Collection: Horror

The red night of bells heralds global catastrophe. Annihilation on a biblical scale.

Seeing the morning is no blessing. The handful of scattered survivors are confronted by blood-red skies and an infestation of predatory horrors that never originated on earth. An occupying force intent on erasing the remnants of animal life from the planet.

Across the deserted landscapes of England, bereft of infrastructure and society, the overlooked can either hide or try to outrun the infernal hunting terrors. Until a rumour emerges claiming that the sea may offer an escape.

Ordinary, unexceptional, directionless Karl, is one of the few who made it through the first night. In the company of two orphans, he flees south. But only into horrifying revelations and greater peril, where a transformed world and expanding race of ravening creatures await. Driven to the end of the country and himself, he must overcome alien and human malevolence and act in ways that were unthinkable mere days before.

All The Fiends of Hell is a novel of alien horror from the four times winner of the August Derleth Award for Best Horror Novel.

From the author of How to Survive Your Murder comes a propulsive thriller about two teens who return to the site of the cold case that sealed their fates.

"A must-read for fans of true crime, dark family secrets, and intricate mysteries." --Ryan La Sala, bestselling author of The Honeys

Most people's births aren't immortalized in a police report--but Olivia was born during the infamous Camp Lost Lake murders. Seventeen years later, Olivia's life looks pretty perfect . . . until she discovers the man she calls dad is not her biological father. Now she wants answers about her bloodline, and the only place she knows to look is Camp Lost Lake.

Most people don't spend their formative years on the run with an alleged murderer--but Reagan did. In the court of public opinion, her mom was found guilty of the deaths at Camp Lost Lake, and both of them have been in hiding ever since. But Reagan believes in her mother's innocence and is determined to clear her name.

Luckily for Olivia and Reagan, Camp Lost Lake is finally reopening, providing the perfect opportunity to find answers. But someone else is dead set on keeping the past hidden, even if it means committing murder.

Following a traumatic accident, ceramic artist Hesper Dunn trades life in Chicago for the enchanted deserts of New Mexico. But not all is quaint, and it's far from what it seems. There's a mystery buried deep in the heart of her new home.

Love, guilt, and grief demand that Hesper remain within the haunted pueblo. To free herself, she must free the trapped spirits...but the creatures lurking in the shadows are not what they appear. Hesper dares to wade through the murky fog of tragedy to uncover the truth. A truth that will be harder to handle than she ever dared imagine.

The pack-hunting White Masks take center stage in the thrilling "Alabaster" arc set in the bestselling, award-winning world of Something is Killing the Children!

In the ruthless war against monsters, nothing is unthinkable or off-limits for the White Masks. A fan-favorite White Mask named Bait (a mute boy with amputated arms and a tendency to survive suicidal odds), is dispatched with a mission more malicious than imaginable in a group home for children. While Bait does his best to ignore the children's cruelty toward him, he's left with more questions than answers after monsters attack. What does a kind, mysterious girl named Nannette have to do with what's going on? With Bait's fellow White Masks Paris and Tybalt keeping the pressure on, and Scarlet Mask Gerde's secret scheming in the shadows, writer Sam Johns (Punchline) and artist Letizia Cadonici (The Neighbors) take House of Slaughter to new emotional depths of terror. Collects House of Slaughter #16-20.

The Soler sisters are infamous in polite society--brazen, rebellious, and raised by their fashionable grandmother who couldn't care less about which fork goes where. But their grandmother also knows the standards that two Latina young ladies will be held to, so she secures them two coveted places at the Alarie House, a prominent finishing school that turns out first ladies, princesses, and socialites.

Younger sister Isla is back home within a day. She refuses to become one of the eerily sweet Alarie girls in their prim white dresses. Older sister Renata stays. When she returns months later, she's unfailingly pleasant, unnervingly polite, and, Isla discovers, possibly murderous. And the same night she returns home, she vanishes.

As their grandmother uses every connection she has to find Renata, Isla re-enrolls, intent on finding out what happened to her sister. But the Alarie House is as exacting as it is opulent. It won't give up its secrets easily, and neither will a mysterious, conniving girl who's either controlling the house, or carrying out its deadly orders.

Tautly written, tense, and evocative, this is a stunning YA novel by award-winning and critically acclaimed author Anna-Marie McLemore.

In 1872, dinosaur hunters become embroiled in a battle over the discovery of fossils in Northern Ontario as their excavation crews are driven mad by a bizarre and terrifying illness. Over a hundred years later, Church and his family show signs of the same monstrous affliction. As he begins to unravel his family's dark history, Church must race to protect the secrets buried deep in bones and blood. A fascinating story embracing Anishinaabe legend, culture, and language, Wrist is set in the fictional town of Sterling and Ghost Lake Reserve, and is Nathan Adler's debut novel. It is the companion volume to Ghost Lake, which won the 2021 Indigenous Voices Award in Published English Fiction.

Strange, intimate, haunted, and hungry--Craft: Stories I Wrote for the Devil is an intoxicating and surreal fiction debut by award-winning author Ananda Lima.

"An astounding new voice." --ERIC LaROCCA - "I love it so much." --KELLY LINK - "Trippy, eerie, wry, and always profound." --JOHN KEENE - "Incredible. Truly wondrous." --KEVIN WILSON - "Heart wrenching and wickedly funny." --GWEN KIRBY - "Propulsive, uncanny, and expertly built." --JULIA FINE

At a Halloween party in 1999, a writer slept with the devil. She sees him again and again throughout her life and she writes stories for him about things that are both impossible and true.

Lima lures readers into surreal pockets of the United States and Brazil where they'll find bite-size Americans in vending machines and the ghosts of people who are not dead. Once there, she speaks to modern Brazilian-American immigrant experiences-of ambition, fear, longing, and belonging--and reveals the porousness of storytelling and of the places we call home.

With humor, an exquisite imagination, and a voice praised as "singular and wise and fresh" (Cathy Park Hong), Lima joins the literary lineage of Bulgakov and Lispector and the company of writers today like Ted Chiang, Carmen Maria Machado, and Nana Kwame Adjei-Brenyah.

Craft: Stories I Wrote for the Devil includes: "Rapture," "Ghost Story," "Tropicália," "Antropógaga," "Idle Hands," "Rent," "Porcelain," "Heaven, Hell, and Purgatory," and "Hasselblad."

A great next read for fans of Carmen Maria Machado's Her Body and Other Parties and V. E. Schwab's The Invisible Life of Addie LaRue.

Recommended reading by Chicago Review of Books, Electric Literature, The Kenyon Review, and more!

TRIAL IN THE ABYSS

Riko and crew have encountered a mysterious cave raider squad in the depths' sixth layer! When they join them at their hideout, they find Srajo, the Sovereign of Mystery, awaiting them with a trial! Can they overcome her challenge and win her trust?

Enter the fray in this luminous new adventure from Christopher Buehlman, set during the war-torn, goblin-infested years just before The Blacktongue Thief.

The goblins have killed all of our horses and most of our men.

They have enslaved our cities, burned our fields, and still they wage war.

Now, our daughters take up arms.

Galva -- Galvicha to her three brothers, two of whom the goblins will kill -- has defied her family's wishes and joined the army's untested new unit, the Raven Knights. They march toward a once-beautiful city overrun by the goblin horde, accompanied by scores of giant war corvids. Made with the darkest magics, these fearsome black birds may hold the key to stopping the goblins in their war to make cattle of mankind.

The road to victory is bloody, and goblins are clever and merciless. The Raven Knights can take nothing for granted -- not the bonds of family, nor the wisdom of their leaders, nor their own safety against the dangerous war birds at their side. But some hopes are worth any risk.

"Christopher Moore is a very sick man, in the very best sense of that word."
--Carl Hiassen

"[Moore's novels] deftly blend surreal, occult, and even science-fiction doings with laugh-out-loud satire of contemporary culture."
--Washington Post

"If there's a funnier writer out there, step forward."
--Playboy

Absolutely nothing is sacred to Christopher Moore. The phenomenally popular, New York Times bestselling satirist whom the Atlanta Journal-Constitution calls, "Stephen King with a whoopee cushion and a double-espresso imagination" has already lampooned Shakespeare, San Francisco vampires, marine biologists, Death...even Jesus Christ and Santa Claus! Now, in his latest masterpiece, Sacré Bleu, the immortal Moore takes on the Great French Masters. A magnificent "Comedy d'Art" from the author of Lamb, Fool, and Bite Me, Moore's Sacré Bleu is part mystery, part history (sort of), part love story, and wholly hilarious as it follows a young baker-painter as he joins the dapper Henri Toulouse-Lautrec on a quest to unravel the mystery behind the supposed "suicide" of Vincent van Gogh.

A hunted community. A haunted author. A horror that spans centuries.

Men are disappearing from Toronto's gay village. They're the marginalized, the vulnerable. One by one, stalked and vanished, they leave behind small circles of baffled, frightened friends. Against the shifting backdrop of homophobia throughout the decades, from the HIV/AIDS crisis and riots against raids to gentrification and police brutality, the survivors face inaction from the law and disinterest from society at large. But as the missing grow in number, those left behind begin to realize that whoever or whatever is taking these men has been doing so for longer than is humanly possible.

Woven into their stories is David Demchuk's own personal history, a life lived in fear and in thrall to horror, a passion that boils over into obsession. As he tries to make sense of the relationship between queerness and horror, what it means for gay men to disappear, and how the isolation of the LGBTQ+ community has left them profoundly exposed to monsters that move easily among them, fact and fiction collide and reality begins to unravel.

A bold, terrifying new novel from the award-winning author of The Bone Mother.

"Gish's prose is as sharp as a scalpel." -- Publishers Weekly, starred review

"Grey Dog is a bewitching tale of the horrors of spinsterhood in the early 1900s, with madness and magic threaded through every sentence." -- Heather O'Neill, author of When We Lost Our Heads and Lullabies for Little Criminals

A subversive literary horror novel that disrupts the tropes of women's historical fiction with delusions, wild beasts, and the uncontainable power of female rage

The year is 1901, and Ada Byrd -- spinster, schoolmarm, amateur naturalist -- accepts a teaching post in isolated Lowry Bridge, grateful for the chance to re-establish herself where no one knows her secrets. She develops friendships with her neighbors, explores the woods with her students, and begins to see a future in this tiny farming community. Her past -- riddled with grief and shame -- has never seemed so far away.

But then, Ada begins to witness strange and grisly phenomena: a swarm of dying crickets, a self-mutilating rabbit, a malformed faun. She soon believes that something old and beastly -- which she calls Grey Dog -- is behind these visceral offerings, which both beckon and repel her. As her confusion deepens, her grip on what is real, what is delusion, and what is traumatic memory loosens, and Ada takes on the wildness of the woods, behaving erratically and pushing her newfound friends away. In the end, she is left with one question: What is the real horror? The Grey Dog, the uncontainable power of female rage, or Ada herself?

Eleanor Eastwick is out of tricks. This alleged wallflower is hiding a secret, beyond

the fact that her family is skint broke. If she wants to ensure the survival of her aged grandmother and younger siblings, she'll need to leverage the only thing they have left - their good name - and land herself a rich husband. There's only one problem she can see with her plan: she has no bloody idea what she's doing.

Enlisting the help of the wickedly rakish Marquis of Basingstone, Eleanor embarks on a crash course in how to attract the monstrous Gentry, high society courtship, and lessons in lovemaking . . . academically, of course. It never occurs to her that her tutor may, in fact, be a perfect match. By the time her heart begins to make her aware of its preference for the sharp-tongued, winged Marquis, the Monsters Ball is upon her and she needs to put her plan into action.

Lord Silas Stride, the Marquis of Basingstone is an unrepentant rake of the highest order. He has no intention of giving away his heart. It would be cruel to chain another to the fate of a half-life such as his - only coming awake at twilight, living as a silent spectator to the daytime world. He'd not punish a wife in such a fashion; could not bear to allow his progeny to exist in a world where he resided only part of the time . . . far easier to embrace the life of a confirmed bachelor, and keep his heart as stony as the rest of him.

But Silas did not count on one Eleanor Eastwick. He recognized her the moment he saw her, seeking his disreputable counsel. She had shone like a star when he knew her years earlier, and she did once again in his study, leaving him unable to deny his assistance. He could not possibly risk his heart on a delicate flower of the daytime, but a lady who was used to a life after dark . . . Silas Stride had no intention of taking a wife,

but once Eleanor has left for the Monsters Ball, he cannot help but claim his own invitation, and his bride.

The Craft for Gen Z: The Feast Makers, indie bestselling author H. A. Clarke crafts an action-packed conclusion to the Scapegracers trilogy, as our beloved teen coven tackle college acceptances, queer romance, and a witch trial to remember for the ages.

After restoring their powers, Sideways just wants to get on with senior year. But the covens have convened for the trial of Madeline Kline. When this stubborn, independent witch begs the Scapegracers to save her from a cruel and unusual punishment, Sideways knows they have to get involved. It's the right thing to do, even if Madeline did steal their soul and wear it for a time. Right?

Making an example out of Madeline seems, strangely, just as important to the most powerful covens as divvying up the Scapegracers amongst themselves. Sideways, Jing, Daisy, and Yates are reluctant to abandon what they've built together, but as the college acceptances (and rejections) roll in, the offer of a magical family beyond Sycamore Gorge becomes increasingly tempting.

Unfortunately, choosing a new coven will have to wait: witchfinders are gathering in town, and some of these visitors make the Chantrys seem tame in comparison. Every witch--Scapegracer or not--is about to be in grave danger.

And on top of all that, Sideways thinks they just might be in love.

In H. A. Clarke's signature raw and explosive style, The Feast Makers brings the indie-bestselling Scapegracers trilogy to a dynamic end as Sideways, Jing, Daisy, Yates, and Shiloh tackle college acceptances, queer romance, and the meaning of justice in an ever-challenging world.