Collection: Shop Black

This brilliant, adult nonfiction debut from the acclaimed MG author and poet weaves two personal narratives of recovery and reclamation, spliced with a dazzle of pop-culture

The Dead Don't Need Reminding is a braided story of Julian Randall's return from the cliff edge of a harrowing depression and his determination to retrace the hustle of a white-passing grandfather to the Mississippi town from which he was driven amid threats of tar and feather.

Alternatively wry, lyrical, and heartfelt, Randall transforms pop culture moments into deeply personal explorations of grief, family, and the American way. He envisions his fight to stay alive through a striking medley of media ranging from Into the Spiderverse and Jordan Peele movies to BoJack Horseman and the music of Odd Future. Pulsing with life, sharp, and wickedly funny, The Dead Don't Need Reminding is Randall's journey to get his ghost story back.

"The book we all need to revive our souls" (Nicole Dennis-Benn): A sweeping family saga about the complicated bond between mothers and daughters, the disappearance of a father, and the long-hidden history of a declining New England mill town.

"A powerful novel about how our family history shapes us. Swift River broke my heart, and then offered me hope." --Ann Napolitano, New York Times bestselling author of Hello Beautiful

It's the summer of 1987 in Swift River, and Diamond Newberry is learning how to drive. Ever since her Pop disappeared seven years ago, she and her mother hitchhike everywhere they go. But that's not the only reason Diamond stands out: she's teased relentlessly about her weight, and since Pop's been gone, she is the only Black person in all of Swift River. This summer, Ma is determined to declare Pop legally dead so that they can collect his life insurance money, get their house back from the bank, and finally move on.

But when Diamond receives a letter from a relative she's never met, key elements of Pop's life are uncovered, and she is introduced to two generations of African American Newberry women, whose lives span the 20th century and reveal a much larger picture of prejudice and abandonment, of love and devotion. As pieces of their shared past become clearer, Diamond gains a sense of her place in the world and in her family. But how will what she's learned of the past change her future?

A story of first friendships, family secrets, and finding the courage to let go, Swift River is a sensational debut about how history shapes us and heralds the arrival of a major new literary talent.

2023 Ralph J. Gleason Music Book Award, Rock & Roll Hall of Fame
2023 ARSC Awards for Excellence in Historical Recorded Sound Research, Association for Recorded Sound Collections​
2023 The Judy Tsou Critical Race Studies Award, American Musicological Society

How Black musicians have changed the country music landscape and brought light to Black creativity and innovation.

After a century of racist whitewashing, country music is finally reckoning with its relationship to Black people. In this timely work--the first book on Black country music by a Black writer--Francesca Royster uncovers the Black performers and fans, including herself, who are exploring the pleasures and possibilities of the genre.

Informed by queer theory and Black feminist scholarship, Royster's book elucidates the roots of the current moment found in records like Tina Turner's first solo album, Tina Turns the Country On! She reckons with Black "bros" Charley Pride and Darius Rucker, then chases ghosts into the future with Valerie June. Indeed, it is the imagination of Royster and her artists that make this music so exciting for a genre that has long been obsessed with the past. The futures conjured by June and others can be melancholy, and are not free of racism, but by centering Black folk Royster begins to understand what her daughter hears in the banjo music of Our Native Daughters and the trap beat of Lil Nas X's "Old Town Road." A Black person claiming country music may still feel a bit like a queer person coming out, but, collectively, Black artists and fans are changing what country music looks and sounds like--and who gets to love it.

From the award-winning and New York Times bestselling author of the classic, captivating, and scandalous Mama Ruby series, comes a church-going matriarch's rags to riches Depression era story set in the Deep South. The respectable family she has built means everything to her, and she'll do anything to keep them.

The daughter of a prostitute mother and an alcoholic father, Maggie Franklin knew her only way out was to marry someone upstanding and church-going. Someone like Hubert Wiggins, the most eligible man in Lexington, Alabama--and the son of its most revered preacher. Proper and prosperous, Hubert is glad to finally have a wife, even one with Maggie's background. For Hubert has a secret he desperately needs to stay hidden. And Maggie's unexpected charm, elegance, and religious devotion makes her the perfect partner in lies . . .

Their surprising union makes the Wigginses the town's most envied couple--complete with a son, Claude, whom Maggie idolizes. Until he falls in love with the worst possible fiancée. Terrified, Maggie won't let Daisy destroy her son. And when her employer's brother sexually harasses her, Maggie knows something needs to be done about him as well. In fact, she realizes there are an awful lot of sinning "disruptive" people who should be eliminated from her perfect world . . .

But the more Maggie tries to take control, the more obstacles are thrown in her way. And when it seems like the one person she always expected to be there is starting to drift away, Maggie will play one final, merciless game to secure what she's fought so hard to earn . . .

"Her willingness to do anything for her loved ones is relatable, and the emboldening influence of her desperation and the incremental gravity of her deceptiveness heighten the narrative's mesmerizing effect." --Booklist

Never before available, the unexpurgated last interview with James Baldwin

"I was not born to be what someone said I was. I was not born to be defined by someone else, but by myself, and myself only." When, in the fall of 1987, the poet Quincy Troupe traveled to the south of France to interview James Baldwin, Baldwin's brother David told him to ask Baldwin about everything--Baldwin was critically ill and David knew that this might be the writer's last chance to speak at length about his life and work.

The result is one of the most eloquent and revelatory interviews of Baldwin's career, a conversation that ranges widely over such topics as his childhood in Harlem, his close friendship with Miles Davis, his relationship with writers like Toni Morrison and Richard Wright, his years in France, and his ever-incisive thoughts on the history of race relations and the African-American experience.

Also collected here are significant interviews from other moments in Baldwin's life, including an in-depth interview conducted by Studs Terkel shortly after the publication of Nobody Knows My Name. These interviews showcase, above all, Baldwin's fearlessness and integrity as a writer, thinker, and individual, as well as the profound struggles he faced along the way.

Winner of the 2015 LGBT Studies Award presented by the Lambda Literary Foundation

Unearths connections between homoeroticism, cannibalism, and cultures of consumption in the context of American literature and US slave culture that has largely been ignored until now

Scholars of US and transatlantic slavery have largely ignored or dismissed accusations that Black Americans were cannibalized. Vincent Woodard takes the enslaved person's claims of human consumption seriously, focusing on both the literal starvation of the slave and the tropes of cannibalism on the part of the slaveholder, and further draws attention to the ways in which Blacks experienced their consumption as a fundamentally homoerotic occurrence. The Delectable Negro explores these connections between homoeroticism, cannibalism, and cultures of consumption in the context of American literature and US slave culture.

Utilizing many staples of African American literature and culture, such as the slave narratives of Olaudah Equiano, Harriet Jacobs, and Frederick Douglass, as well as other less circulated materials like James L. Smith's slave narrative, runaway slave advertisements, and numerous articles from Black newspapers published in the nineteenth century, Woodard traces the racial assumptions, political aspirations, gender codes, and philosophical frameworks that dictated both European and white American arousal towards Black males and hunger for Black male flesh. Woodard uses these texts to unpack how slaves struggled not only against social consumption, but also against endemic mechanisms of starvation and hunger designed to break them. He concludes with an examination of the controversial chain gang oral sex scene in Toni Morrison's Beloved, suggesting that even at the end of the twentieth and beginning of the twenty-first century, we are still at a loss for language with which to describe Black male hunger within a plantation culture of consumption.

The definitive biography of one of the most courageous women in American history "reveals Harriet Tubman to be even more remarkable than her legend" (Newsday).
Celebrated for her exploits as a conductor on the Underground Railroad, Harriet Tubman has entered history as one of nineteenth-century America's most enduring and important figures. But just who was this remarkable woman? To John Brown, leader of the Harper's Ferry slave uprising, she was General Tubman. For the many slaves she led north to freedom, she was Moses. To the slaveholders who sought her capture, she was a thief and a trickster. To abolitionists, she was a prophet.
Now, in a biography widely praised for its impeccable research and its compelling narrative, Harriet Tubman is revealed for the first time as a singular and complex character, a woman who defied simple categorization.
"A thrilling reading experience. It expands outward from Tubman's individual story to give a sweeping, historical vision of slavery." --NPR's Fresh Air

NEW YORK TIMES BESTSELLER

"[A] scorching treatise on toxic masculinity. Joseph's critiques of "the patriarchy... both overt and ingrained" are razor-sharp, but it's the clear-eyed reckoning of his own place within it that tethers the soul of his book." --Publishers Weekly

"Joseph has learned a great deal from bell hooks here, and I think she would be proud because Patriarchy Blues is such a moving, inspiring, rigorous vision for living." --Robert Jones, Jr., New York Times bestselling author of The Prophets

In this personal and poignant collection, the author of the New York Times bestseller The Black Friend examines the culture of masculinity through the lens of a Black man.

What does it mean to be a man today? How does the pervasive yet elusive idea of "toxic masculinity" actually reflect men's experiences--particularly those of color--and how they navigate the world?

In this thought-provoking collection of essays, poems, and short reflections, Frederick Joseph contemplates these questions and more as he explores issues of masculinity and patriarchy from both a personal and cultural standpoint. From fatherhood, and "manning up" to abuse and therapy, he fearlessly and thoughtfully tackles the complex realities of men's lives today and their significance for society, lending his insights as a Black man.

Written in Joseph's unique voice, with an intelligence and raw honesty that demonstrates both his vulnerability and compassion, Patriarchy Blues forces us to consider the joys, pains, and destructive nature of manhood and the stereotypes it engenders.

One of Barack Obama's "Favorite Books of the Year"

"Phenomenal" --Justin Torres, author of We the Animals
"Brilliant" --Nicole Dennis-Benn, author of Here Comes the Sun
"A profound exploration of the true meaning of borders." --The New York Times Book Review

NAMED ONE OF THE 10 BEST BOOKS OF 2019 in the New York Times by Dwight Garner
A New York Times Notable Book of 2019

In the city of Houston - a sprawling, diverse microcosm of America - the son of a black mother and a Latino father is coming of age. He's working at his family's restaurant, weathering his brother's blows, resenting his older sister's absence. And discovering he likes boys.

Around him, others live and thrive and die in Houston's myriad neighborhoods: a young woman whose affair detonates across an apartment complex, a ragtag baseball team, a group of young hustlers, hurricane survivors, a local drug dealer who takes a Guatemalan teen under his wing, a reluctant chupacabra.

Bryan Washington's brilliant, viscerally drawn world vibrates with energy, wit, raw power, and the infinite longing of people searching for home. With soulful insight into what makes a community, a family, and a life, Lot explores trust and love in all its unsparing and unsteady forms.

Zora Neale Hurston brings us Black America's folklore as only she can, putting the oral history on the written page with grace and understanding. This new edition of Mules and Men features a new cover and a P.S. section which includes insights, interviews, and more.

For the student of cultural history, Mules and Men is a treasury of Black America's folklore as collected by Zora Neale Hurston, the storyteller and anthropologist who grew up hearing the songs and sermons, sayings and tall tales that have formed and oral history of the South since the time of slavery. Set intimately within the social context of Black life, the stories, "big old lies," songs, voodoo customs, and superstitions recorded in these pages capture the imagination and bring back to life the humor and wisdom that is the unique heritage of Black Americans.

A searing and tender novel about a young Black journalist's search for answers in the unsolved murder of her great-grandfather in segregated Birmingham, Alabama, decades ago--inspired by the author's own family history

Birmingham, 1929: Robert Lee Harrington, a master carpenter, has just moved to Alabama to pursue a job opportunity, bringing along his pregnant wife and young daughter. Birmingham is in its heyday, known as the "Magic City" for its booming steel industry, and while Robert and his family find much to enjoy in the city's busy markets and vibrant nightlife, it's also a stronghold for the Klan. And with his beautiful, light-skinned wife and snazzy car, Robert begins to worry that he might be drawing the wrong kind of attention.

2019: Meghan McKenzie, the youngest reporter at the Detroit Free Press, has grown up hearing family lore about her great-grandfather's murder--but no one knows the full story of what really happened back then, and his body was never found. Determined to find answers to her family's long-buried tragedy and spurred by the urgency of the Black Lives Matter movement, Meghan travels to Birmingham. But as her investigation begins to uncover dark secrets that spider across both the city and time, her life may be in danger.

Inspired by true events, Time's Undoing is both a passionate tale of one woman's quest for the truth behind the racially motivated trauma that has haunted her family for generations and, as newfound friends and supporters in Birmingham rally around Meghan's search, the uplifting story of a community coming together to fight for change.

The forgotten story of a pioneering group of five Black ballerinas and their fifty-year sisterhood, a legacy erased from history--until now.

At the height of the Civil Rights movement, Lydia Abarca was a Black prima ballerina with a major international dance company--the Dance Theatre of Harlem, a troupe of women and men who became each other's chosen family. She was the first Black company ballerina on the cover of Dance magazine, an Essence cover star; she was cast in The Wiz and in a Bob Fosse production on Broadway. She performed in some of ballet's most iconic works with other trailblazing ballerinas, including the young women who became her closest friends--founding Dance Theatre of Harlem members Gayle McKinney-Griffith and Sheila Rohan, as well as first-generation dancers Karlya Shelton and Marcia Sells.

These Swans of Harlem performed for the Queen of England, Mick Jagger, and Stevie Wonder, on the same bill as Josephine Baker, at the White House, and beyond. But decades later there was almost no record of their groundbreaking history to be found. Out of a sisterhood that had grown even deeper with the years, these Swans joined forces again--to share their story with the world.

Captivating, rich in vivid detail and character, and steeped in the glamour and grit of professional ballet, The Swans of Harlem is a riveting account of five extraordinarily accomplished women, a celebration of both their historic careers and the sustaining, grounding power of female friendship, and a window into the robust history of Black ballet, hidden for too long.

A definitive account of Blaxploitation cinema--the freewheeling, often shameless, and wildly influential genre--from a distinctive voice in film history and criticism

In 1971, two films grabbed the movie business, shook it up, and launched a genre that would help define the decade. Melvin Van Peebles's Sweet Sweetback's Baadasssss Song, an independently produced film about a male sex worker who beats up cops and gets away, and Gordon Parks's Shaft, a studio-financed film with a killer soundtrack, were huge hits, making millions of dollars. Sweetback upended cultural expectations by having its Black rebel win in the end, and Shaft saved MGM from bankruptcy. Not for the last time did Hollywood discover that Black people went to movies too. The Blaxploitation era was born.

Written by film critic Odie Henderson, Black Caesars and Foxy Cleopatras is a spirited history of a genre and the movies that he grew up watching, which he loves without irony (but with plenty of self-awareness and humor). Blaxploitation was a major trend, but it was never simple. The films mixed self-empowerment with exploitation, base stereotypes with essential representation that spoke to the lives and fantasies of Black viewers. The time is right for a reappraisal, understanding these films in the context of the time, and exploring their lasting influence.

James Baldwin's final novel is "the work of a born storyteller at the height of his powers" (The New York Times Book Review).

"Not everything is lost. Responsibility cannot be lost, it can only be abdicated. If one refuses abdication, one begins again."

The stark grief of a brother mourning a brother opens this stunning, unforgettable novel. Here, in a monumental saga of love and rage, James Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the forbidden passion of Giovanni's Room, and to the political fire that enflames his nonfiction work. Here, too, the story of gospel singer Arthur Hall and his family becomes both a journey into another country of the soul and senses--and a living contemporary history of black struggle in this land.

*Recommended by Reese Witherspoon's Book Club!

*Voted One of Book Riot's Most Influential Queer Books & Horror Novels of All Time!

Before Buffy, before Twilight, before Octavia Butler's Fledgling, there was The Gilda Stories, Jewelle Gomez's sexy vampire novel.

This remarkable novel begins in 1850s Louisiana, where Gilda escapes slavery and learns about freedom while working in a brothel. After being initiated into eternal life as one who "shares the blood" by two women there, Gilda spends the next two hundred years searching for a place to call home. An instant lesbian classic when it was first published in 1991, The Gilda Stories has endured as an auspiciously prescient book in its explorations of blackness, radical ecology, re-definitions of family, and yes, the erotic potential of the vampire story.

"The Gilda Stories is groundbreaking not just for the wild lives it portrays, but for how it portrays them--communally, unapologetically, roaming fiercely over space and time."--Emma Donoghue, author of Room

"Jewelle Gomez sees right into the heart. This is a book to give to those you want most to find their own strength."--Dorothy Allison, author of Bastard Out Of Carolina

Jewelle Gomez is a writer, activist, and the author of many books including Forty-Three Septembers, Don't Explain, The Lipstick Papers, Flamingoes and Bears, and Oral Tradition. The Gilda Stories was the recipient of two Lambda Literary Awards, and was adapted for the stage by the Urban Bush Women theater company in thirteen United States cities.

Alexis Pauline Gumbs was named one of UTNE Reader's 50 Visionaries Transforming the World, a Reproductive Reality Check Shero, a Black Woman Rising nominee, and was awarded one of the first-ever "Too Sexy for 501c3" trophies. She lives in Durham, North Carolina.