Collection: Feminism

A reflection on prison industrial complex abolition and a vision for collective liberation from organizer and educator Mariame Kaba.

NEW YORK TIMES BESTSELLER

"Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on!"--Margaret Atwood, author of The Handmaid's Tale

The national bestselling author of A Thousand Ships returns with a fascinating, eye-opening take on the remarkable women at the heart of classical stories Greek mythology from Helen of Troy to Pandora and the Amazons to Medea.

The tellers of Greek myths--historically men--have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil--like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world's suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

In Pandora's Jar, the broadcaster, writer, stand-up comedian, and passionate classicist turns the tables, putting the women of the Greek myths on an equal footing with the men. With wit, humor, and savvy, Haynes revolutionizes our understanding of epic poems, stories, and plays, resurrecting them from a woman's perspective and tracing the origins of their mythic female characters. She looks at women such as Jocasta, Oedipus' mother-turned-lover-and-wife (turned Freudian sticking point), at once the cleverest person in the story and yet often unnoticed. She considers Helen of Troy, whose marriage to Paris "caused" the Trojan war--a somewhat uneven response to her decision to leave her husband for another man. She demonstrates how the vilified Medea was like an ancient Beyonce--getting her revenge on the man who hurt and betrayed her, if by extreme measures. And she turns her eye to Medusa, the original monstered woman, whose stare turned men to stone, but who wasn't always a monster, and had her hair turned to snakes as punishment for being raped.

Pandora's Jar brings nuance and care to the millennia-old myths and legends and asks the question: Why are we so quick to villainize these women in the first place--and so eager to accept the stories we've been told?

An urgent call to change the story of police violence against women and girls.

Abolition. Feminism. Now. is a celebration of freedom work, a movement genealogy, a call to action, and a challenge to those who think of abolition and feminism as separate--even incompatible--political projects.

In this remarkable collaborative work, leading scholar-activists Angela Y. Davis, Gina Dent, Erica R. Meiners, and Beth E. Richie surface the often unrecognized genealogies of queer, anti-capitalist, internationalist, grassroots, and women-of-color-led feminist movements, struggles, and organizations that have helped to define abolition and feminism in the twenty-first century.

This pathbreaking book also features illustrations documenting the work of grassroots organizers embodying abolitionist feminist practice.

Amplifying the analysis and the theories of change generated out of vibrant community based organizing, Abolition. Feminism. Now. highlights necessary historical linkages, key internationalist learnings, and everyday practices to imagine a future where we can all thrive.

"This slim book--seven essays, punctuated by enigmatic, haunting paintings by Ana Teresa Fernandez--hums with power and wit."--Boston Globe

"The antidote to mansplaining."--The Stranger

"Feminist, frequently funny, unflinchingly honest and often scathing in its conclusions."--Salon

"Solnit tackles big themes of gender and power in these accessible essays. Honest and full of wit, this is an integral read that furthers the conversation on feminism and contemporary society."--San Francisco Chronicle Top Shelf

"Solnit [is] the perfect writer to tackle the subject: her prose style is so clear and cool."--The New Republic

"The terrain has always felt familiar, but Men Explain Things To Me is a tool that we all need in order to find something that was almost lost."--National Post

In her comic, scathing essay, "Men Explain Things to Me," Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don't, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters.

This updated edition with two new essays of this national bestseller book features that now-classic essay as well as "#YesAllWomen," an essay written in response to 2014 Isla Vista killings and the grassroots movement that arose with it to end violence against women and misogyny, and the essay "Cassandra Syndrome." This book is also available in hardcover.

Writer, historian, and activist Rebecca Solnit is the author of eighteen or so books on feminism, western and indigenous history, popular power, social change and insurrection, wandering and walking, hope and disaster, including the books Men Explain Things to Me and Hope in the Dark, both also with Haymarket; a trilogy of atlases of American cities; The Faraway Nearby; A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster; A Field Guide to Getting Lost; Wanderlust: A History of Walking; and River of Shadows, Eadweard Muybridge and the Technological Wild West (for which she received a Guggenheim, the National Book Critics Circle Award in criticism, and the Lannan Literary Award). A product of the California public education system from kindergarten to graduate school, she is a columnist at Harper's and a regular contributor to the Guardian.

A deeply validating manifesto on the gender politics of marriage (bad) and divorce (actually pretty good!) in America today, and an argument that the former needs a reboot--from journalist and proud divorcée Lyz Lenz

"This American Ex-Wife is a bomb, a bouquet (but not a wedding bouquet), a memoir, a manifesto, and a total joy to read."--Rebecca Solnit, author of Men Explain Things to Me

Studies show that nearly 70 percent of divorces are initiated by women--women who are tired, fed up, exhausted, and unhappy. We've all seen how the media portrays divorcées: sad, lonely, drowning their sorrows in a bottle of wine. Lyz Lenz is one such woman whose life fell apart after she reached a breaking point in her twelve-year marriage. But she refused to take part in that tired narrative and decided to flip the script on divorce.

In this exuberant and unapologetic book, Lenz makes an argument for the advantages of getting divorced, framing it as a practical and effective solution for women to take back the power they are owed. Weaving reportage with sociological research and literature with popular culture along with personal stories of coming together and breaking up, Lenz creates a kaleidoscopic and poignant portrait of American marriage today. She argues that the mechanisms of American power, justice, love, and gender equality remain deeply flawed, and that marriage, like any other cultural institution, is due for a reckoning. A raucous argument for acceptance, solidarity, and collective female refusal, This American Ex-Wife takes readers on a riveting ride--while pointing us all toward a life that is a little more free.

One Sunday afternoon in February 1977, Toni Morrison, Alice Walker, Ntozake Shange, and several other Black women writers met at June Jordan's Brooklyn apartment to eat gumbo, drink champagne, and talk about their work. Calling themselves "The Sisterhood," the group--which also came to include Audre Lorde, Paule Marshall, Margo Jefferson, and others--would get together once a month over the next two years, creating a vital space for Black women to discuss literature and liberation.

The Sisterhood tells the story of how this remarkable community transformed American writing and cultural institutions. Drawing on original interviews with Sisterhood members as well as correspondence, meeting minutes, and readings of their works, Courtney Thorsson explores the group's everyday collaboration and profound legacy. The Sisterhood advocated for Black women writers at trade publishers and magazines such as Random House, Ms., and Essence, and eventually in academic departments as well--often in the face of sexist, racist, and homophobic backlash. Thorsson traces the personal, professional, and political ties that brought the group together as well as the reasons for its dissolution. She considers the popular and critical success of Sisterhood members in the 1980s, the uneasy absorption of Black feminism into the academy, and how younger writers built on the foundations the group laid. Highlighting the organizing, networking, and community building that nurtured Black women's writing, this book demonstrates that The Sisterhood offers an enduring model for Black feminist collaboration.

A reclamation of essential history and a hopeful gesture toward a better political future, this is what listening to Black women looks like--from a professor of political science and columnist for Teen Vogue.

"Jenn M. Jackson is a beautiful writer and excellent scholar. In this book, they pay tribute to generations of Black women organizers and set forward a bold and courageous blueprint for our collective liberation."--Imani Perry, author of South to America

This is my offering. My love letter to them, and to us.

Jenn M. Jackson, PhD, has been known to bring historical acuity to some of the most controversial topics in America today. Now, in their first book, Jackson applies their critical analysis to the questions that have long energized their work: Why has Black women's freedom fighting been so overlooked throughout history, and what has our society lost because of our refusal to engage with our forestrugglers' lessons?

A love letter to those who have been minimized and forgotten, this collection repositions Black women's intellectual and political work at the center of today's liberation movements.

Across eleven original essays that explore the legacy of Black women writers and leaders--from Harriet Jacobs and Ida B. Wells to the Combahee River Collective and Audre Lorde--Jackson sets the record straight about Black women's longtime movement organizing, theorizing, and coalition building in the name of racial, gender, and sexual justice in the United States and abroad. These essays show, in both critical and deeply personal terms, how Black women have been at the center of modern liberation movements despite the erasure and misrecognition of their efforts. Jackson illustrates how Black women have frequently done the work of liberation at great risk to their lives and livelihoods.

For a new generation of movement organizers and co-strugglers, Black Women Taught Us serves as a reminder that Black women were the first ones to teach us how to fight racism, how to name that fight, and how to imagine a more just world for everyone.

National Book Critics Circle Award Winner
National Bestseller
Lambda Literary Award Finalist

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY TIME * NPR * The Washington Post * Kirkus Reviews * Washington Independent Review of Books * The Millions * Electric Literature * Ms Magazine * Entropy Magazine * Largehearted Boy * Passerbuys

"Irreverent and original." -New York Times

"Magisterial." -The New Yorker

"An intoxicating writer." -The Atlantic

"A classic!" -Mary Karr

"A true light in the dark." -Stephanie Danler

"An essential, heartbreaking project." -Carmen Maria Machado

A gripping set of stories about the forces that shape girls and the adults they become. A wise and brilliant guide to transforming the self and our society.

In her powerful new book, critically acclaimed author Melissa Febos examines the narratives women are told about what it means to be female and what it takes to free oneself from them.

When her body began to change at eleven years old, Febos understood immediately that her meaning to other people had changed with it. By her teens, she defined herself based on these perceptions and by the romantic relationships she threw herself into headlong. Over time, Febos increasingly questioned the stories she'd been told about herself and the habits and defenses she'd developed over years of trying to meet others' expectations. The values she and so many other women had learned in girlhood did not prioritize their personal safety, happiness, or freedom, and she set out to reframe those values and beliefs.

Blending investigative reporting, memoir, and scholarship, Febos charts how she and others like her have reimagined relationships and made room for the anger, grief, power, and pleasure women have long been taught to deny.
Written with Febos' characteristic precision, lyricism, and insight, Girlhood is a philosophical treatise, an anthem for women, and a searing study of the transitions into and away from girlhood, toward a chosen self.

A frank, feminist examination of the hidden crisis of rage facing American mothers--and how we can fix it

Mothers aren't supposed to be angry. Still, Minna Dubin was an angry mom: exhausted by the grueling, thankless work of full-time parenting and feeling her career slip away, she would find herself screaming at her child or exploding at her husband.

When Dubin pushed past her shame and talked with other mothers about how she was feeling, she realized that she was far from alone. Mom Rage is Dubin's groundbreaking work of reportage about an unspoken crisis of anger sweeping the country--and the world. She finds that while a specific instance of rage might be triggered by something as simple as a child who won't tie her shoes, the roots of the anger go far deeper, from the unequal burden of childcare shouldered by moms to the flattening of women's identities once they have kids. Drawing on insights from moms across the spectrum of race, sexual orientation, and class, she offers practical tools to help readers disarm their rage in the moment, while never losing sight of the broader social change we need to stop raging for good.

"From the bedroom to the classroom to the courtroom, 'consent' is a key term in our contemporary sexual ethics. In this timely reexamination, Manon Garcia deftly reveals the hidden complexities of consent and proposes how to reconceptualize it as a tool of liberation."
--Amia Srinivasan, author of The Right to Sex

A feminist philosopher argues that consent is not only a highly imperfect legal threshold but also an underappreciated complement of good sex.

In the age of #MeToo, consent has become the ultimate answer to problems of sexual harassment and violence: as long as all parties agree to sex, the act is legitimate. Critics argue that consent, and the awkwardness of confirming it, rob sex of its sexiness. But that objection is answered with the charge that opposing the consent regime means defending a masculine erotics of silence and mystery, a pillar of patriarchy.

In The Joy of Consent, French philosopher Manon Garcia upends the assumptions that underlie this very American debate, reframing consent as an ally of pleasure rather than a legalistic killjoy. In doing so, she rejects conventional wisdom on all sides. As a legal norm, consent can prove rickety: consent alone doesn't make sex licit--adults engaged in BDSM are morally and legally suspect even when they consent. And nonconsensual sex is not, as many activists insist, always rape. People often agree to sex because it is easier than the alternative, Garcia argues, challenging the simplistic equation between consent and noncoercion.

Drawing on sources rarely considered together--from Kantian ethics to kink practices--Garcia offers an alternative framework grounded in commitments to autonomy and dignity. While consent, she argues, should not be a definitive legal test, it is essential to realizing intimate desire, free from patriarchal domination. Cultivating consent makes sex sexy. By appreciating consent as the way toward an ethical sexual flourishing rather than a legal litmus test, Garcia adds a fresh voice to the struggle for freedom, equality, and security from sexist violence.

A renowned feminist thinker argues we need to get in the way of happiness, our own and other people's, to build a more just world

Do you refuse to laugh at offensive jokes? Have you ever been accused of ruining dinner by pointing out your companion's sexist comment? Are you often told to stop being so "woke"? If so, you might be a feminist killjoy--and this handbook is for you. In this book, feminist theorist Sara Ahmed shows how killing joy can be a radical world-making project.

Presenting sharp analysis of literature, film, and influential feminist works, and drawing on her own experiences as a queer feminist scholar-activist of color, Ahmed reveals the invaluable lessons of the feminist killjoy, from the importance of asking questions to the power of the eye roll. The Feminist Killjoy Handbook offers an outstretched hand to feminist killjoys everywhere and an essential intellectual guide to the transformative power of getting in the way.

In The Carrier Bag Theory of Fiction, visionary author Ursula K. Le Guin retells the story of human origin by redefining technology as a cultural carrier bag rather than a weapon of domination.

Hacking the linear, progressive mode of the Techno-Heroic, the Carrier Bag Theory of human evolution proposes: 'before the tool that forces energy outward, we made the tool that brings energy home.' Prior to the preeminence of sticks, swords and the Hero's long, hard, killing tools, our ancestors' greatest invention was the container: the basket of wild oats, the medicine bundle, the net made of your own hair, the home, the shrine, the place that contains whatever is sacred. The recipient, the holder, the story. The bag of stars.

This influential essay opens a portal to terra ignota: unknown lands where the possibilities of human experience and knowledge can be discovered anew.

With a new introduction by Donna Haraway, the eminent cyberfeminist, author of the revolutionary A Cyborg Manifesto and most recently, Staying with the Trouble and Manifestly Haraway.

With images by Lee Bul, a leading South Korean feminist artist who had a retrospective at London's Hayward Gallery in 2018.

"I get so jazzed about the future of feminism knowing that Amanda Montell's brilliance is rising up and about to explode worldwide."--Jill Soloway

A brash, enlightening, and wildly entertaining feminist look at gendered language and the way it shapes us.

The word bitch conjures many images, but it is most often meant to describe an unpleasant woman. Even before its usage to mean "a female canine," bitch didn't refer to women at all--it originated as a gender-neutral word for "genitalia." A perfectly innocuous word devolving into an insult directed at females is the case for tons more terms, including hussy, which simply meant "housewife"; and slut, which meant "an untidy person" and was also used to describe men. These are just a few of history's many English slurs hurled at women.

Amanda Montell, reporter and feminist linguist, deconstructs language--from insults, cursing, gossip, and catcalling to grammar and pronunciation patterns--to reveal the ways it has been used for centuries to keep women and other marginalized genders from power. Ever wonder why so many people are annoyed when women speak with vocal fry or use like as filler? Or why certain gender-neutral terms stick and others don't? Or where stereotypes of how women and men speak come from in the first place?

Montell effortlessly moves between history, science, and popular culture to explore these questions--and how we can use the answers to affect real social change. Montell's irresistible humor shines through, making linguistics not only approachable but downright hilarious and profound. Wordslut gets to the heart of our language, marvels at its elasticity, and sheds much-needed light on the biases that shadow women in our culture and our consciousness.

"Arresting, deeply reported. . . . a patient reporter who embeds with her subjects long enough to write about their inner worlds with authority and nuance. . . . The Furies is deeply respectful of its subjects' autonomy, including their self-justifications and mistakes. Flock largely withholds judgment, and her work is richer and more troubling because of it." --Washington Post

Renowned journalist and author of The Heart is a Shifting Sea Elizabeth Flock investigates what few dare to confront, or even imagine: the role and necessity of female-led violence in response to systems built against women.

In The Furies, Elizabeth Flock examines how three real-life women have used violence to fight back, and how views of women who defend their lives are often distorted by their depictions in media and pop culture. These three immersive narratives follow Brittany Smith, a young woman from Stevenson, Alabama, who killed a man she said raped her but was denied the protection of the Stand-Your-Ground law; Angoori Dahariya, leader of a gang in Uttar Pradesh, India, dedicated to avenging victims of domestic abuse; and Cicek Mustafa Zibo, a fighter in a thousands-strong all-female militia that battled ISIS in Syria. Each woman chose to use lethal force to gain power, safety, and freedom when the institutions meant to protect them--government, police, courts--utterly failed to do so. Each woman has been criticized for their actions by those who believe that violence is never the answer.

Through Flock's propulsive prose and remarkable research on the ground--embedded with families, communities, and organizations in America, India, and Syria--The Furies examines, with exquisite nuance, whether the fight for women's safety is fully possible without force. Do these women's acts of vengeance help or hurt them, and ultimately, all women? Did they create lasting change in entrenched misogynistic and paternalistic systems? And ultimately, what would societies in which women have real power look like?

Across mythologies and throughout history, the stories of women's lives frequently end with their bodies as sites of violence. But there are also celebrated tales of women, real and fictional, who have fought back. The novelistic accounts of these three women provoke questions about how to achieve true gender equality, and offer profound insights in the quest for answers.

**INDIE BESTSELLER**

A MOST ANTICIPATED BOOK OF 2023 by The Millions - B&N Best Books of 2023 - "Shaped by intellectual rigor and artistic grace ... McDonnell's portrait is vibrant, fluent, sensitive, and clarifying." -- Booklist, starred review

An intimate exploration of the life, craft, and legacy of one of the most revered and influential writers, an artist who continues to inspire fans and creatives to cultivate practices of deep attention, rigorous interrogation and beautiful style.

Joan Didion was a writer's writer; not only a groundbreaking journalist, essayist, novelist and screenwriter, but a keen observer who honed her sights on life's telling details. Her insights continue to influence creatives and admirers, encouraging them to become close observers of the world, unsentimental critics, and meticulous stylists.

An antidote to a global view that narrows our vision to the smallest screens, The World According To Joan Didion is a meditation on the people, places, and objects that propelled Didion's prose and an invitation to journalists, storytellers, and life adventurers to "throw themselves into the convulsions of the world," as she once said.

Evelyn McDonnell, the acclaimed journalist, essayist, critic, feminist, native Californian, and university professor who regularly teaches Didion's work, is attuned to interpret Didion's vision for readers today. Inspired by Didion's own words--from her works both published and unpublished--and informed by the people who knew Didion and those whose lives she shaped, The World According to Joan Didion is an illustrated journey through her life, tracing the path she carved from Sacramento, Portuguese Bend, Los Angeles, and Malibu to Manhattan, Miami, and Hawaii. McDonnell reveals the world as it was seen through Didion's eyes and explores her work in chapters keyed to the singular physical motifs of her writing: Snake. Typewriter. Hotel. Notebook. Girl. Etc.

One of the first books to be published after the revered writer's death in 2021, The World According to Joan Didion is a literary companion for those embarking on new journeys and a guide to innovative ways of being. It will radically transform the way you explore the world, and will help you answer the question as you sit in a café, or on a plane or train, pondering the future: What would Joan Didion have seen?

The World According to Joan Didion includes 19 black-and-white illustrations and photos throughout.