Collection: Shop Latinx

How modern and contemporary artists across the African and Caribbean diasporas transformed European Surrealism into a tool for Black expression

On the centennial anniversary of André Breton's first Surrealist Manifesto, Surrealism and Us shines new light on how Surrealism was consumed and transformed in the Caribbean and the United States. It brings together more than 50 works from the 1940s to the present that convey how Caribbean and African diasporic artists reclaimed a European avant-garde for their own purposes.
Since its inception, the Surrealist movement--and many other European art movements of the early 20th century--embraced and transformed African art, poetry and music traditions. Concurrently, artists in the Americas proposed subsets of Surrealism more closely tied to African diasporic culture. In Martinique, Aimé and Suzanne Césaire proposed a Caribbean Surrealism that challenged principles of order and reason and embraced African spiritualities. Meanwhile, artists in the United States such as Romare Bearden and Ted Joans engaged deeply with Surrealist ideas. These trends lasted far beyond those of their European counterparts. Indeed, the term "Afro-surrealism" was created by poet Amiri Baraka in 1974; today the movement still flourishes in tandem with Afrofuturism. The Surrealism and Us catalog is divided into three themes: "To Dare," "Invisibility" and "Super/Reality". These sections, galvanized by scholarly essays, create transnational and multi-generational connections between Black life and artistic practice over the past 100 years.
Artists include: Firelei Báez, Agustin Cárdenas, Myrlande Constant, Rafael Ferrer, Ja'Tovia Gary, Hector Hyppolite, Ted Joans, Wifredo Lam, Simone Leigh, Kerry James Marshall.

Premio Nobel de Literatura

"Una obra atrevida y cautivadora... García Márquez retiene una voz admirable y vital, y la pluma de un ángel".
--Los Angeles Times Book Review

El 26 de octubre de 1949 el reportero Gabriel García Márquez fue enviado al antiguo convento de Santa Clara, que iba a ser demolido para edificar sobre él un hotel de cinco estrellas, a presenciar el vaciado de las criptas funerarias y a cubrir la noticia.

Se exhumaron los restos de un virrey del Perú y su amante secreta, un obispo, varias abadesas, un bachiller de artes y una marquesa. Pero la sorpresa saltó al destapar la tercera hornacina del altar mayor: se desparramó una cabellera de color cobre, de veintidós metros y once centímetros de largo, perteneciente a una niña. En la lápida apenas se leía el nombre: Sierva María de Todos los Ángeles.

Cuenta el propio García Márquez: "Mi abuela me contaba de niño la leyenda de una marquesita de doce años cuya cabellera le arrastraba como una cola de novia, que había muerto del mal de rabia por el mordisco de un perro, y era venerada en los pueblos del Caribe por sus muchos milagros. La idea de que esa tumba pudiera ser la suya fue mi noticia de aquel día, y el origen de este libro".

Antipoems: New and Selected, a fresh bilingual gathering as well as retrospective of the work of Chile's foremost poet, reintroduces him to North American readers after thirteen years. Though he has been hardly unproductive, the politics of his homeland have channeled his inventiveness into new modes of expression, which remind us of the sometimes sly hermeticism of Italian writers, Eugenio Montale and Elio Vittorini among them, during the Fascist regime. As Frank MacShane makes clear in his introduction, Parra has not tried to escape repression, but by "using his wit and his humor, he has shown how the artist can still speak the truth in troubled times." Since much of Parra's early work is now out of print, editor David Unger has included many of the poems which influenced North American poets such as Ferlinghetti and Merton in the '50s and '60s, some in new or revised translations. Of Parra's more recent work, there are generous selections from Artifacts (1972), Sermons and Preachings of the Christ of Elqui (1977), New Sermons and Preachings of the Christ of Elqui(1979), Jokes to Mislead the Police (1983), Ecopoems (1983), Recent Sermons(1983), and a section of "Uncollected Poems" (1984). Antipoems: New and Selected is edited by David Unger, who contributed many of the translations to Enrique Lihn's The Dark Room and Other Poems (New Directions, 1978). Professor Frank MacShane of Columbia University, in his critical introduction, gives a full evaluation of a poet who is "unquestionably one of the most influential and accomplished in Latin America today, heir to the position long held by his countryman, Pablo Neruda."

This moving and impassioned picture book about the iconic Queen of Tejano music, Selena Quintanilla, that will embolden young readers to find their passion and make the impossible, possible!

Selena Quintanilla's music career began at the age of nine when she started singing in her family's band. She went from using a hairbrush as a microphone to traveling from town to town to play gigs. But Selena faced a challenge: People said that she would never make it in Tejano music, which was dominated by male performers. Selena was determined to prove them wrong.

Born and raised in Texas, Selena didn't know how to speak Spanish, but with the help of her dad, she learned to sing it. With songs written and composed by her older brother and the fun dance steps Selena created, her band, Selena Y Los Dinos, rose to stardom! A true trailblazer, her success in Tejano music and her crossover into mainstream American music opened the door for other Latinx entertainers, and she became an inspiration for Latina girls everywhere.

A riveting and heart-wrenching story of violence, grief and the American justice system, exploring the systemic issues that perpetuate gang participation in one of the wealthiest cities in the country, through the story of one teenager.

In September of 2019, Luis Alberto Quiñonez--known as Sito-- was shot to death as he sat in his car in the Mission District of San Francisco. He was nineteen. His killer, Julius Williams, was seventeen. It was the second time the teens had encountered one another. The first, five years before, also ended in tragedy, when Julius watched as his brother was stabbed to death by an acquaintance of Sito's. The two murders merited a few local news stories, and then the rest of the world moved on.

But for the families of the slain teenagers, it was impossible to move on. And for Laurence Ralph, the stepfather of Sito's half-brother who had dedicated much of his academic career to studying gang-affiliated youth, Sito's murder forced him to revisit a subject of scholarly inquiry in a profoundly different, deeply personal way.

Written from Ralph's perspective as both a person enmeshed in Sito's family and as an Ivy League professor and expert on the entanglement of class and violence, SITO is an intimate story with an message about the lived experience of urban danger, and about anger, fear, grief, vengeance, and ultimately grace.

"Lowry's masterpiece. . . has a claim to being regarded as one of the ten most consequential works of fiction produced in [the twentieth] century." -- Los Angeles Times

Under the Volcano remains one of literature's most powerful and lyrical statements on the human condition, and a brilliant portrayal of one man's constant struggle against the elemental forces that threaten to destroy him.

Geoffrey Firmin, a former British consul, has come to Quauhnahuac, Mexico. His debilitating malaise is drinking, an activity that has overshadowed his life. On the most fateful day of the consul's life--the Day of the Dead--his wife, Yvonne, arrives in Quauhnahuac, inspired by a vision of life together away from Mexico and the circumstances that have driven their relationship to the brink of collapse. She is determined to rescue Firmin and their failing marriage, but her mission is further complicated by the presence of Hugh, the consul's half brother, and Jacques, a childhood friend. The events of this one significant day unfold against an unforgettable backdrop of a Mexico at once magical and diabolical.

Celebremos la diversidad, las matemáticas y el poder del cuento!

Celebrate diversity, math, and the power of storytelling!

Ahora en edición bilingüe inglés-español! Es hora de que Marco y sus animales de peluche se vayan a dormir, pero los animales tienen otro plan. Cuando Marco trata de guardarlos, empiezan a volar, nadar y reptar de las canastas donde los tiene. Podrá Marco clasificar a sus animales para que todos estén contentos? Una exploración divertida sobre lo que es clasificar con personajes latinxs y una nota sobre clasificación científica.

Los libros de la serie Cuentos matemáticos celebran las aventuras diarias de niños que usan las matemáticas mientras juegan, construyen y descubren el mundo que los rodea. Historias divertidas y actividades prácticas facilitan que tanto los niños como los adultos exploren juntos las matemáticas de la vida diaria. Fue desarrollada junto a expertos en el currículum STEM, pertenecientes a TERC Inc., organización sin fines de lucro, bajo una subvención otorgada por Heising-Simons Foundation.

Now in a Spanish bilingual edition! It's bedtime for Marco and his stuffed animals, but the animals have other ideas. When Marco tries to put them away, they fly, swim, and slither right out of their bins! Can Marco sort the animals so everyone is happy? A playful exploration of sorting and classifying, featuring Latinx characters and a note about scientific classification.

Storytelling Math celebrates children using math in their daily adventures as they play, build, and discover the world around them. Joyful stories and hands-on activities make it easy for kids and their grown-ups to explore everyday math together. Developed in collaboration with math experts at STEM education non-profit TERC, under a grant from the Heising-Simons Foundation.

Celebremos la diversidad, las matemáticas y el poder del cuento!

Celebrate diversity, math, and the power of storytelling!

Ahora en edición bilingüe inglés-español! Los mellizos Lía y Luis siempre discuten para ver quién tiene más de su merienda favorita. Podrán estos hermanos usar las matemáticas y compartir un poco para saber quién tiene razón? Una exploración divertida sobre la medición, el conteo y la estimación, con personajes brasileño-estadounidenses y un glosario de palabras en portugués.

Los libros de la serie Cuentos matemáticos celebran las aventuras diarias de niños que usan las matemáticas mientras juegan, construyen y descubren el mundo que los rodea. Historias divertidas y actividades prácticas facilitan que tanto los niños como los adultos exploren juntos las matemáticas de la vida diaria. Fue desarrollada junto a expertos en el currículum STEM, pertenecientes a TERC Inc., organización sin fines de lucro, bajo una subvención otorgada por Heising-Simons Foundation.

Now in a Spanish bilingual edition! Twins Lia and Luís argue over who has more of their favorite snacks. Can the siblings use math--and a little sharing--to pick the winner? A playful exploration of measurement, counting, and estimation, featuring Brazilian American characters and a glossary of Brazilian Portuguese words.

Storytelling Math celebrates children using math in their daily adventures as they play, build, and discover the world around them. Joyful stories and hands-on activities make it easy for kids and their grown-ups to explore everyday math together. Developed in collaboration with math experts at STEM education non-profit TERC, under a grant from the Heising-Simons Foundation.

Set in and around the Mexican city of Veracruz, This Is Not Miami delivers a series of devastating stories--spiraling from real events--that bleed together reportage and the author's rich and rigorous imagination. These narrative nonfiction pieces probe deeply into the motivations of murderers and misfits, into their desires and circumstances, forcing us to understand them--and even empathize--despite our wish to simply label them monsters. As in her hugely acclaimed novels Hurricane Season and Paradais, Fernanda Melchor's masterful stories show how the violent and shocking aberrations that make the headlines are only the surface ruptures of a society on the brink of chaos.

Where is the center of the sea? Why do the waves never break there? A book containing unanswerable, fantastical questions, inviting us to be curious, while simultaneously embracing what we cannot know.
A New York Times Best Children's Book of 2022A Marginalian (fka Brain Pickings) Favorite Book of 2022A New York Times Bestseller!
A USBBY Outstanding International Book of 2023

A 2023 Bologna Ragazzi Award Amazing Bookshelf Selection

Selected for the Academy of American Poets 2022 Featured Fall Books List for Young Readers
Starred reviews in The Horn Book, Kirkus, SLJ, and PW!

This bilingual Spanish-English edition is the first illustrated selection of questions, 70 in all, from Pablo Neruda's original poem (320 questions) The Book of Questions.

Holding the wonder and mystery of childhood and the experience and knowing that come with growing up, these questions are by turns lyrical, strange, surreal, spiritual, historical and political. They foreground the natural world, and their curiosity transcends all logic; and because they are paradoxes and riddles that embrace the limits of our ability to know, they engage with human freedom in the deepest way, removing the burden and constraint that somehow, we are meant to have answers to every question.

Gorgeously, cosmically illustrated by Paloma Valdivia, here Neruda's questions, already visual in themselves, gain a double visuality that makes them even more palpable and resonant. So clearly rooted in Chilean landscapes as they are, the questions are revealed as a communion with nature and its mysteries.

The Witch is dead. And the discovery of her corpse has the whole village investigating the murder. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters--inners whom most people would write off as irredeemable--forming a lasting portrait of a damned Mexican village.

Like Roberto Bolano's 2666 or Faulkner's novels, Hurricane Season takes place in a world saturated with mythology and violence--real violence, the kind that seeps into the soil, poisoning everything around: it's a world that becomes more and more terrifying the deeper you explore it.

This coming-of-age classic from "one of the nation's foremost Chicano literary artists" follows a young boy as he questions his faith and beliefs after a curandera woman introduces herbs and magic into his life (Denver Post) .

Antonio Marez is six years old when Ultima comes to stay with his family in New Mexico. She is a curandera, one who cures with herbs and magic. Under her wise wing, Tony will probe the family ties that bind and rend him, and he will discover himself in the magical secrets of the pagan past--a mythic legacy as palpable as the Catholicism of Latin America. And at each life turn there is Ultima, who delivered Tony into the world... and will nurture the birth of his soul.

This resonant and award-winning picture book tells the story of one girl who constantly gets asked a simple question that doesn't have a simple answer. A great conversation starter in the home or classroom--a book to share, in the spirit of I Am Enough by Grace Byers and Keturah A. Bobo.

When a girl is asked where she's from--where she's really from--none of her answers seems to be the right one.

Unsure about how to reply, she turns to her loving abuelo for help. He doesn't give her the response she expects. She gets an even better one.

Where am I from?

You're from hurricanes and dark storms, and a tiny singing frog that calls the island people home when the sun goes to sleep....

With themes of self-acceptance, identity, and home, this powerful, lyrical picture book will resonate with readers young and old, from all backgrounds and of all colors--especially anyone who ever felt that they don't belong.

2019 Nerdies Fiction Picture Book Award Winner Silver Medalist for Bank Street College of Education's Best Spanish Language Picture Books of the Year Named one of Kirkus Reviews Best Books of 2019 A Mighty Girl's 2019 Book of the Year Named one of New York Public Library's Best Books for Kids 2019

"Lyrical language and luminous illustrations. An ideal vehicle for readers to ponder and discuss their own identities." --Kirkus (starred review)

"An enchanted, hand-in-hand odyssey [and] opportunity to acknowledge and celebrate the many, many backgrounds, roots, histories, of those who live in these United States." --Shelf Awareness (starred review)

"A much-needed title that is a first purchase for libraries and classrooms." --School Library Journal

"This touching book addresses a ubiquitous question for children of color, and in the end, the closeness between the girl and Abuelo shows that no matter the questions, she knows exactly where she's from." --Booklist

"Although the book begins as a gentle riposte to narrow cultural and ethnic categorizations, its conclusion reaches out to all readers, evoking both heritage and the human family." --Publishers Weekly

A Spanish-language edition, De dónde eres?, is also available.

Para los fans de Last Stop on Market Street llega una historia inspiradora sobre un niño que se mantiene fiel a su sueño más grande mientras encuentra magia en cada momento. La edición en inglés, The Dream Catcher, también está a la venta.

Algunas personas sueñan con olas perfectas, castillos lujosos o pilotear un avión. Otras sueñan con alguien con quien reír y jugar el día entero. Algunas solo sueñan con tener comida para el día siguiente. Y el pequeño Miguel? Mientras él y su abuelito trabajan bajo el ardiente sol oaxaqueño vendiendo cocos y atrapasueños para ganarse unas monedas, Miguel solo conserva un simple deseo: tener a sus padres a su lado. Pero cómo puede seguir confiando cuando la verdad es que los sueños no siempre se hacen realidad?
Esta conmovedora historia de esperanza y resiliencia de MarceloVerdad demuestra que vivir en el aquí yel ahora puede ser un viaje tan hermoso como un sueño.

For fans of Last Stop on Market Street, an uplifting story about a boy who stays true to his biggest dream while finding the magic in every moment. A Spanish edition, El atrapasueños, is also available for purchase.

Some people dream of perfect waves, fancy castles, or piloting a plane. Others dream of someone to laugh and play with all day long. Some just dream of having a meal for the next day.

And little Miguel? As he and Abuelito work in the hot Oaxacan sun, selling cold coconuts and macrame dream catchers to earn a few coins, Miguel has only one simple wish--to have his parents by his side. But how can he keep the faith when the truth is that dreams don't always come to pass?

Marcelo Verdad's poignant tale of hope and resilience shows how living in the here and now can be a journey every bit as beautiful as a dream.

In this hilarious installment in the Spanish-forward Skeletown series, will Skully and Skelly get up to más or menos mischief?

Fall is in the air in the Día de los Muertos-inspired world of Skeletown! Skully and Skelly are raking leaves and trekking to school amid the brisk autumn wind, so it's time to cozy up with a big sweater that Abuela just knitted--that is, until their cat Lulu grabs the yarn and begins unraveling it, leading the crew on a wild chase through the busy streets of Skeletown, in this exciting story told using only two words!

With dynamic, neon art that pops off the pages, a completely unique approach to storytelling, and a wildly appealing (but not scary!) cast of calavera characters from the fantastical world of Skeletown, here's a rambunctious romp that will inspire giggles with Spanish and English readers alike!

Enter the classroom in this joyful story of growth that will help new students find their voice. With Spanish words throughout the text, this radiant picture book is perfect for fans of Mango, Abuela, and Me.

On the first day of elementary school, Abuela soothes Gloriana's nerves by telling her stories from their family home in la República Dominicana. But as soon as Gloriana enters the classroom, the tropical scenery crumbles and la música is replaced with English phrases she does not understand. When other kids approach her to play at recess, she freezes, uncertain about how to exist between her two homes, or how to make new friends between her two languages. Abuela recognizes echoes of her own immigration journey on this challenging day at school, and she gently guides Gloriana towards newfound confidence. This beautifully painted, imaginative picture book celebrates the magic of existing in-between, and the transformative power of self-soothing to build confidence.

An essential read for fans of The Queen of Kindergarten.