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In Betty Reid Soskin's 96 years of living, she has been a witness to a grand sweep of American history. When she was born in 1921, the lynching of African-Americans was a national disgrace, minstrel shows were the most popular American form of entertainment, women were looked at suspiciously by many for exercising their right to vote, and most African-Americans in the Deep South could not vote at all.

From her great-grandmother, who had been enslaved until she was in her mid-20s, Betty heard stories of slavery and the difficult times for Black Folk that immediately followed. In her lifetime, Betty has seen the nation begin to break down its race and gender biases, watched it nearly split apart in the upheavals of the civil rights and Black Power eras, and, finally, lived long enough to witness both the election of an African-American president and the re-emergence of a militant, racist far right.

But far more than being merely a witness, Betty Reid Soskin has been an active participant with so many other Americans in shaping the country as we know it now. The child of Louisiana Creole parents who refused to bow down to Southern discrimination, she was raised in the Black Bay Area community before the great westward migration of World War II. After working in the civilian homefront effort in the war years, she and her husband, Mel Reid, helped break down racial boundaries by moving into a white community east of the Oakland hills. There she raised four children--one openly gay, one developmentally disabled--while working to end the prejudices against the family that existed among many of her neighbors.

With Mel, she opened up one of the first Bay Area record stores in Berkeley both owned by African-Americans and dedicated to the distribution of African-American music. Her community organizing activities eventually led her to work as a state legislative aid, helping to plan the innovative Rosie the Riveter National Park in Richmond, California, then to a "second" career at the Rosie Park as the oldest park ranger in the history of the National Park Service. In between, she used her talents as a singer and songwriter to interpret and chronicle the great social upheavals that marked the 1960s.

In 2003, Betty displayed a new talent, writing, when she created the popular blog CBreaux Speaks. Now followed by thousands, her blog is a collection of Betty's sometimes fierce, sometimes gently persuasive, but always brightly honest story that weaves both the wisdom of the ages and the fresh enthusiasm of an always youthful mind into her long journey through an American and African-American life, as well as America's long struggle to both understand and cleanse its soul.

Blending together selections from many of Betty's hundreds of blog entries with interviews, letters, and speeches collected throughout her long life, Sign My Name to Freedom invites readers into an American life through the words and thoughts of a national treasure who has never stopped looking at herself, the nation, or the world with fresh eyes.

This timely and gorgeously illustrated companion book to an exciting Smithsonian exhibition explores the power of Afrofuturism to reclaim the past and reimagine Black futures

Afrofuturism: A History of Black Futures explores the evolving and exhilarating concept of Afrofuturism, a lens used to imagine a more empowering future for the Black community through music, art, and speculative fiction. Sumptuous, beautifully designed spreads feature 100 gorgeous illustrations of objects and images that reflect Black identity, agency, creativity, and hope, including: T'Challa's suit from Black Panther, Octavia Butler's typewriter, Uhura's outfit from Star Trek, Sun Ra's space harp, costumes from Broadway's The Wiz, handwritten lyrics by Jimi Hendrix, and Janelle Monae's ArchAndroid dress.

Chapters include essays from a diverse group of scholars who reflect on themes such as legacy, alienation, and activism, with profiles on influential people and objects:

• Foreword & Introduction Provides background on Afrofuturism

• Chapter 1 - Space is the Place: Reflects on space and its defining connection to Afrofuturism and its African cultural legacy

• Chapter 2 - Speculative Worlds Explores short stories, Black speculative fiction and sci-fi, comics, and Black superheroes as bastions of Afrofuturist expression

• Chapter 3 - Visualizing Afrofuturism Analyzes the vast visual culture of Afrofuturism

• Chapter 4 - Musical Futures Explores Afrofuturism and music

• Afterword

Afrofuturism offers a framework of radical potential to envision Black liberation and alternatives to oppressive structures like white supremacy. Afrofuturism comes at a time of increasing visibility for the concept, both in scholarship and in pop culture, and is a compelling ode to the revolutionary power of Black imagination.

CONTRIBUTORS Reynaldo Anderson, Tiffany E. Barber, Herb Boyd, Ariana Curtis, Eve L. Ewing, Tuliza Fleming, Nona Hendryx, N. K. Jemisin, John Jennings, Steven Lewis, Mark Anthony Neal, Alondra Nelson, De Nichols, Elaine Nichols, William S. Pretzer, Vernon Reid, Matthew Shindell, Kevin M. Strait, Angela Tate, Michelle Wilkinson, Ytasha L. Womack, Alisha B. Wormsley, and Kevin Young

"Cerebral and capacious, Teju Cole's novel asks what it means to roam freely."--The New York Times (One of the 25 Most Significant New York City Novels From the Last 100 Years)

"Influential . . . makes you think about what kind of city is revealed to us based on where we cannot go."--Katie Kitamura, bestselling author of Intimacies

ONE OF THE TEN BEST BOOKS OF THE YEAR: Time, NPR - WINNER: PEN/Hemingway Award, Rosenthal Foundation Award, New York City Book Award

Along the streets of Manhattan, a young Nigerian doctor named Julius doing his residency wanders aimlessly. The walks are a release from the tightly regulated mental environment of work, and they give him the opportunity to process his relationships, his recent breakup, his present, his past. Though he's navigating the busy parts of town, the impression of countless faces does nothing to assuage his feelings of isolation.

Julius crisscrosses social territory as well, encountering people from different cultures and classes who provide insight on his journey--which takes him to Brussels, to the Nigeria of his youth, and into the most unrecognizable facets of his own soul.

Seething with intelligence and written in a clear, rhythmic voice, Open City is a haunting, mature, profound work about our country and our world.

FINALIST: National Book Critics Circle Award, Young Lions Fiction Award - ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The New Yorker, The Atlantic, The Economist, Newsweek, The New Republic, New York Daily News, Los Angeles Times, The Boston Globe, The Seattle Times, Minneapolis Star Tribune, GQ, Salon, Slate, New York, The Week, The Kansas City Star, Kirkus Reviews, The Guardian, Toronto Star, The Globe and Mail, The Irish Times

A seminal volume of four classic slave narratives, including Narrative of the Life of Frederick Douglass, The History of Mary Price: A West Indian Slave, Incident in the Life of a Slave Girl, and The Life of Olaudah Equiano.

Before the end of the Civil War, more than one hundred former slaves had published moving stories of their captivity and escape, joined by a similar number after the war. No group of slaves anywhere, in any other era, has left such prolific testimony to the horror of bondage and servitude.

Henry Louis Gates, Jr., one of America's top experts in African American studies, presents four of these classic narratives that illustrate the real nature of black experience in slavery.

Fascinating and powerful, this collection includes four of the best-known examples: the lives of Frederick Douglass, Harriet Jacobs (alias Linda Brent), Mary Price, and Olaudah Equiano (alias Gustavus Vassa). These amazing stories are not only first-person histories of the highest caliber, they are also a unique literary form that has given birth to the spirit, vitality, and vision of America's modern black writers.

Updated with the ninth edition of The Life of Olaudah Equiano, the last edition he revised and published in his lifetime.

With a Revised and Updated Introduction by Henry Louis Gates, Jr.

From the critically acclaimed, award-winning author of Blackberries, Blackberries and Water Street comes an astonishing new novel. A lyrical exploration of love and loss, The Birds of Opulence centers on several generations of women in a bucolic southern black township as they live with and sometimes surrender to madness.

The Goode-Brown family, led by matriarch and pillar of the community Minnie Mae, is plagued by old secrets and embarrassment over mental illness and illegitimacy. Meanwhile, single mother Francine Clark is haunted by her dead, lightning-struck husband and forced to fight against both the moral judgment of the community and her own rebellious daughter, Mona. The residents of Opulence struggle with vexing relationships to the land, to one another, and to their own sexuality. As the members of the youngest generation watch their mothers and grandmothers pass away, they live with the fear of going mad themselves and must fight to survive.

Crystal Wilkinson offers up Opulence and its people in lush, poetic detail. It is a world of magic, conjuring, signs, and spells, but also of harsh realities that only love -- and love that's handed down -- can conquer. At once tragic and hopeful, this captivating novel is a story about another time, rendered for our own.

Through vibrant lyrical text, Black Artists Rock! The Cool Kids' Guide A-Z is a celebration of the myriad of accomplishments by the best-of-the best and the coolest-of-the-cool Black artists of the twentieth century. Artfully curated, portrayals of extraordinary Black artists in music, literature, theater, film and much more highlight groundbreaking achievements, offering both little-known facts about household names (Duke Ellington, Maya Angelou, Quincy Jones), and key introductions to overlooked pioneers (Toni Cade Bambara, James Vanderzee, Faith Ringgold).

"V IS FOR JAMES VANDERZEECREATING SILVER-TONED IMAGES OF GRACESHOWCASING LUXURIOUS FASHION AND CARSENJOYED BY HARLEM'S BLACK ELITE."

From early twentieth century tap dance phenoms like The Nicholas Brothers, to brilliant anthropologist and storyteller Zora Neale Hurston, Black Artists Rock! The Cool Kids' Guide A-Z honors the African American creatives who followed their hearts, succeeded against all odds, and left legacies and works of art that will inspire countless generations to come.

A young reader's edition of award-winning author Candacy Taylor's acclaimed book about the history of the Green Book, the guide for Black travelers.

Overground Railroad chronicles the history of the Green Book, which was published from 1936 to 1966 and was the "Black travel guide to America." For years it was dangerous for African Americans to travel in the United States. Because of segregation, Black travelers couldn't eat, sleep, or even get gas at most white-owned businesses.

The Green Book listed hotels, restaurants, department stores, gas stations, recreational destinations, and other businesses that were safe for Black travelers. It was a resourceful and innovative solution to a horrific problem. It took courage to be listed in the Green Book, and the stories from those who took a stand against racial segregation are recorded and celebrated.

This young reader's edition of Candacy Taylor's New York Times Notable Book discusses a number of sites included in the Green Book as well as the effects of systemic racism til the present day. It includes her own photographs of Green Book sites, as well as archival photographs and interviews with people who owned and used these facilities. The book also includes an author's note, endnotes, bibliography, timeline, and index.

A Finalist for the NAACP Image Award

A Finalist for the Hurston/Wright Legacy Award for Nonfiction

A Finalist for the Thurber Prize for American Humor

Longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay

An NPR Best Book of the Year

A Washington Independent Review of Books Favorite of the Year

From the host of podcast "Stuck with Damon Young," cofounder of VerySmartBrothas.com, and one of the most read writers on race and culture at work today, a provocative and humorous memoir-in-essays that explores the ever-shifting definitions of what it means to be Black (and male) in America

For Damon Young, existing while Black is an extreme sport. The act of possessing black skin while searching for space to breathe in America is enough to induce a ceaseless state of angst where questions such as "How should I react here, as a professional black person?" and "Will this white person's potato salad kill me?" are forever relevant.

What Doesn't Kill You Makes You Blacker chronicles Young's efforts to survive while battling and making sense of the various neuroses his country has given him.

It's a condition that's sometimes stretched to absurd limits: creating the farce where, as a teen, he wished for a white person to call him a racial slur just so he could fight him and have a great story about it; provoking the angst that made him question if "being straight" was something he could practice and get better at, like a crossover dribble; and generating the surreal experience of watching his Pittsburgh neighborhood getrify from predominantly Black to "Portlandia . . . but with Pierogies."

And, at its most devastating, it provides him reason to believe that his mother would be alive today if she were white.

From one of our most respected cultural observers, What Doesn't Kill You Makes You Blacker is a hilarious and honest debut that is both a celebration of the idiosyncrasies and distinctions of Blackness and a critique of white supremacy and how we define masculinity.

NOW A NEW YORK TIMES BESTSELLER - An Emma Watson "Our Shared Shelf" Selection for November/December 2018 - NAMED A BEST BOOK OF 2018/ MENTIONED BY: The New York Public Library - Mashable - The Atlantic - Bustle - The Root - Politico Magazine ("What the 2020 Candidates Are Reading This Summer") - NPR - Fast Company ("10 Best Books for Battling Your Sexist Workplace") - The Guardian ("Top 10 Books About Angry Women")

Rebecca Solnit, The New Republic: "Funny, wrenching, pithy, and pointed."

Roxane Gay: "I encourage you to check out Eloquent Rage out now."

Joy Reid, Cosmopolitan: "A dissertation on black women's pain and possibility."

America Ferrera: "Razor sharp and hilarious. There is so much about her analysis that I relate to and grapple with on a daily basis as a Latina feminist."

Damon Young: "Like watching the world's best Baptist preacher but with sermons about intersectionality and Beyoncé instead of Ecclesiastes."

Melissa Harris Perry: "I was waiting for an author who wouldn't forget, ignore, or erase us black girls...I was waiting and she has come in Brittney Cooper."

Michael Eric Dyson: "Cooper may be the boldest young feminist writing today...and she will make you laugh out loud."

So what if it's true that Black women are mad as hell? They have the right to be. In the Black feminist tradition of Audre Lorde, Brittney Cooper reminds us that anger is a powerful source of energy that can give us the strength to keep on fighting.

Far too often, Black women's anger has been caricatured into an ugly and destructive force that threatens the civility and social fabric of American democracy. But Cooper shows us that there is more to the story than that. Black women's eloquent rage is what makes Serena Williams such a powerful tennis player. It's what makes Beyoncé's girl power anthems resonate so hard. It's what makes Michelle Obama an icon.

Eloquent rage keeps us all honest and accountable. It reminds women that they don't have to settle for less. When Cooper learned of her grandmother's eloquent rage about love, sex, and marriage in an epic and hilarious front-porch confrontation, her life was changed. And it took another intervention, this time staged by one of her homegirls, to turn Brittney into the fierce feminist she is today. In Brittney Cooper's world, neither mean girls nor fuckboys ever win. But homegirls emerge as heroes. This book argues that ultimately feminism, friendship, and faith in one's own superpowers are all we really need to turn things right side up again.

A BEST/MOST ANTICIPATED BOOK OF 2018 BY: Glamour - Chicago Reader - Bustle - Autostraddle

A New York Times Bestseller
A Read with Jenna Today Show Book Club Pick!
Longlisted for the Center for Fiction's First Novel Prize

"Askaripour closes the deal on the first page of this mesmerizing novel, executing a high wire act full of verve and dark, comic energy."
--Colson Whitehead, author of The Nickel Boys

"A hilarious, gleaming satire as radiant as its author. Askaripour has announced himself as a major talent of the school of Ralph Ellison, Paul Beatty, Fran Ross, and Ishmael Reed. Full of quick pacing, frenetic energy, absurd--yet spot on--twists and turns, and some of the funniest similes I've ever read, this novel is both balm and bomb."
--Nafissa Thompson-Spires, author of Heads of the Colored People

For fans of Sorry to Bother You and The Wolf of Wall Street--a crackling, satirical debut novel about a young man given a shot at stardom as the lone Black salesman at a mysterious, cult-like, and wildly successful startup where nothing is as it seems.

There's nothing like a Black salesman on a mission.

An unambitious twenty-two-year-old, Darren lives in a Bed-Stuy brownstone with his mother, who wants nothing more than to see him live up to his potential as the valedictorian of Bronx Science. But Darren is content working at Starbucks in the lobby of a Midtown office building, hanging out with his girlfriend, Soraya, and eating his mother's home-cooked meals. All that changes when a chance encounter with Rhett Daniels, the silver-tongued CEO of Sumwun, NYC's hottest tech startup, results in an exclusive invitation for Darren to join an elite sales team on the thirty-sixth floor.

After enduring a "hell week" of training, Darren, the only Black person in the company, reimagines himself as "Buck," a ruthless salesman unrecognizable to his friends and family. But when things turn tragic at home and Buck feels he's hit rock bottom, he begins to hatch a plan to help young people of color infiltrate America's sales force, setting off a chain of events that forever changes the game.

Black Buck is a hilarious, razor-sharp skewering of America's workforce; it is a propulsive, crackling debut that explores ambition and race, and makes way for a necessary new vision of the American dream.

Help your little one dream big with a Little Golden Book biography about Colin Powell, the first African American US secretary of state! Little Golden Book biographies are the perfect introduction to nonfiction for young readers--as well as fans of all ages!

This Little Golden Book about Colin Powell--the son of immigrants who became a four-star general and the United States' first Black secretary of state--is an inspiring read-aloud for young readers.

Look for more Little Golden Book biographies:
- George W. Bush
- John McCain
- My LGB About the White House
- My LGB About Johnny Appleseed

Freedom House is a poetry collection that explores internal, interpersonal, and systemic freedom.

In this debut full-length collection, KB Brookins' formally diverse, music-influenced poetry explores transness, politics of the body, gentrification, sexual violence, climate change, masculinity, and afrofuturism while chronicling their transition and walking readers through different "rooms". The speaker isn't afraid to call themselves out while also bending time, displaying the terror of being Black/queer/trans in Texas, and more - all while using humor and craft.

What does freedom look like? What can we learn from nature and our past? How do you reintroduce yourself in a world that refuses queerness? How can we use poetry as a tool in the toolbox that helps build freedom? This collection explores those questions, and manifests a world where Black, queer, and trans people get to live.

When a personal trainer agrees to fake date her client, all rules are out the window in this "fun, heartfelt, and totally relatable" romantic comedy named one of the best of the year by USA Today, NPR, and Entertainment Weekly (Abby Jimenez, NYT bestselling author of Life's Too Short).

When it comes to personal training, Taylor Powell kicks serious butt. Unfortunately, her bills are piling up, rent is due, and the money situation is dire. Taylor needs more than the support of her new best friends, Samiah and London. She needs a miracle.

And Jamar Dixon might just be it. The oh-so-fine former footballer wants back into the NFL, and he wants Taylor to train him. There's just one catch--no one can know what they're doing. But when they're accidentally outed as a couple, Taylor's game plan is turned completely upside down. Is Jamar just playing to win . . . or is he playing for keeps?

USA Today Best Rom-Coms of 2021
NPR Best Romances of 2021
Kirkus Best Romances of the Year
Vulture Best Romances of 2021
SheReads Best of the Year nominee - Romance

From the late eighteenth century through the end of the Civil War, Choctaw and Chickasaw Indians bought, sold, and owned Africans and African Americans as slaves, a fact that persisted after the tribes' removal from the Deep South to Indian Territory. The tribes formulated racial and gender ideologies that justified this practice and marginalized free black people in the Indian nations well after the Civil War and slavery had ended. Through the end of the nineteenth century, ongoing conflicts among Choctaw, Chickasaw, and U.S. lawmakers left untold numbers of former slaves and their descendants in the two Indian nations without citizenship in either the Indian nations or the United States. In this groundbreaking study, Barbara Krauthamer rewrites the history of southern slavery, emancipation, race, and citizenship to reveal the centrality of Native American slaveholders and the black people they enslaved.
Krauthamer's examination of slavery and emancipation highlights the ways Indian women's gender roles changed with the arrival of slavery and changed again after emancipation and reveals complex dynamics of race that shaped the lives of black people and Indians both before and after removal.

"Flournoy's knockout debut is one of those books that should, by rights, be described as the Great American Novel." -- NPR
A New York Times Notable Book

Named a Best Book of the Year byO, The Oprah Magazine * Entertainment Weekly * NPR * Essence * Men's Journal * Buzzfeed * Bustle * Time Out * Denver Post * Publishers Weekly * Kirkus Reviews * BookPage * Literary Hub * Kobo * The Week

"A page-turner. Richly wrought prose and intimate, vivid dialogue. A-." -- Entertainment Weekly

For over fifty years the Turners have lived on Yarrow Street. Their house has seen thirteen children get grown and gone--and some return; it has seen the arrival of grandchildren, the fall of Detroit's East Side, and the loss of a father. But when their powerful mother falls ill, the Turners are called home to decide their house's fate and to reckon with how their past haunts--and shapes--their future. The Turner House is a striking examination of the price we pay for our dreams, and the ways in which our families bring us home.

"An epic that feels deeply personal . . . Flournoy's finely tuned empathy infuses her characters with a radiant humanity." -- O, The Oprah Magazine

"In this assured and memorable novel, [Flournoy] provides the feeling of knowing a family from the inside out, as we would wish to know our own." -- New York Times Book Review

Stephanie Y. Evans is a Professor of Black Women's Studies, Director of the Institute for Women's, Gender, and Sexuality Studies, and Affiliate Faculty in the Department of African American Studies and in the Center for the Study of Stress, Trauma, and Resilience at Georgia State University. Her books include Black Women and Social Justice Education: Legacies and Lessons (coedited with Andrea D. Domingue and Tania D. Mitchell); Black Women's Mental Health: Balancing Strength and Vulnerability (coedited with Kanika Bell and Nsenga K. Burton); and African Americans and Community Engagement in Higher Education: Community Service, Service-Learning, and Community-Based Research (coedited with Colette M. Taylor, Michelle R. Dunlap, and DeMond S. Miller), all published by SUNY Press.