Collection: Horror

Two sisters travel to an isolated Arizona town to investigate its connection to their mother's death, but uncover more than they bargained for in this supernatural thriller from the author of The Dead and the Dark.

Beck Birsching has been adrift since the death of her mother, a brilliant but troubled investigative reporter. She can't stop herself from slipping into memories of happier days, longing for a time when things were more normal. So when a mysterious letter in her mother's handwriting arrives in the mail that reads Come and find me, pointing to the small town at the center of her last investigation, Beck hopes that it may hold the answers.

But when Beck and her sister Riley arrive in Backravel, Arizona, it's clear that something's off. There are no cars, no cemeteries, no churches. The town is a mix of dilapidated military structures and new, shiny buildings, all overseen by a gleaming treatment center high on a plateau. No one seems to remember when they got there, and when Beck digs deeper into the town's enigmatic leader and his daughter, Avery, she begins to suspect that they know more than they're letting on.

As Beck and her sister search for answers about their mother, she and Avery are increasingly drawn together, and their unexpected connection brings up emotions Beck has fought to keep buried. Beck is desperate to hold onto the way things used to be, but when she starts losing herself in Backravel--and its connection to her mother-- she risks losing her way back out.

In Where Echoes Die, Courtney Gould draws readers into a haunting desert town to explore grief, the weight of not letting go of the past, first love, and the bonds between sisters, mothers and daughters.

The third volume in the #1 nationally bestselling Dark Tower Series, involving the enigmatic Roland (the last gunfighter) and his ongoing quest for the Dark Tower, is "Stephen King at his best" (School Library Journal).

Several months have passed since The Drawing of the Three, and in The Waste Lands, Roland's two new tet-mates have become trained gunslingers. Eddie Dean has given up heroin, and Odetta's two selves have joined, becoming the stronger and more balanced personality of Susannah Dean. But Roland altered ka by saving the life of Jake Chambers, a boy who--in Roland's world--has already died. Now Roland and Jake exist in different worlds, but they are joined by the same madness: the paradox of double memories. Roland, Susannah, and Eddie must draw Jake into Mid-World and then follow the Path of the Beam all the way to the Dark Tower. There are new evils...new dangers to threaten Roland's little band in the devastated city of Lud and the surrounding wastelands, as well as horrific confrontations with Blaine the Mono, the piratical Gasher, and the frightening Tick-Tock Man.

The Dark Tower Series continues to show Stephen King as a master of his craft. What lands, what peoples has he visited that are so unreachable to us except in the pages of his incredible books? Now Roland's strange odyssey continues. The Waste Lands follows The Gunslinger and The Drawing of the Three as the third volume in what may be the most extraordinary and imaginative cycle of tales in the English language.

The second volume in Stephen King's #1 bestselling Dark Tower Series, The Drawing of the Three is an "epic in the making" (Kirkus Reviews) about a savage struggle against underworld evil and otherworldly enemies.

"Stephen King is a master at creating living, breathing, believable characters," hails The Baltimore Sun. Beginning just less than seven hours after The Gunslinger ends, in the second installment to the thrilling Dark Tower Series, Roland encounters three mysterious doorways on a deserted beach along the Western Sea. Each one enters into a different person's life in New York--here, he joins forces with the defiant young Eddie Dean, and with the beautiful, brilliant, and brave Odetta Holmes, to save the Dark Tower.

"This quest is one of King's best...it communicates on a genuine, human level...but is rich in symbolism and allegory" (Columbus Sunday Dispatch). It is a science fiction odyssey that is unlike any tale that Stephen King has ever written.

Moulin Rouge meets Holly Black in a thrilling sapphic friends-to-lovers romantasy!

This lavish and decedent LGBTQ+ fantasy romance will leave fans of Divine Rivals and Emily Wilde's Encyclopedia of Faeries utterly enchanted!

"A romantic and thrilling story of ambition, magic, and peril."--Publishers Weekly, Starred Review

After running away from home, Sybil Clarion is eager to embrace all the freedom the Belle Époque city of Severon has to offer. Instead, she's traded high-society soirées for empty pockets. At least she has Esme, the girl who offered Sybil a home, and if either of them dared, something more.

While Esme would rather spend the night tinkering with her clocks and snuggling her cats, Sybil craves excitement and needs money. She plans to get both by stealing the rare posters that crop up around town. But when she's caught selling a poster by none other than its subject, Maeve, the glamorous girl invites Sybil and Esme to The Absinthe Underground, the exclusive club she co-owns, and reveals herself to be a Green Faerie, trapped in this world.

Maeve wants to hire thieves for a daring heist in Fae and is willing to pay enough that Sybil and Esme never have to worry about money again. It's too good of an offer to pass up, even if Maeve's tragic story doesn't quite add up, and the secrets could jeopardize everything the girls have so carefully built.

Jamie Pacton, author of The Vermilion Emporium, dazzles in this whimsical and daring romantic fantasy. Fans of Fae lore, slow-burn sapphic pining, and decadently magical worlds will find The Absinthe Underground as ensorcelling as a fairy delight.

In this ingenious and subversive twist on the classic gothic novel, the mysterious past of an island mansion lures two sisters into a spiderweb of scandal, secrets, and murder.

Two sisters, strangers since birth yet bound by family secrets, are caught up in a century-old mystery on an isolated island.

After arriving on Block Island to find her birth mother, Blake Bronson becomes convinced she's the heroine of a gothic novel--the kind that allowed her intermittent escape from a traumatic childhood. How else to explain the torrential rain, the salt-worn mansion known as White Hall, and the restless ghost purported to haunt its halls? But before Blake can discern the novel's ending, she's found dead, murdered in a claw-foot tub. The proprietress of White Hall stands accused.

Summoned by a letter sent from Blake before she died, Thalia Mills returns to the island she swore she'd left for good. She finds that Blake wasn't the first to die at White Hall under suspicious circumstances. Thalia must uncover the real reason for Blake's demise before the forces conspiring to keep Block Island's secrets dead and buried rise up to consume her too.

A deluxe anthology of works by Edgar Allan Poe that inspired Netflix's The Fall of the House of Usher, curated by series creator Mike Flanagan

There was an iciness, a sinking, a sickening of the heart--an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it--I paused to think--what was it that so unnerved me in the contemplation of the House of Usher?

Slip behind the bleak walls and vacant windows of Netflix's reimagining of the mansion of doom in this anthology of works by Edgar Allan Poe that inspired the limited series The Fall of the House of Usher. From well-loved classics like "The Raven" and "The Tell-Tale Heart" to lesser-known gems such as "Tamerlane" and "The Murders in the Rue Morgue," these collected tales have withstood the test of time, haunting readers for nearly two hundred years.

With a foreword by series creator and horror maverick Mike Flanagan, this anthology is the perfect viewer's companion to Netflix's The Fall of the House of Usher.

Two years before the events of Stranger Things: Season 4, Eddie Munson--Hellfire Club leader, metalhead, and Hawkins outcast--has one shot to make it big.

Hawkins, Indiana: For most, it's simply another idyllic, manicured all-American town. But for Eddie Munson, it's like living in a perpetual Tomb of Horrors. Luckily, he has only a few more months to survive at Hawkins High. And what is senior year, really, but killing time between Dungeons & Dragons sessions with the Hellfire Club and gigs with his band, Corroded Coffin?

At the worst dive bar in town, Eddie meets Paige, someone who has pulled off a freaking miracle. She escaped Hawkins and built a wickedly cool life for herself working for a record producer in Los Angeles. Not only is she the definition of a badass--with killer taste in music--but she might also be the only person who actually appreciates Eddie as the bard he is instead of as the devil incarnate. But the best thing? She's offering him a chance to make something of himself, and all he needs to do is get her a demo tape of Corroded Coffin's best songs.

Just one problem: Recording costs money. Money Eddie doesn't have. But he's willing to do whatever it takes, even if that means relying on his dad. Al Munson has just stumbled back into Eddie's life with another dubious scheme up his sleeve, and yet Eddie knows this is his only option to make enough dough in enough time. It's a risk, but if it pays off he will finally have a one-way ticket out of Hawkins.

Eddie can feel it: 1984 is going to be his year.

Paul Tremblay's terrifying twist to the home invasion novel--inspiration for the upcoming major motion picture from Universal Pictures

"Tremblay's personal best. It's that good." -- Stephen King

Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road.

One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen, but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, "None of what's going to happen is your fault." Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: "Your dads won't want to let us in, Wen. But they have to. We need your help to save the world."

Thus begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are entwined. The Cabin at the End of the World is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay.

This box set contains the British paperback editions of three bestselling Neil Gaiman classics, all illustrated by acclaimed artist Chris Riddell, to complete your collection!

The editions of the Newbery Medal and Carnegie Medal winner The Graveyard Book; Coraline; and Fortunately, the Milk in this box set contain the illustrations from the British editions, which are both hilarious and moving. Chris Riddell has won the Kate Greenaway Medal twice, among other awards and honors.

These paperbacks have never before been published in the United States and are available here only in this special box set.

"The powerful themes of revenge, redemption and healing are beautifully rendered in a story where love is the most potent magic of all." --Adriana Trigiani, author of The Good Left Undone

Rage burns brighter than any spellfire...

Deep in the birchwoods of Norway, magic courses through the veins of two sisters. For years they've been alone, but sweet-tempered Kaija is tired of living in shadows and longs for a life filled with community, even if it means stifling her magic. But Minna is a witch through and through, with wrath always simmering just below the surface. Different as they may be, both will never forget the day they were driven from their village. The day their mother burned.

When Kaija leaves to pursue a new life, Minna is left alone in the darkness of the forest. Devastated and outraged at the betrayal, Minna casts a curse to punish those who took everything from her. What she doesn't realize is that this act will incite a deadly chain of events. Soon it will destroy everything, including the life Kaija has lovingly built. But once a witch's rage boils, regret means nothing--she can't take back what's already done.

Someone will have to burn.

A magical story of sisterhood, revenge, and feminist rage, The Witches at the End of the World is perfect for fans of Alix Harrow and Kelly Barnhill.

A WASHINGTON POST AND NPR BEST BOOK OF THE YEAR - From the award-winning cartoonist and editor at The Nib, a hilarious trans-"final girl" horror graphic novel about a bachelor party gone very, very wrong.

"A witty, tender romp through the cosmic horror of being alive." --Carmen Maria Machado, author of Her Body and Other Parties

Newly-out trans artist's assistant Sammie is invited to an old friend's bachelor weekend in El Campo, a hedonistic wonderland of a city floating in the Atlantic Ocean's international waters--think Las Vegas with even fewer rules. Though they have not identified as a man for over a year, Sammie's college buddies haven't quite gotten the message--as evidenced by their formerly closest friend Adam asking them to be his "best man."

Arriving at the swanky hotel, Sammie immediately questions their decision to come. Bad enough that they have to suffer through a torrent of passive-aggressive comments from the groom's pals--all met with zero pushback from supposed "nice guy" Adam. But also, they seem to be the only one who's noticed the mysterious cult that's also staying at the hotel, and is ritually dismembering guests and demanding fealty to their bloodthirsty god.

Part satire, part horror, Boys Weekend explores what it's like to exist as a transfemme person in a man's world, the difficulty of maintaining friendships through transition, and the more cult-like effects of masculinity, "hustle" culture, and capitalism--all through the vibrant lens of a surreal, scary, and immensely imaginative romp.

Sly, surprising, and razor-sharp, Natural Beauty follows a young musician into an elite, beauty-obsessed world where perfection comes at a staggering cost.

Our narrator produces a sound from the piano no one else at the Conservatory can. She employs a technique she learned from her parents--also talented musicians--who fled China in the wake of the Cultural Revolution. But when an accident leaves her parents debilitated, she abandons her future for a job at a high-end beauty and wellness store in New York City.

Holistik is known for its remarkable products and procedures--from remoras that suck out cheap Botox to eyelash extensions made of spider silk--and her new job affords her entry into a world of privilege and gives her a long-awaited sense of belonging. She becomes transfixed by Helen, the niece of Holistik's charismatic owner, and the two strike up a friendship that hazily veers into more. All the while, our narrator is plied with products that slim her thighs, smooth her skin, and lighten her hair. But beneath these creams and tinctures lies something sinister.

A piercing, darkly funny debut, Natural Beauty explores questions of consumerism, self-worth, race, and identity--and leaves readers with a shocking and unsettling truth.

A deliciously terrifying novel about a ghost who uncovers a teen girl's best kept secrets while haunting her boarding school, perfect for fans of Lost in the Never Woods and The Haunting of Bly Manor.

Everyone has heard the story of the Narrow. The river that runs behind the Atwood School is only a few feet across and seemingly placid, but beneath the surface, the waters are deep and vicious. It's said that no one who has fallen in has ever survived.

Eden White knows that isn't true. Six years ago, she saw Delphine Fournier fall into the Narrow--and live.

Delphine now lives in careful isolation, sealed off from the world. Even a single drop of unpurified water could be deadly to her, and no one but Eden has any idea why. Eden has never told anyone what she saw or spoken to Delphine since, but now, unable to cover her tuition, she has to make a deal: her expenses will be paid in return for serving as a live-in companion to Delphine.

Eden finds herself drawn to the strange and mysterious girl, and the two of them begin to unravel each other's secrets. Then Eden discovers what happened to the last girl who lived with Delphine: she was found half-drowned on dry land. Suddenly Eden is waking up to wet footprints tracking to the end of her bed, the sound of rain on the windows when the skies are clear, and a ghostly silhouette in her doorway. Something is haunting Delphine--and now it's coming for Eden, too.

"Old-school horror." ―Stephen King

The Exorcist meets Lord of the Flies, by way of Midnight Mass, in Boys in the Valley, a brilliant coming-of-age tale from award-winning author Philip Fracassi.

An Esquire Best Horror Book of 2023!

"A sublimely chilling story." --Library Journal, STARRED review

St. Vincent's Orphanage for Boys.

Early twentieth century, in a remote valley in Pennsylvania.

Here, under the watchful eyes of several priests, thirty boys work, learn, and worship. Peter Barlow, orphaned as a child by a gruesome murder, has made a new life here. As he approaches adulthood, he has friends, a future...a family.

Then, late one stormy night, a group of men arrive at their door, one of whom is badly wounded, occult symbols carved into his flesh. His death releases an ancient evil that spreads like sickness, infecting St. Vincent's and the children within. Soon, boys begin acting differently, forming groups. Taking sides.

Others turn up dead.

Now Peter and those dear to him must choose sides of their own, each of them knowing their lives -- and perhaps their eternal souls -- are at risk.

"Smart, seething social horror...Rumfitt gives her worms the grotesque and triumphant glory they demand." --The New York Times Book Review

From Alison Rumfitt, the author of Tell Me I'm Worthless -- "a triumph of transgressive queer horror" (Publishers Weekly) -- comes Brainwyrms, a searing body horror novel of obsession, violence, and pleasure.

A Best Book of the Year (Tor.com)

"Alison is like the twisted daughter of Clive Barker and Shirley Jackson." --Joe Hill, New York Times bestselling author on Tell Me I'm Worthless

When a transphobic woman bombs Frankie's workplace, she blows up Frankie's life with it. As the media descends like vultures, Frankie tries to cope with the carnage: binge-drinking, sleeping with strangers, pushing away her friends. Then, she meets Vanya. Mysterious, beautiful, terrifying Vanya.

The two hit it off immediately, but as their relationship intensifies, so too does Frankie's feeling that Vanya is hiding something from her. When Vanya's secrets threaten to tear them apart, Frankie starts digging, and unearths a sinister, depraved conspiracy, the roots of which go deeper than she ever imagined.

Shocking, grotesque, and downright filthy, Brainwyrms confronts the creeping reality of political terrorism while exploring the depths of love, pain, and identity.

"[An] intimate, vulnerable triumph." --Library Journal, STARRED review

"Rumfitt's talent for portraying the deplorable, disgusting, and grotesque shines throughout her masterful sophomore horror outing." --Publishers Weekly, STARRED review

Also by Alison Rumfitt:
Tell Me I'm Worthless

Bluebeard gets a feminist Gothic makeover in this subversive take on the famous French fairy tale -- from the acclaimed director of The Love Witch, and for fans of Jane Eyre

When the successful British mystery writer Judith Moore meets Gavin, a handsome and charming baron, at a birthday party on the Cornish coast, his love transforms her from a bitter, lonely young woman into a romance heroine overnight. After a whirlwind honeymoon in Paris, he whisks her away to a secluded Gothic castle. But soon she finds herself trapped in a nightmare, as her husband's mysterious nature and his alternation between charm and violence become increasingly frightening.

As Judith battles both internal and external demons, including sexual ambivalence, psychological self-torture, gaslighting, family neglect, alcoholism, and domestic abuse, she becomes increasingly addicted to her wild beast of a husband. Why do women stay in abusive relationships? The answer can be found in the tortured mind of the protagonist, whose richly layered fantasy life parallels that of the female Gothic romance reader. Filled with dark humor and evocative imagery, Bluebeard's Castle is a subversive take on modern romance and Gothic erotica.