Collection: Shop Black

NOW A NEW YORK TIMES, USA TODAY, AND PUBLISHER'S WEEKLY BESTSELLER

"Dyson writes with the affection of a fan but the rigor of an academic. ... Using extensive passages from Jay-Z's lyrics, 'Made in America' examines the rapper's role as a poet, an aesthete, an advocate for racial justice and a business, man, but devotes much of its energy to Hova the Hustler." --Allison Stewart, The Washington Post

"Dyson's incisive analysis of JAY-Z's brilliance not only offers a brief history of hip-hop's critical place in American culture, but also hints at how we can best move forward." --Questlove

JAY-Z: Made in America is the fruit of Michael Eric Dyson's decade of teaching the work of one of the greatest poets this nation has produced, as gifted a wordsmith as Walt Whitman, Robert Frost and Rita Dove. But as a rapper, he's sometimes not given the credit he deserves for just how great an artist he's been for so long.

This book wrestles with the biggest themes of JAY-Z's career, including hustling, and it recognizes the way that he's always weaved politics into his music, making important statements about race, criminal justice, black wealth and social injustice. As he enters his fifties, and to mark his thirty years as a recording artist, this is the perfect time to take a look at JAY-Z's career and his role in making this nation what it is today.

In many ways, this is JAY-Z's America as much as it's Pelosi's America, or Trump's America, or Martin Luther King's America. JAY-Z has given this country a language to think with and words to live by.

Featuring a Foreword by Pharrell

The African Gaze is a comprehensive exploration of postcolonial and contemporary photography and cinema from Africa. Drawing from archival imagery and documents, interviews with the photographers and filmmakers (in some cases family members and close associates if the artist is deceased), and contributions from writers, scholars, and curators, it maps a comprehensive introduction to African moving and still imagery.

This is a hugely important and timely publication--engagement with Black and African histories is stronger than ever before (and long overdue). The major names of African photography, such as Malick Sidibé, Sanlé Sory, and Seydou Keita, have become highly collectible in the art market, while African cinema, pioneered by Ousmane Sembene in 1960s Senegal, is now recognized for its creative innovation and storytelling.

For anyone drawn to African photography and film, Amy Sall's long overdue first book will provide an exciting and accessible overview.

Featuring interviews with Samuel Fosso and Souleymane Cissé.

A groundbreaking look at slaves as commodities in early America that "reminds us of the cold calculus at the intersection of slavery and capitalism" (Kirkus Reviews).

"Searing, revelatory, and vital to understanding our nation's inequities." --Isabel Wilkerson, author of The Warmth of Other Suns

In life and in death, slaves were commodities, their monetary value assigned based on their age, gender, health, and the demands of the market. The Price for Their Pound of Flesh is the first book to explore the economic value of enslaved people through every phase of their lives--including preconception, infancy, childhood, adolescence, adulthood, the senior years, and death--in the early American domestic slave trade. Covering the full "life cycle," historian Daina Ramey Berry shows the lengths to which enslavers would go to maximize profits and protect their investments. Illuminating "ghost values" or the prices placed on dead enslaved people, Berry explores the little-known domestic cadaver trade and traces the illicit sales of dead bodies to medical schools.

This book is the culmination of more than 10 years of Berry's exhaustive research on enslaved values, drawing on data unearthed from sources such as slave-trading records, insurance policies, cemetery records, and life insurance policies. Writing with sensitivity and depth, she resurrects the voices of the enslaved and provides a rare window into enslaved peoples' experiences and thoughts, revealing how enslaved people recalled and responded to being appraised, bartered, and sold throughout the course of their lives.

A profoundly humane look at an inhumane institution, The Price for Their Pound of Flesh will have a major impact how we think about slavery, reparations, capitalism, 19th-century medical education, and the value of life and death.

In the vein of The Paris Wife and The Personal Librarian comes this debut novel, a magnificent work of "biographical fiction" that reimagines the turbulent and triumphant early years of Ella Fitzgerald, arguably the greatest singer of the twentieth century.

When fifteen-year-old Ella Fitzgerald's mother dies at the height of the Depression in 1932, the teenager goes to work for the mob to support herself and her family. When the law finally catches up, the "ungovernable" adolescent is incarcerated in the New York Training School for Girls in upstate New York--a wicked prison infamous for its harsh treatment of inmates, especially Black ones. Determined to be free, Ella escapes and makes her way back to Harlem, where she is forced to dance for pennies on the street.

Looking for a break into show business, Ella draws straws to appear at the Apollo Theater's Amateur Night on November 21, 1934. Rather than perform a dance routine directly after "The World Famous Edwards Sisters" number, the homeless Ella, wearing men's galoshes a size too big, risks everything when she decides to sing Judy instead. Four years later, at barely twenty-one, Ella Fitzgerald has become the bestselling female vocalist in America.

Diane Richards' Ella Fitzgerald is inspiring and intriguing--an emotionally rich, psychologically complex character, a flawed mother and wife who struggles with deep emotional scars and trauma and battles racism, sexism, and colorism as she learns to find her voice on the stage. Ella takes us from the brothels, speakeasys, and streets of Depression-era New York City to the grand hotel suites where Ella, now older and wiser, looks back on her life and finally confronts the demons from childhood that torment her.

Compelling and rich in historical detail, Ella is a remarkable debut novel about an extraordinary woman.

Mallory

The day Christopher Johnson decided to kill me, I already knew what it was like to die. I had already experienced it once. Having the life leeched from my body, blood stolen from my veins, oxygen pulled from my lungs.

When he decided to walk back into my life, I was in the middle of my third resurrection, healing from the loss of my brother when I was still raw from losing him.

It wasn't going well.

I guess the human heart can only stop so many times, can only take so much damage before it questions whether it's worth it to be revived. My heart is on its last leg, but even that can't stop me from seizing the chance to have him again.

Even if it's just for a little while.

Chris

Walking away from Mallory Kent is one of the hardest things I've ever done.

The devastation that marred her features that night still haunts me. Refusing to let me forget that the knife I plunged into her heart to protect her had pierced mine as well. Dogging my steps as walked through my miserable life without her.

Coming back had always been a part of the plan. Even as I gave in to the forces hellbent on tearing us apart, I knew we weren't done. I just didn't know we'd come back together like this: under a cloud of unexpected grief with the pain of our stolen future lingering just beneath the surface.

This time together was never supposed to happen. I hadn't accounted for it when I started working to clear a path back to her, but I'm thankful for it. For the opportunity to comfort her in a way no one else can. For the chance to hold her until the demons in my life force me to walk away again.

Every Kid Matters represents the intersectionality of storytelling and the best of psychology; promoting self-acceptance, diversity, and inclusion at an early age.

We follow a little African-American girl, NeeNee, with her brown skin and big hair as she struggles to make friends on the first day of school. We witness her struggles, along with those of a Mexican-American classmate, and those of a physically disabled classmate.

The story attempts to teach empathy and resilience, along with valuing diversity and inclusion. Meditation is demonstrated to teach self-soothing and emotional regulation.

Affirmations are taught to create healthy, positive neural pathways in the brain.

The goal of Every Kid Matters is to support the wellness of all children by teaching them at an early age how to value themselves and others.

Black Philadelphians have shaped Philadelphia history since colonial times. In Black History in the Philadelphia Landscape, Amy Cohen recounts notable aspects of the Black experience in Philadelphia from the late 1600s to the 1960s and how this history is marked in the contemporary city. She charts Charles Blockson's efforts to commemorate the Pennsylvania slave trade with a historical marker and highlights Richard Allen, who founded Mother Bethel A.M.E. Church.

Cohen also describes the path to erecting a statue of civil rights activist Octavius Catto at Philadelphia's City Hall and profiles international celebrities Marian Anderson and Paul Robeson who are honored in the city. At the end of each chapter, she includes suggestions to continue readers' exploration of this important cultural heritage.

Showing how increased attention to the role of African Americans in local and national history has resulted in numerous, sometimes controversial, alterations to the landscape, Cohen guides readers to Black history's significance and its connections with today's spotlight on racial justice.

Bubbling brown sugarbubbles Baby's belly.Syrupy sweet sticky centershakes like a bowl of jelly.
Oooh, baby! This board book is sweet enough to eat. Infants, toddlers, and their older siblings will drool as they rejoice in the beauty of brown babies. Here, carob cherubs show all their true colors--everything from peanut butter to honey to cinnamon spice. Expressive photos and a mouthwatering rhyme encourage babies to find splendor in the many hues of their own skin.

NEW YORK TIMES BESTSELLER - A moving memoir about the legendary author's relationship with her own mother.

Emma Watson's Our Shared Shelf Book Club Pick!

The story of Maya Angelou's extraordinary life has been chronicled in her multiple bestselling autobiographies. But now, at last, the legendary author shares the deepest personal story of her life: her relationship with her mother.

For the first time, Angelou reveals the triumphs and struggles of being the daughter of Vivian Baxter, an indomitable spirit whose petite size belied her larger-than-life presence--a presence absent during much of Angelou's early life. When her marriage began to crumble, Vivian famously sent three-year-old Maya and her older brother away from their California home to live with their grandmother in Stamps, Arkansas. The subsequent feelings of abandonment stayed with Angelou for years, but their reunion, a decade later, began a story that has never before been told. In Mom & Me & Mom, Angelou dramatizes her years reconciling with the mother she preferred to simply call "Lady," revealing the profound moments that shifted the balance of love and respect between them.

Delving into one of her life's most rich, rewarding, and fraught relationships, Mom & Me & Mom explores the healing and love that evolved between the two women over the course of their lives, the love that fostered Maya Angelou's rise from immeasurable depths to reach impossible heights.

Praise for Mom & Me & Mom

"Mom & Me & Mom is delivered with Angelou's trademark good humor and fierce optimism. If any resentments linger between these lines, if lives are partially revealed without all the bitter details exposed, well, that is part of Angelou's forgiving design. As an account of reconciliation, this little book is just revealing enough, and pretty irresistible."--The Washington Post

"Moving . . . a remarkable portrait of two courageous souls."--People

"[The] latest, and most potent, of her serial autobiographies . . . [a] tough-minded, tenderhearted addition to Angelou's spectacular canon."--Elle

"Mesmerizing . . . Angelou has a way with words that can still dazzle us, and with her mother as a subject, Angelou has a near-perfect muse and mystery woman."--Essence

The beloved and award-winning novel now available in a new format with a great new cover!

When Wesley Boone writes a poem for his high school English class, some of his classmates clamor to read their poems aloud too. Soon they're having weekly poetry sessions and, one by one, the eighteen students are opening up and taking on the risky challenge of self-revelation. There's Lupe Alvarin, desperate to have a baby so she will feel loved. Raynard Patterson, hiding a secret behind his silence. Porscha Johnson, needing an outlet for her anger after her mother OD's. Through the poetry they share and narratives in which they reveal their most intimate thoughts about themselves and one another, their words and lives show what lies beneath the skin, behind the eyes, beyond the masquerade.

A powerful and poetic picture book about Black history in the United States, from the shores of Africa and slavery, to the civil rights and Black Lives Matter movements.

With stunning lyricism reminiscent of traditional African spirituals and today's rhythm and flow of hip-hop, a teacher shares the history of being Black in the US, while continuing to march into present day--undeterred and proud to be Black. Author Jaha Nailah Avery shows you have to understand the past to shape the future, and knowing who you are gives you the strength to do just that.

The book's back matter on Black history is an extensive resource and provides additional context to the reading of I Heard.

Winner of the Distinguished Contribution to Scholarship Award, American Sociological Association
Co-Winner of the Ralph J. Bunche Award, American Political Science Association

In a work of prodigious scholarship and enormous breadth, which draws on the tribal, ancient, premodern, and modern worlds, Orlando Patterson discusses the internal dynamics of slavery in sixty-six societies over time. These include Greece and Rome, medieval Europe, China, Korea, the Islamic kingdoms, Africa, the Caribbean islands, and the American South.

Praise for the previous edition:

"Densely packed, closely argued, and highly controversial in its dissent from much of the scholarly conventional wisdom about the function and structure of slavery worldwide."
--Boston Globe

"There can be no doubt that this rich and learned book will reinvigorate debates that have tended to become too empirical and specialized. Patterson has helped to set out the direction for the next decades of interdisciplinary scholarship."
--David Brion Davis, New York Review of Books

"This is clearly a major and important work, one which will be widely discussed, cited, and used. I anticipate that it will be considered among the landmarks in the study of slavery, and will be read by historians, sociologists, and anthropologists--as well as many other scholars and students."
--Stanley Engerman

"From the 'sweet scat' and 'jump rope hymns' of wonder and wistfulness to the transformational, lithe, sexually charged energy of jazz, HURDY-GURDY earnestly explores the differences between what we want, what we get, and what we must be willing to pursue at any cost. This is an exciting book--at once fluid, shapely, and steady as stone--whose tensions lead us to an authentic meditative wholeness."--Mark Cox

Illuminates how the preservation of slavery was a motivating factor for the Revolutionary War

The successful 1776 revolt against British rule in North America has been hailed almost universally as a great step forward for humanity. But the Africans then living in the colonies overwhelmingly sided with the British. In this trailblazing book, Gerald Horne shows that in the prelude to 1776, the abolition of slavery seemed all but inevitable in London, delighting Africans as much as it outraged slaveholders, and sparking the colonial revolt.

Prior to 1776, anti-slavery sentiments were deepening throughout Britain and in the Caribbean, rebellious Africans were in revolt. For European colonists in America, the major threat to their security was a foreign invasion combined with an insurrection of the enslaved. It was a real and threatening possibility that London would impose abolition throughout the colonies--a possibility the founding fathers feared would bring slave rebellions to their shores. To forestall it, they went to war.

The so-called Revolutionary War, Horne writes, was in part a counter-revolution, a conservative movement that the founding fathers fought in order to preserve their right to enslave others. The Counter-Revolution of 1776 brings us to a radical new understanding of the traditional heroic creation myth of the United States.

The brilliant and provocative second book of poems by Thomas Sayers Ellis, now available in paperback

Skin, Inc. is Thomas Sayers Ellis's ambitious argument in sound and image for an America whose identity is in need of repair. In lyric sequences and with his own photographs, Ellis traverses the African American and American literary landscapes and performs tributes for the Godfather of Soul, James Brown; the King of Pop, Michael Jackson; and the election of President Barack Obama. This book assures Ellis's place as one of the most audacious poets now writing.

In a deeply emotional novel of family, cultural heritage, and forgiveness, estranged sisters wrestle with the choices they've made and confront circumstances beyond their control.

Nona "Peaches" Davenport, abandoned by the man she loved and betrayed by family, left her Natchez, Mississippi, home fifteen years ago and never looked back. She's forged a promising future in Chicago as a professor of African American Studies. Nona even finds her once-closed heart persuaded by a new love. But that's all shaken when her father's death forces her to return to everything she's tried to forget.

Julia Curtis hasn't forgiven her sister for deserting the family. Just like their mother, Nona walked away from Julia when she needed her most. And Julia doesn't feel guilty for turning to Nona's old flame, Marcus, for comfort. He helped Julia build a new life. She has a child, a career, and a determination to move on from old family wounds.

Upon Nona's return to Natchez, a cautious reunion unfolds, and everything Nona and Julia thought they knew--about themselves, each other, and those they loved--will be tested. Unpacking the truth about why Nona left may finally heal their frayed bond--or tear it apart again, forever.