, African American abolitionists used violence as a political language and a means of provoking social change. Through tactical violence, argues Carter Jackson, black abolitionist leaders accomplished what white nonviolent abolitionists could not: creating the conditions that necessitated the Civil War. Force and Freedom takes readers beyond the honorable politics of moral suasion and the romanticism of the Underground Railroad and into an exploration of the agonizing decisions, strategies, and actions of the black abolitionists who, though lacking an official political voice, were nevertheless responsible for instigating monumental social and political change.

Finalist, Los Angeles Times Book Prize for Poetry

Love Child's Hotbed of Occasional Poetry is a twenty-first-century paean to the sterling love songs humming throughout four hundred years of black American life. National Book Award winner Nikky Finney's fifth collection contains lighthouse poems, narrative hotbeds, and treasured artifacts--copper coins struck from a new matrix for poetry, one that testifies from the witness stand and punctuates the occasional lyric within a new language of "docu-poetry."

The ancestors arise and fly, and the black female body is the "insurgent sensualist," hunted but fighting to live and love in the ways it wants and knows best: "I loved being / a black girl but had not yet learned / to play dead . . ."

The tenderness of a father's handwritten notes shadows the collection like a ghost, while the treasured, not-for-sale interiority of a black girl's fountainhead takes over every page. "One yellaw gal with an all-black tongue has gone missing." Finney has composed a new black spiritual, and one of the great voices of our time again stamps her singular sound into the new day.

Winner of the Pulitzer Prize for History

The unforgettable saga of one enslaved woman's fight for justice--and reparations

Born into slavery, Henrietta Wood was taken to Cincinnati and legally freed in 1848. In 1853, a Kentucky deputy sheriff named Zebulon Ward colluded with Wood's employer, abducted her, and sold her back into bondage. She remained enslaved throughout the Civil War, giving birth to a son in Mississippi and never forgetting who had put her in this position.

By 1869, Wood had obtained her freedom for a second time and returned to Cincinnati, where she sued Ward for damages in 1870. Astonishingly, after eight years of litigation, Wood won her case: in 1878, a Federal jury awarded her $2,500. The decision stuck on appeal. More important than the amount, though the largest ever awarded by an American court in restitution for slavery, was the fact that any money was awarded at all. By the time the case was decided, Ward had become a wealthy businessman and a pioneer of convict leasing in the South. Wood's son later became a prominent Chicago lawyer, and she went on to live until 1912.

McDaniel's book is an epic tale of a black woman who survived slavery twice and who achieved more than merely a moral victory over one of her oppressors. Above all, Sweet Taste of Liberty is a portrait of an extraordinary individual as well as a searing reminder of the lessons of her story, which establish beyond question the connections between slavery and the prison system that rose in its place.

Coretta Scott King Illustrator Award Honor - American Library Association (ALA)
NAACP Image Awards Nominee - National Association for the Advancement of Colored People (NAACP)

Galardonada con el premio Coretta Scott King Illustrator Honor Award, una biografía de la virtuosa del jazz afroamericana Melba Doretta Liston, una trombonista, compositora y arreglista musical pionera del siglo XX en una época en la que pocas mujeres tocaban instrumentos y formaban parte de la escena del jazz.

Recipient of the Coretta Scott King Illustrator Honor award, a biography of African American jazz virtuoso Melba Doretta Liston, a pioneering twentieth-century trombone player, composer, and music arranger at a time when few women played brass instruments and were part of the jazz scene.

A los siete años, Melba Doretta Liston se enamoró de un trombón grande y brillante, y pronto aprendió a tocar el instrumento. Cuando era una adolescente, el extraordinario don de Melba para la música la llevó al mundo del jazz. Se unió a una banda dirigida por el trompetista Gerald Wilson y recorrió el país. Superando obstáculos de raza y género, Melba se convirtió en una famosa trombonista y arreglista, transformando ritmos, armonías y melodías en magníficas canciones para todos los grandes del jazz del siglo XX: Randy Weston, Duke Ellington, Count Basie, Billie Holiday y Quincy Jones, por nombrar solo algunos.

Rebosante de entusiasmo y la alegría de hacer música, La pequeña Melba y su gran trombón es un maravilloso tributo a un músico pionero y un gran héroe anónimo del jazz.

At age seven, Melba Doretta Liston fell in love with a big, shiny trombone, and soon taught herself to play the instrument. By the time she was a teenager, Melba's extraordinary gift for music led her to the world of jazz. She joined a band led by trumpet player Gerald Wilson and toured the country. Overcoming obstacles of race and gender, Melba went on to become a famed trombone player and arranger, spinning rhythms, harmonies, and melodies into gorgeous songs for all the jazz greats of the twentieth century: Randy Weston, Duke Ellington, Count Basie, Billie Holiday, and Quincy Jones, to name just a few.

Brimming with ebullience and the joy of making music, Little Melba and Her Big Trombone is a fitting tribute to a trailblazing musician and a great unsung hero of jazz.

From spiritual activist, racial justice educator, and bestselling author Rachel Ricketts comes an inspiring picture book guiding children in heart-centered and mindfulness-based practices in the face of fear, anxiety, and racial injustice.

Hold on to what matters;
to joy
and being free.

When the world gets to be too much, we can always take a moment to look within ourselves for love, support, and healing. This lyrical mindfulness guide filled with an inspiring, positive self-esteem message helps young ones, especially Black and Brown children, feel big feelings and celebrate their whole being.

Includes a special author's note and guide for caregivers to help little ones get embodied when their feelings get too big to handle.

Coretta Scott King Honor-winner Brenda Woods's poignant, heartfelt story of an adopted boy and the bird he rescues

Everyone expects Coop to be musical like his beloved parents, but he's not. That's one of the few things he finds awkward about being adopted--well, that and the fact that he sometimes wonders why his birth mother didn't love him enough to keep him. This summer, he's stuck at home with a broken arm after falling out of a tree trying to get a closer peek at a mockingbird nest. Later, when the eggs in the nest have hatched and the fledglings fly away, he and his friend Zandi notice that one of them stays behind. Taking a closer look, they realize the bird only has one wing. Since it won't survive in the wild, they adopt it and name it Hop, and then learn everything they can about birds so they can care for Hop properly. Unfortunately, when a hawk injures Hop, the vet says it's illegal to keep mockingbirds as pets. Faced with a difficult decision about surrendering his beloved little bird to a bird sanctuary, Coop starts thinking about his birth mother's motivation in a new light.