Collection: Shop Black

With beautiful watercolors from Caldecott Honor artist E. B. Lewis, Alice Schertle's Down the Road is a touching picture book not to be missed.

Sometimes Hetty walked with Mama down the dusty road. Sometimes she walked with Papa. But Hetty had never, ever been allowed down the dusty road all by herself.

Eggs for breakfast, Mama and Papa agree, would be nice, but they're too busy to go to the store. Is Hetty big enough? "Absolutely," says Papa, so with money in her pocket and a basket over her arm, Hetty sets off for Mr. Birdie's store.

Although she practices her smooth walk up the hill so she won't break the precious eggs, Hetty can't help running all the way down. But what will she do about the slippery log over the stream and the rock hidden in the road? And what other obstacles will Hetty face on her first grown-up adventure?

Alice Schertle's gentle text and E.B. Lewis's glorious, translucent watercolors depict a loving family and the friendly world that awaits a child's first steps toward independence.

"The story is remarkable for its evocative imagery, and the loving interchange between the characters sets a charming tone. The words are perfectly complemented by Lewis's dazzling, impressionistic watercolors that show the joyous power of love and depict a warmly supportive world in which Hetty ventures forth toward independence. A fine book that speaks straight to the heart." --Booklist

WINNER, 2020 Whiting Award in Poetry!

Diannely Antigua's debut collection Ugly Music is a cacophonous symphony of reality, dream, trauma, and obsession. It reaches into the corners of love and loss where survival and surrender are blurred. The poems span a traumatic early childhood, a religious adolescence, and later a womanhood that grapples with learning how to create an identity informed by, yet in spite of, those challenges. What follows is an exquisitely vulgar voice, unafraid to draw attention to the distasteful, to speak a truth created by a collage of song and confession, diary and praise. It is an account of observation and dissociation, the danger of simultaneously being inside and outside the experiences that mold a life. Ugly Music emerges as a story of witness, a realization that even the strangest things exist on earth and deserve to live.

From the emergence of the first sugar plantations up until 1873, when slavery was abolished, the wealth amassed by many landowners in Puerto Rico derived mainly from the exploitation of slaves. But slavery generated its antithesis: disobedience, conspiracies, uprisings, and flight. Slave Revolts in Puerto Rico is a richly documented volume dealing with these expressions of collective resistance. The image of the docile and submissive slave presented by the prevailing historiography until very recently is no longer valid. Documents uncovered by Guillermo A. Baralt provide evidence of over forty uprising attempts, as detailed in this fascinating book.

James H. Lowry encapsulated his thirty plus years of experience in the field of minority business development in the book he co-authored in 2011, Minority Business Success: Refocusing on the American Dream. In his new book, Change Agent: A Life Dedicated to Creating Wealth for Minorities, Lowry delivers a deeply personal, candid, and often humorous, portrayal of his life from the South Side of Chicago to Wall Street and trailblazing entrepreneur. Often the first black in many rooms, at eighty years old, he continues the fight so he will not be the last. More than just a story of his life, this memoir illustrates the power of iconic mentors and pivotal opportunities leveraged across the globe, demonstrates how breakthroughs can be achieved through years of lessons learned, and offers real solutions to the ever widening wealth gap that plagues minority communities today. Unlike like many who only diagnose the problem, Lowry delivers a plan to accelerate economic development in the black community. This book is a road map for the next generation of leaders and will inspire new change agents to take the reins.

Praised as "a trenchant, funny, and unsparing work of memoir and philosophy" (Aaron Robertson, ?Literary Hub), Frank B. Wilderson's Afropessimism arrived at a moment when protests against police brutality once again swept the nation. Presenting an argument we can no longer ignore, Wilderson insists that we must view Blackness through the lens of perpetual slavery. Radical in conception, remarkably poignant, and with soaring flights of memoir, Afropessimism reverberates with wisdom and painful clarity in the fractured world we inhabit."Wilderson's ambitious book offers its readers two great gifts. First, it strives mightily to make its pessimistic vision plausible. . . . Second, the book depicts a remarkable life, lived with daring and sincerity."--Paul C. Taylor, Washington Post

The New York Times-bestselling final book by the beloved, Pulitzer-Prize winning historian Tony Horwitz.

With Spying on the South, the best-selling author of Confederates in the Attic returns to the South and the Civil War era for an epic adventure on the trail of America's greatest landscape architect. In the 1850s, the young Frederick Law Olmsted was adrift, a restless farmer and dreamer in search of a mission. He found it during an extraordinary journey, as an undercover correspondent in the South for the up-and-coming New York Times.

For the Connecticut Yankee, pen name "Yeoman," the South was alien, often hostile territory. Yet Olmsted traveled for 14 months, by horseback, steamboat, and stagecoach, seeking dialogue and common ground. His vivid dispatches about the lives and beliefs of Southerners were revelatory for readers of his day, and Yeoman's remarkable trek also reshaped the American landscape, as Olmsted sought to reform his own society by creating democratic spaces for the uplift of all. The result: Central Park and Olmsted's career as America's first and foremost landscape architect.

Tony Horwitz rediscovers Yeoman Olmsted amidst the discord and polarization of our own time. Is America still one country? In search of answers, and his own adventures, Horwitz follows Olmsted's tracks and often his mode of transport (including muleback): through Appalachia, down the Mississippi River, into bayou Louisiana, and across Texas to the contested Mexican borderland. Venturing far off beaten paths, Horwitz uncovers bracing vestiges and strange new mutations of the Cotton Kingdom. Horwitz's intrepid and often hilarious journey through an outsized American landscape is a masterpiece in the tradition of Great Plains, Bad Land, and the author's own classic, Confederates in the Attic.

Born to a wealthy family in West Africa around 1770, Omar Ibn Said was abducted and sold into slavery in the United States, where he came to the attention of a prominent North Carolina family after filling "the walls of his room with piteous petitions to be released, all written in the Arabic language," as one local newspaper reported. Ibn Said soon became a local celebrity, and in 1831 he was asked to write his life story, producing the only known surviving American slave narrative written in Arabic.
In A Muslim American Slave, scholar and translator Ala Alryyes offers both a definitive translation and an authoritative edition of this singularly important work, lending new insights into the early history of Islam in America and exploring the multiple, shifting interpretations of Ibn Said's narrative by the nineteenth-century missionaries, ethnographers, and intellectuals who championed it.
This edition presents the English translation on pages facing facsimile pages of Ibn Said's Arabic narrative, augmented by Alryyes's comprehensive introduction, contextual essays and historical commentary by leading literary critics and scholars of Islam and the African diaspora, photographs, maps, and other writings by Omar Ibn Said. The result is an invaluable addition to our understanding of writings by enslaved Americans and a timely reminder that "Islam" and "America" are not mutually exclusive terms.
This edition presents the English translation on pages facing facsimile pages of Ibn Said's Arabic narrative, augmented by Alryyes's comprehensive introduction and by photographs, maps, and other writings by Omar Ibn Said. The volume also includes contextual essays and historical commentary by literary critics and scholars of Islam and the African diaspora: Michael A. Gomez, Allan D. Austin, Robert J. Allison, Sylviane A. Diouf, Ghada Osman, and Camille F. Forbes. The result is an invaluable addition to our understanding of writings by enslaved Americans and a timely reminder that "Islam" and "America" are not mutually exclusive terms.

Best Books for General Audiences, selected by the American Association of School Librarians

The bestselling autobiography of American baseball and civil rights legend Jackie Robinson

Before Reggie Jackson, before Hank Aaron, baseball's stars had one undeniable trait in common: they were all white. In 1947, Jackie Robinson broke that barrier, striking a crucial blow for racial equality and changing the world of sports forever. I Never Had It Made is Robinson's own candid, hard-hitting account of what it took to become the first black man in history to play in the major leagues.

I Never Had It Made recalls Robinson's early years and influences: his time at UCLA, where he became the school's first four-letter athlete; his army stint during World War II, when he challenged Jim Crow laws and narrowly escaped court martial; his years of frustration, on and off the field, with the Negro Leagues; and finally that fateful day when Branch Rickey of the Brooklyn Dodgers proposed what became known as the "Noble Experiment"--Robinson would step up to bat to integrate and revolutionize baseball.

More than a baseball story, I Never Had It Made also reveals the highs and lows of Robinson's life after baseball. He recounts his political aspirations and civil rights activism; his friendships with Martin Luther King, Jr., Malcolm X, William Buckley, Jr., and Nelson Rockefeller; and his troubled relationship with his son, Jackie, Jr.

I Never Had It Made endures as an inspiring story of a man whose heroism extended well beyond the playing field.

Coretta Scott King Illustrator Honor, ALA Notable Children's Book, CCBC Best Children's Book of the Year, Jane Addams Children's Book Award, Kirkus Best Children's Books, NCTE Notable

In the 1930s, Lewis's dad, Lewis Michaux Sr., had an itch he needed to scratch--a book itch. How to scratch it? He started a bookstore in Harlem and named it the National Memorial African Bookstore.

And as far as Lewis Michaux Jr. could tell, his father's bookstore was one of a kind. People from all over came to visit the store, even famous people--Muhammad Ali, Malcolm X, and Langston Hughes, to name a few. In his father's bookstore people bought and read books, and they also learned from each other. People swapped and traded ideas and talked about how things could change. They came together here all because of his father's book itch. Read the story of how Lewis Michaux Sr. and his bookstore fostered new ideas and helped people stand up for what they believed in.

A call for Black survival in the face of widespread crisis.

The Nation on No Map examines state power, abolition, and ideological tensions within the struggle for Black liberation while centering the politics of Black autonomy and self-determination. Amid renewed interest in Black anarchism among the left, Anderson offers a principled rejection of reformism, nation building, and citizenship in the ongoing fight against capitalism and white supremacism. As a viable alternative amidst worsening social conditions, he calls for the urgent prioritization of community-based growth, arguing that in order to overcome oppression, people must build capacity beyond the state. It interrogates how history and myth and leadership are used to rehabilitate governance instead of achieving a revolutionary abolition. By complicating our understanding of the predicaments we face, The Nation on No Map hopes to encourage readers to utilize a Black anarchic lens in favor of total transformation, no matter what it's called. Anderson's text examines reformism, orthodoxy, and the idea of the nation-state itself as problems that must be transcended and key sites for a liberatory re-envisioning of struggle.

Who wouldn't want a fairy godmother? But when June's puts her under a spell where she cannot tell a lie, the truth is middle school just got a lot harder.

The truth hurts. Sixth-grader June Jackson learned that lesson early. (She told her BFF one time she didn't like her shoes. They fought for a week!) Which is why now June tells people what they what to hear. Who cares about a small fib if it makes her friends and family happy?

But when June's fairy godmother appears in a cloud of glitter, she's grants June with the ability to only tell the truth. Now, June has no choice but to be honest about how she feels. And the truth is June feels stressed out. Middle school is no joke--between field hockey, friend drama, and her parents' high expectations, June is so overwhelmed that sometimes it's hard to breathe.

When everything spirals out of control, will June find freedom in telling the whole truth and nothing but--or is she destined to battle the curse for the rest of her life?

"A heart-pounding roller coaster ride."--Tami Hoag, #1 New York Times bestselling author of The Boy

*Shortlisted for the 2022 Diverse Book Award*
*A Crime Reads Most Anticipated Book of 2021*

A serial killer and his copycat are locked in a violent game of cat and mouse. Can DI Anjelica Henley stop them before it's too late?

On the day she returns to active duty with the Serial Crimes Unit, Detective Inspector Anjelica Henley is called to a crime scene. Dismembered body parts from two victims have been found by the river.

The modus operandi bears a striking resemblance to Peter Olivier, the notorious Jigsaw Killer, who has spent the past two years behind bars. When he learns that someone is co-opting his grisly signature--the arrangement of victims' limbs in puzzle-piece shapes--he decides to take matters into his own hands.

As the body count rises, DI Anjelica Henley is faced with an unspeakable new threat. Can she apprehend the copycat killer before Olivier finds a way to get to him first? Or will she herself become the next victim?

Drawing on her experience as a criminal attorney, debut novelist Nadine Matheson delivers the page-turning crime novel of the year. Taut, vivid and addictively sinister, The Jigsaw Man will leave you breathless until the very last page.

A fresh portrayal of one of the architects of the African American intellectual tradition, whose faith in the subversive power of education will inspire teachers and learners today.

"As departments...scramble to decolonize their curriculum, Givens illuminates a longstanding counter-canon in predominantly black schools and colleges."
--Boston Review

"Informative and inspiring...An homage to the achievement of an often-forgotten racial pioneer."
--Glenn C. Altschuler, Florida Courier

"A long-overdue labor of love and analysis...that would make Woodson, the ever-rigorous teacher, proud."
--Randal Maurice Jelks, Los Angeles Review of Books

"Fascinating, and groundbreaking. Givens restores Carter G. Woodson, one of the most important educators and intellectuals of the twentieth century, to his rightful place alongside figures like W. E. B. Du Bois and Ida B. Wells."
--Imani Perry, author of May We Forever Stand: A History of the Black National Anthem

Black education was subversive from its inception. African Americans pursued education through clandestine means, often in defiance of law and custom, even under threat of violence. They developed what Jarvis Givens calls a tradition of "fugitive pedagogy"--a theory and practice of Black education epitomized by Carter G. Woodson--groundbreaking historian, founder of Black History Month, and legendary educator under Jim Crow.

Givens shows that Woodson succeeded because of the world of Black teachers to which he belonged. Fugitive Pedagogy chronicles his ambitious efforts to fight what he called the "mis-education of the Negro" by helping teachers and students to see themselves and their mission as set apart from an anti-Black world. Teachers, students, families, and communities worked together, using Woodson's materials and methods as they fought for power in schools. Forged in slavery and honed under Jim Crow, the vision of the Black experience Woodson articulated so passionately and effectively remains essential for teachers and students today.

"It is exhilarating to be invited into a world so large and muscular, so rooted in history, a world where so much is at stake."--Brigit Pegeen Kelly, National Poetry Series judge

A biography in poems, leadbelly examines the life and times of the legendary blues musician from a variety of intimate perspectives and using a range of innovative poetic forms. A collage of song, culture, and circumstance, alive and speaking.

Tyehimba Jess' numerous awards include fellowships from the NEA and the Fine Arts Work Center in Provincetown. A native of Detroit, he is a proud alumnus of the Chicago Green Mill Slam teams and Cave Canem. His first nonfiction book is African American Pride: Celebrating our Achievements, Contributions, and Enduring Legacy (Citadel Press, 2003).

In this second volume of her poignant autobiographical series, Maya Angelou powerfully captures the struggles and triumphs of her passionate life with dignity, wisdom, humor, and humanity.

"A curiously heartening story in which decency, honor, truth, love do exist, imperfectly, fractionally and flickeringly, not in some Platonic realm of the ideal, but in the flawed lives of real men and women."--The Washington Post

Gather Together in My Name continues Maya Angelou's personal story, begun so unforgettably in I Know Why the Caged Bird Sings. The time is the end of World War II and there is a sense of optimism everywhere. Maya Angelou, still in her teens, has given birth to a son. But the next few years are difficult ones as she tries to find a place in the world for herself and her child. She goes from job to job-and from man to man. She tries to return home-back to Stamps, Arkansas-but discovers that she is no longer part of that world. Then Maya's life takes a dramatic turn, and she faces new challenges and temptations.

Winner of the 2016 Yale Series of Younger Poets prize

A fresh and rebellious poetic voice, Airea D. Matthews debuts in the acclaimed series that showcases the work of exciting and innovative young American poets. Matthews's superb collection explores the topic of want and desire with power, insight, and intense emotion. Her poems cross historical boundaries and speak emphatically from a racialized America, where the trajectories of joy and exploitation, striving and thwarting, violence and celebration are constrained by differentials of privilege and contemporary modes of communication. In his foreword, series judge Carl Phillips calls this book "rollicking, destabilizing, at once intellectually sly and piercing and finally poignant." This is poetry that breaks new literary ground, inspiring readers to think differently about what poems can and should do in a new media society where imaginations are laid bare and there is no thought too provocative to send out into the world.