Collection: Horror

From Ryan La Sala, author of the tantalizingly twisted The Honeys and riotously imaginative Reverie, comes a chilling new contemporary fable about art, aesthetic obsession, and the gaze that peers back at us from behind our reflections.

No one survived the party at the penthouse. Except Athan.

Athanasios "Athan" Bakirtzis has made it far in life relying on his charm and good looks, even securing an invitation to a mysterious penthouse soiree for New York City's artsy elite. But when he sneaks off to the bathroom, he hears a slam, followed by a scream. Athan peers outside, only to be pushed back in by a boy his age. The boy gravely tells him not to open the door, then closes Athan in.

Outside the door, the party descends into chaos. Through hours of howls, laughter, and sobs, Athan stays hidden. When he finally emerges, he discovers a massacre where the corpses appear to have arranged themselves into a disturbingly elegant sculpture--and Athan's mysterious savior is nowhere to be found. Athan--the only known survivor--is now the primary suspect.

In a race to prove his innocence, Athan is swept up in a supernatural mystery, one of secret occult societies and deadly eldritch horrors with rather distinctive taste. Something evil is waking up in the walls of New York City, and it's compelling victims toward violence, chaos, and self-destruction. Bound to him by a mysterious hereditary power, Athan has felt this evil hiding behind his reflection his entire life, watching him. Waiting. Now, it's taking over.

Jennifer Thorne skewers all-too-familiar family dynamics in this sly, wickedly funny vacation-Gothic. Beautifully unhinged and deeply satisfying, Diavola is a sharp twist on the classic haunted house story, exploring loneliness, belonging, and the seemingly inescapable bonds of family mythology.

Most Anticipated Books of 2024--Goodreads

Anna has two rules for the annual Pace family destination vacations: Tread lightly and survive.

It isn't easy when she's the only one in the family who doesn't quite fit in. Her twin brother, Benny, goes with the flow so much he's practically dissolved, and her older sister, Nicole, is so used to everyone--including her blandly docile husband and two kids--falling in line that Anna often ends up in trouble for simply asking a question. Mom seizes every opportunity to question her life choices, and Dad, when not reminding everyone who paid for this vacation, just wants some peace and quiet.

The gorgeous, remote villa in tiny Monteperso seems like a perfect place to endure so much family togetherness, until things start going off the rails--the strange noises at night, the unsettling warnings from the local villagers, and the dark, violent past of the villa itself.

(Warning: May invoke feelings of irritation, dread, and despair that come with large family gatherings.)

Get Out meets The Stepford Wives in #1 New York Times best-selling author Nicola Yoon's first adult novel - A terrifying and thought-provoking look at what it means to be truly free in America as a woman uncovers a secret about her new home in a utopian community - "Brilliant, provocative, seminal...Your book club will be discussing this one for DAYS."--Jodi Picoult, #1 New York Times best-selling author

Jasmyn and King Williams move their family to the planned Black utopia of Liberty, California hoping to find a community of like-minded people, a place where their growing family can thrive. King settles in at once, embracing the Liberty ethos, including the luxe wellness center at the top of the hill, which proves to be the heart of the community. But Jasmyn struggles to find her place. She expected to find liberals and social justice activists striving for racial equality, but Liberty residents seem more focused on booking spa treatments and ignoring the world's troubles.

Jasmyn's only friends in the community are equally perplexed and frustrated by most residents' outlook. Then Jasmyn discovers a terrible secret about Liberty and its founders. Frustration turns to dread as their loved ones start embracing the Liberty way of life.

Will the truth destroy her world in ways she never could have imagined?

Thrilling with insightful social commentary, One of Our Kind explores the ways in which freedom is complicated by the presumptions we make about ourselves and each other.

A man lunges in front of a car. An elderly woman silently drowns herself. A corpse sits up in its coffin and speaks. On this reservation, not all is what it seems, in this new spine-chilling mythological horror from the author of Sisters of the Lost Nation.

All Noemi Broussard wanted was a fresh start. With a new boyfriend who actually treats her right and a plan to move from the reservation she grew up on--just like her beloved Uncle Louie before her--things are finally looking up for Noemi. Until the news of her boyfriend's apparent suicide brings her world crumbling down.

But the facts about Roddy's death just don't add up, and Noemi isn't the only one who suspects that something menacing might be lurking within their tribal lands.

After over a decade away, Uncle Louie has returned to the reservation, bringing with him a past full of secrets, horror, and what might be the key to determining Roddy's true cause of death. Together, Noemi and Louie set out to find answers...but as they get closer to the truth, Noemi begins to wonder whether it might be best for some secrets to remain buried.

"The buzz...is real. I've read it and was blown away. It's a true nerve-shredder that keeps its mind-blowing secrets to the very end." --Stephen King

Named one of the Best Horror Books of All Time (Esquire and Cosmopolitan) - Winner of the British Fantasy Award for Best Horror Novel - An Indie Next Pick - A LibraryReads Top 10 Pick - A Library Journal Editors' Pick

Catriona Ward's The Last House on Needless Street is a shocking and immersive read perfect for fans of Gone Girl and The Haunting of Hill House.

In a boarded-up house on a dead-end street at the edge of the wild Washington woods lives a family of three.

A young girl who isn't allowed outside, not after last time.
A man who drinks alone in front of his TV, trying to ignore the gaps in his memory.
And a house cat who loves napping and reading the Bible.

An unspeakable secret binds them together, but when a new neighbor moves in next door, what is buried out among the birch trees may come back to haunt them all.

"Brilliant....[a] deeply frightening deconstruction of the illusion of the self." --The New York Times

An empowering cross-genre YA anthology that explores what it means to be a monster, exclusively highlighting trans and queer authors who offer new tales and perspectives on classic monster stories and tropes.

Be not afraid! These monsters, creatures, and beasties are not what they appear. We Mostly Come Out at Night is a YA anthology that reclaims the monstrous for the LGBTQA+ community while exploring how there is freedom and power in embracing the things that make you stand out. Each story centers on both original and familiar monsters and creatures--including Mothman, Carabosse, a girl with thirteen shadows, a living house, werebeasts, gorgons, sirens, angels, and many others--and their stories of love, self-acceptance, resilience, and empowerment. This collection is a bold, transformative celebration of queerness and the creatures that (mostly) go bump in the night.

Contributors include editor Rob Costello, Kalynn Bayron, David Bowles, Shae Carys, Rob Costello, H.E. Edgmon, Michael Thomas Ford, Val Howlett, Brittany Johnson, Naomi Kanakia, Claire Kann, Jonathan Lenore Kastin, Sarah Maxfield, Sam J. Miller, Alexandra Villasante, and Merc Fenn Wolfmoor.

One of the Best Books of 2022
NPR - Them - Lit Hub - CrimeReads - Book Riot - Chicago Review of Books

"A one-of-a-kind queer horror comedy for people who watch The Bachelor and The X-Files back-to-back." --Kirkus Reviews

On this season of The Catch, contestants must compete for love. And their lives.

When the final four women in competition for an aloof, somewhat sleazy bachelor's heart arrive on a mysterious island in the Pacific Northwest, they prepare themselves for another week of extreme sleep deprivation, invasive interviews, and, of course, the salacious drama eager viewers nationwide tune in to devour. Each woman came on The Catch for her own reasons--brand sponsorships, followers, and, yes, even love--and they've all got their eyes steadfastly trained on their respective prizes.

Enter Patricia, a temperamental and woefully misunderstood local living alone in the dark, verdant woods, and desperate for connection. Through twists as unexpected as they are wildly entertaining, the self-absorbed cast and jaded crew each make her acquaintance atop the island's tallest and most desolate peak, finding themselves at the center of an action-packed thriller that is far from scripted--and only a few will make the final cut.

A whirlwind romp careening toward a last-girl-standing conclusion, and a scathing indictment of contemporary American media culture, Patricia Wants to Cuddle is also a love story: between star-crossed lesbians who rise above their intolerant town, a deeply ambivalent woman and her budding self-actualization, and a group of misfit islanders forging community against all odds.

In the tradition of The Alienist and Anatomy: A Love Story, a decadently macabre, dark and twisty gothic debut set in 19th century Scotland - when real-life serial killers Burke and Hare terrorized the streets of Edinburgh - as a young medical student is lured into the illicit underworld of body snatching.

Historical fiction, true crime, and dark academia intertwine in a harrowing tale of murder, greed, and the grisly origins of modern medicine for readers of Lydia Kang, ML Rio, Sarah Perry, and C.E. McGill.

Portrait of the Medical Student as a Young Body Snatcher

Yet I must insist that in the end, this is not a story about Death. It is perhaps a Life story, or even--yes--a Love story. It is the story of how I clawed my way from the decay of a crumbling legacy into the modern era of Reason and Science. It is the story of how I escaped the prison of archaic superstition to the freedom of enlightenment. It is the story of how a rose can blossom from even the bloodiest soil, of how light can grow from shadow, how love can grow from despair.

This, dear reader, is the story of my Resurrection.

Edinburgh, Scotland, 1828. Naïve but determined James Willoughby has abandoned his posh, sheltered life at Oxford to pursue a lifelong dream of studying surgery in Edinburgh. A shining beacon of medical discovery in the age of New Enlightenment, the city's university offers everything James desires--except the chance to work on a human cadaver. For that, he needs to join one of the private schools in Surgeon's Square, at a cost he cannot afford. In desperation, he strikes a deal with Aneurin "Nye" MacKinnon, a dashing young dissectionist with an artist's eye for anatomy and a reckless passion for knowledge. Nye promises to help him gain the surgical experience he craves--but it doesn't take long for James to realize he's made a devil's bargain . . .

Nye is a body snatcher. And James has unwittingly become his accomplice. Intoxicated by Nye and his noble mission, James rapidly descends into the underground ranks of the Resurrectionists--the body snatchers infamous for stealing fresh corpses from churchyards to be used as anatomical specimens. Before he knows it, James is caught up in a life-or-death scheme as rival gangs of snatchers compete in a morbid race for power and prestige.

James and Nye soon find themselves in the crosshairs of a shady pair of unscrupulous opportunists known as Burke and Hare, who are dead set on cornering the market, no matter the cost. These unsavory characters will do anything to beat the competition for bodies. Even if it's cold-blooded murder . . .

Exquisitely macabre and delightfully entertaining, The Resurrectionist combines fact and fiction in a rollicking tale of the risks and rewards of scientific pursuit, the passions of its boldest pioneers, and the anatomy of human desire.

THE FANTASY BOOKTOK SENSATION!

For fans of Uprooted and For the Wolf comes a dark, lushly gothic fantasy about a maiden who must unleash the monster within to save her kingdom--but the monster in her head isn't the only threat lurking.

Elspeth needs a monster. The monster might be her.

Elspeth Spindle needs more than luck to stay safe in the eerie, mist-locked kingdom she calls home--she needs a monster. She calls him the Nightmare, an ancient, mercurial spirit trapped in her head. He protects her. He keeps her secrets.

But nothing comes for free, especially magic.

When Elspeth meets a mysterious highwayman on the forest road, her life takes a drastic turn. Thrust into a world of shadow and deception, she joins a dangerous quest to cure the kingdom of the dark magic infecting it. Except the highwayman just so happens to be the King's own nephew, Captain of the Destriers...and guilty of high treason.

He and Elspeth have until Solstice to gather twelve Providence Cards--the keys to the cure. But as the stakes heighten and their undeniable attraction intensifies, Elspeth is forced to face her darkest secret yet: the Nightmare is slowly, darkly, taking over her mind. And she might not be able to stop him.

Mexican Gothic meets The Lie Tree by way of Oscar Wilde and Mary Shelley in this delightfully witty horror debut.

A captivating tale of two Victorian gentlemen hiding their relationship away in a botanical garden who embark on a Frankenstein-style experiment with unexpected consequences.

It is an unusual thing, to live in a botanical garden. But Simon and Gregor are an unusual pair of gentlemen. Hidden away in their glass sanctuary from the disapproving tattle of Victorian London, they are free to follow their own interests without interference. For Simon, this means long hours in the dark basement workshop, working his taxidermical art. Gregor's business is exotic plants - lucrative, but harmless enough. Until his latest acquisition, a strange fungus which shows signs of intellect beyond any plant he's seen, inspires him to attempt a masterwork: true intelligent life from plant matter.

Driven by the glory he'll earn from the Royal Horticultural Society for such an achievement, Gregor ignores the flaws in his plan: that intelligence cannot be controlled; that plants cannot be reasoned with; and that the only way his plant-beast will flourish is if he uses a recently deceased corpse for the substrate.

The experiment - or Chloe, as she is named - outstrips even Gregor's expectations, entangling their strange household. But as Gregor's experiment flourishes, he wilts under the cost of keeping it hidden from jealous eyes. The mycelium grows apace in this sultry greenhouse. But who is cultivating whom?

Told with wit and warmth, this is an extraordinary tale of family, fungus and more than a dash of bloody revenge from an exciting new voice in queer horror.

The follow-up to T. Kingfisher's bestselling gothic novella, What Moves the Dead.

Retired soldier, Alex Easton, returns in a horrifying new adventure.

*A very special hardcover edition, featuring a foil stamp on the casing and custom endpapers illustrated by the author.*

After their terrifying ordeal at the Usher manor, Alex Easton feels as if they just survived another war. All they crave is rest, routine, and sunshine, but instead, as a favor to Angus and Miss Potter, they find themself heading to their family hunting lodge, deep in the cold, damp forests of their home country, Gallacia.

In theory, one can find relaxation in even the coldest and dampest of Gallacian autumns, but when Easton arrives, they find the caretaker dead, the lodge in disarray, and the grounds troubled by a strange, uncanny silence. The villagers whisper that a breath-stealing monster from folklore has taken up residence in Easton's home. Easton knows better than to put too much stock in local superstitions, but they can tell that something is not quite right in their home. . . or in their dreams.

NEW YORK TIMES BESTSELLER - The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation.

"Every piece is strong and memorable, making this not only likely to be the best anthology of the year, but one for the ages."--The Guardian

A BEST BOOK OF THE YEAR: Esquire, Chicago Public Library, CrimeReads

A cop begins seeing huge, blinking eyes where the headlights of cars should be that tell him who to pull over. Two freedom riders take a bus ride that leaves them stranded on a lonely road in Alabama where several unsettling somethings await them. A young girl dives into the depths of the Earth in search of the demon that killed her parents. These are just a few of the worlds of Out There Screaming, Jordan Peele's anthology of all-new horror stories by Black writers. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and--like his spine-chilling films--its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

Featuring stories by: Erin E. Adams, Violet Allen, Lesley Nneka Arimah, Maurice Broaddus, Chesya Burke, P. Djèlí Clark, Ezra Claytan Daniels, Tananarive Due, Nalo Hopkinson, N. K. Jemisin, Justin C. Key, L. D. Lewis, Nnedi Okorafor, Tochi Onyebuchi, Rebecca Roanhorse, Nicole D. Sconiers, Rion Amilcar Scott, Terence Taylor, and Cadwell Turnbull.

Close your eyes. Picture open plains, wheat stalks swaying gently in the wind. Picture the quaint Main Street of a one-stoplight town. Picture endless summers on sunny, tranquil lakes. With four provocative novellas, Kill Creek author and Kansas native Scott Thomas takes a hatchet to the idyllic tropes of the American heartland.

In The Door in the Field, Thomas follows a quarrelsome construction worker named Rayland Allen whose bad day becomes a far worse night when drinks at an off-the-books establishment deep in the woods set Ray down an unforeseeably bloody path.

In The Boy in the Woods, Thomas follows young Eddie Reicher, who lingers a day too long at summer camp as unholy terror creeps in. Something evil has infected the counselors. And Eddie will have to do everything he can--even kill--if he hopes to survive the night.

In One Half of a Child's Face, Thomas follows the recently divorced Sienna Franklin. Spying on her daughter and ex-husband, she notices an odd painting hanging on the wall of an adjacent apartment. Over the course of the next few days, Sienna will watch with growing horror as the children in the apartment building begin to gather before the painting as if called to it.

And in Wear Your Secret Like a Stone, Thomas follows Tara Bright, whose low-stakes job at the Blatonville BuyBig superstore takes a turn when a mysterious customer complains about her book pick for the Halloween display. It soon becomes clear that the pagan totem within the pages of the book bears a remarkable resemblance to a forgotten artifact from Blatonville's history, and speaks to the darkness of Tara's own past.

With this collection, Thomas digs his hands into the soil of the American heartland and establishes himself as the master of Midwestern Gothic.

Juno Dawson's Her Majesty's Royal Coven meets a Jim Jarmusch movie. A directionless college-dropout deals with sexuality, minimum-wage jobs, lunar cycles, toxic masculinity and the everyday perils of life as a modern werewolf.

Brian, an aimless slacker, works doubles at his shift job, forgets to clean his room and lays about with his friends Nik and Darby. He's been struggling to manage his transition to adulthood almost as much as his monthly transitions to a werewolf. Really, he is not great at the whole werewolf thing, and his recent murderous slip-ups have caught the attention of Tyler, a Millennial were-mentor determined to take the mythological world by storm.

Tyler has got a plan, and weirdly his self-help punditry actually encourages Brian to shape up and to stop accidentally marking out guys who ghosted him on Grindr as potential monthly victims. But as Brian gets closer to Tyler's pack, and alienated from Nik and Darby, he realizes that Tyler's expansion plans are much more nefarious than a little lupine enlightenment...

Big-hearted, goofy, anarchic and funny, Bored Gay Werewolf is a smart take on the doomsday logic of late capitalism and the complicated meeting point of masculinity and sexuality. More than that, though, and like Scooby Doo with Grindr or Stranger Things with sex and ennui, it's a buddy novel about finding your pack, the power of friendship, and learning how to be comfortable in your own, shaggy werewolf pelt.

The woman behind the icon known as the undisputed Queen of Halloween, reveals her full story, filled with intimate bombshells, told by the bombshell herself. The paperback includes 32 new images and an original poem composed by Cassandra when she was 16, perfect for fans to collect.

At only eighteen months old, Cassandra Peterson reached for a pot on the stove and doused herself in boiling water, resulting in third-degree burns over 35 percent of her body. She miraculously survived, but burned and scarred, the impact would stay with her and become an obstacle she was determined to overcome. Cassandra left home at fourteen and supported herself as a go-go dancer. By age seventeen, she was performing as a showgirl in Las Vegas. Then a chance encounter with the "King" himself, Elvis Presley, inspired her to travel to Europe where she worked in film and toured Italy as lead singer of a band. She eventually made her way to Los Angeles, where she joined the famed comedy improv group, The Groundlings.
In 1981, as a struggling actress considered past her prime, Cassandra auditioned for a local LA station as hostess for their late-night horror movies. She got the job as "Elvira," never imagining it would lead to fame and a forty-year career. Yours Cruelly, Elvira is an unforgettably wild memoir. Cassandra doesn't shy away from revealing exactly who she is and how she overcame seemingly insurmountable odds. Always original and sometimes outrageous, her story is loaded with twists, travails, revelry, and downright shocking experiences. It is the candid, often hilarious, and sometimes heartbreaking tale of a Midwest farm girl's long, strange trip to become the world's sexiest, sassiest Halloween icon.

Instant New York Times Bestseller, Los Angeles Times Bestseller, USA Today Bestseller, and Publishers Weekly Bestseller.

A New York Times Best Books to Give This Season selection.