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#1 New York Times Bestseller

A personal and urgent examination of Fascism in the twentieth century and how its legacy shapes today's world, written by one of the most admired public servants in American history, the first woman to serve as U.S. secretary of state

A Fascist, observed Madeleine Albright, "is someone who claims to speak for a whole nation or group, is utterly unconcerned with the rights of others, and is willing to use violence and whatever other means are necessary to achieve the goals he or she might have."

The twentieth century was defined by the clash between democracy and Fascism, a struggle that created uncertainty about the survival of human freedom and left millions dead. Given the horrors of that experience, one might expect the world to reject the spiritual successors to Hitler and Mussolini should they arise in our era. Fascism: A Warning is drawn from Madeleine Albright's experiences as a child in war-torn Europe and her distinguished career as a diplomat to question that assumption.

Fascism, as she shows, not only endured through the twentieth century but now presents a more virulent threat to peace and justice than at any time since the end of World War II. The momentum toward democracy that swept the world when the Berlin Wall fell has gone into reverse. The United States, which historically championed the free world, is led by a president who exacerbates division and heaps scorn on democratic institutions. In many countries, economic, technological, and cultural factors are weakening the political center and empowering the extremes of right and left. Contemporary leaders such as Vladimir Putin and Kim Jong-un are employing many of the tactics used by Fascists in the 1920s and 30s.

Fascism: A Warning is a book for our times that is relevant to all times. Written by someone who not only studied history but helped to shape it, this call to arms teaches us the lessons we must understand and the questions we must answer if we are to save ourselves from repeating the tragic errors of the past.

When the film Clue came out in 1985, audiences were baffled. A movie based on a board game, with three different endings, and you had to pick which one to go see? Bad reviews compounded the problem, and instead of choosing one ending, most people stayed away entirely. Clue, outgrossed at the box office by films that had been released months earlier, quickly faded away. When it unceremoniously premiered on Showtime a year after its theatrical debut, there was no sign it was destined for anything other than obscurity, another flop bound to be forgotten. Instead, Gen Xers and millennials, raised on pop culture and cable TV in an era long before the streaming wars, discovered this zany farce about a group of six strangers locked in a remote house with a killer. The movie appealed to kids. The creepy mansion and eerie music contrasted with slapstick gags and double entendres, deflating the tension. Today, almost forty years later, Clue is the epitome of a cult classic, with midnight screenings, script readings for charity, cosplaying fans, and a stage play. "What Do You Mean, Murder?" dives deep into the making of Clue and walks fans through the movie they know and love.

We are in the midst of a global crisis of care. How do we get out of it?

The Care Manifesto puts care at the heart of the debates of our current crisis: from intimate care--childcare, healthcare, elder care--to care for the natural world. We live in a world where carelessness reigns, but it does not have to be this way.

The Care Manifesto puts forth a vision for a truly caring world. The authors want to reimagine the role of care in our everyday lives, making it the organising principle in every dimension and at every scale of life. We are all dependent on each other, and only by nurturing these interdependencies can we cultivate a world in which each and every one of us can not only live but thrive.

The Care Manifesto demands that we must put care at the heart of the state and the economy. A caring government must promote collective joy, not the satisfaction of individual desire. This means the transformation of how we organise work through co-operatives, localism and nationalisation. It proposes the expansion of our understanding of kinship for a more 'promiscuous care'. It calls for caring places through the reclamation of public space, to make a more convivial city. It sets out an agenda for the environment, most urgent of all, putting care at the centre of our relationship to the natural world.

An unforgettable coming-of-age novel that becomes a profound mediation on life, death, and lifelong friendship.

Everyone has a Tully Dawson: the friend who defines your life.

In the summer of 1986, in a small Scottish town, James and Tully ignite a brilliant friendship based on music, films and the rebel spirit. With school over and the locked world of their fathers before them, they rush towards the climax of their youth: a magical weekend in Manchester, the epicentre of everything that inspires them in working-class Britain. There, against the greatest soundtrack ever recorded, a vow is made: to go at life differently.

Thirty years on, half a life away, the phone rings. Tully has news--news that forces the life-long friends to confront their own mortality head-on. What follows is an incredibly moving examination of the responsibilities and obligations we have to those we love. Mayflies is at once a finely-tuned drama about the delicacy and impermanence of human connection and an urgent inquiry into some of the most important questions of all: Who are we? What do we owe to our friends? And what does it mean to love another person amidst tragedy?

*An Indie Next List Pick, a Top Ten Rainbow Book for Young Readers, and one of Bank Street Children's Best Books of the Year!*

Jules Machias explores identity, gender fluidity, and the power of friendship and acceptance in this dual-narrative story about two kids who join forces to save a dog . . . but wind up saving each other.

Ash is no stranger to feeling like an outcast. For someone who cycles through genders, it's a daily struggle to feel in control of how people perceive you. Some days Ash is undoubtedly girl, but other times, 100 percent guy. Daniel lacks control too--of his emotions. He's been told he's overly sensitive more times than he can count. He can't help the way he is, and he sure wishes someone would accept him for it.

So when Daniel's big heart leads him to rescue a dog that's about to be euthanized, he's relieved to find Ash willing to help. The two bond over their four-legged secret. When they start catching feelings for each other, however, things go from cute to complicated. Daniel thinks Ash is all girl . . . what happens when he finds out there's more to Ash's story?

With so much on the line--truth, identity, acceptance, and the life of an adorable pup named Chewbarka--will Ash and Daniel forever feel at war with themselves because they don't fit into the world's binaries? Or will their friendship help them embrace the beauty of living in between?

An exhilarating, brutally candid saga about sexuality and war, tenderness and trauma, young desire and fierce hate, as a teenage boy's unexpected, complicated relationship with a Nazi officer in a WWII death camp is resurrected in 1960s New York City.

We Are Only Ghosts depicts queer love against the horrors of death camps and the psychosis of those who got out alive--haunted forever by those who did not--balancing the violence and hatred of war and its aftermath with many poignant moments of tenderness and joy. For readers of A Little Life by Hanya Yanagihara, The Heart's Invisible Furies by John Boyne, and Young Mungo by Douglas Stuart.

"Told from the important and often overlooked perspective of a young gay man imprisoned in the Nazi concentration camps, We Are Only Ghosts evocatively portrays how the things that happen to us, both tragic and beautiful, shape who we are, and how we have the power to choose who we become in spite of our suffering. This gripping testament to the strength of the human spirit will both haunt and inspire you." --Ellen Marie Wiseman, New York Times bestselling author of The Lost Girls of Willowbrook

New York City, 1968: The customers at Café Marie don't come just for the excellent coffee and pastries. They come for the sophisticated ambiance, and the illusion of being somewhere other than a bustling, exhausting city. Headwaiter Charles Ward helps create that illusion through impeccable service--unobtrusive, nearly invisible, yet always watchful.

It's a skill Charles honed as a young Jewish boy in war-torn Europe, when avoiding attention might mean the difference between life and death. But even then, one man saw him all too clearly--a Nazi officer who was both his savior and tormentor.

At seventeen, Charles was deported to Auschwitz with his family. There he was singled out by Obersturmführer Berthold Werden, who hid him in his home. Their entanglement produced a tortured affection mixed with hatred that flares to life again, decades later, when Berthold walks into Café Marie.

Drawn back into Berthold's orbit, Charles is forced to revisit the pain and the brief, undeniable pleasures of the life he once knew. And if he acts on his growing hunger for revenge, will he lose his only tether to the past--the only other witness to who he was and everything he endured--or find peace at last?

"I was mesmerized by this gorgeously written novel that explores the psychological cost of survival with unflinching honesty and unwavering compassion. A young survivor of the Holocaust who crosses borders, decades, and identities in an attempt to leave behind his horrific past learns he will never be whole again until he finds the courage to confront his ghosts. An astounding story that will linger in my mind and heart for years to come, We Are Only Ghosts will take you on a riveting journey through unimaginable loss and corrupted love toward its ultimate destination of healing and repair." --Kim van Alkemade, New York Times Bestselling Author of Counting Lost Stars

"Profound, moving, and absolutely timely, We Are Only Ghosts shows how our identity determines destiny. Charles is gay, Czech, Jewish; as a teenager, he was ghettoized and subjected to the depravity of the Third Reich. In adulthood he discovers the courage to confront the ghosts who return to haunt him, including that of the boy he himself had once been. I'm still pondering the questions posed by this touching novel." --William di Canzio, Author of Alec

There is only one scenario other than an asteroid strike that could end the world as we know it in a matter of hours: nuclear war. And one of the triggers for that war would be a nuclear missile inbound toward the United States.

Every generation, a journalist has looked deep into the heart of the nuclear military establishment: the technologies, the safeguards, the plans, and the risks. These investigations are vital to how we understand the world we really live in--where one nuclear missile will beget one in return, and where the choreography of the world's end requires massive decisions made on seconds' notice with information that is only as good as the intelligence we have.

Pulitzer Prize finalist Annie Jacobsen's Nuclear War: A Scenario explores this ticking-clock scenario, based on dozens of exclusive new interviews with military and civilian experts who have built the weapons, have been privy to the response plans, and have been responsible for those decisions should they have needed to be made. Nuclear War: A Scenario examines the handful of minutes after a nuclear missile launch. It is essential reading, and unlike any other book in its depth and urgency.

Evelyn Berry's debut poetry collection, Grief Slut, is an examination of the queer lineage of pleasure, grief, and resilience in the American South. Berry offers a portrait of a girl living through boyhood and grappling with the violence of nostalgia in poems that blend high art, archival slivers, and Taco Bell. This collection invites us into a landscape home to sloppy kissers, swamp suitors, scrappy "limbwrecked boys," and drag queens drenched in glitter sweat, where "each day is trespass" and queer youth fight to "hear one another breathe just a little while longer."

*National Bestseller*

A brilliant and empowering collection of final reflections and words of wisdom from venerable civil rights champion, the late Congressman John Lewis at the end of his remarkable life.

Congressman John Lewis was a paragon of the Civil Rights Movement and political leadership for decades. A hero we won't soon forget, Lewis was a beacon of hope and a model of humility whose invocation to "good trouble" continues to inspire millions across our nation. In his last months on earth, even while battling cancer, he dedicated time to share his memories, beliefs, and advice--exclusively immortalized in these pages--as a message to the generations to come.

Organized by topic ranging from justice, courage, faith, mentorship, and forgiveness to the protests and the pandemic, and many more besides, Carry On collects the late Congressman's thoughts for readers to draw on whenever they are in need of guidance. John Lewis had great confidence in our future, even as he died in the midst of one of our country's most challenging years to date. With this book, he performs that crucial passing of the baton, empowering us to live up to the legacy he has left us with his perseverance, dedication, profound insight, and unwavering ability to see the good in life.

This acclaimed history illuminates the horrifying episode of Salem with visceral clarity, from those who fanned the crisis to satisfy personal vendettas to the four-year-old "witch" chained to a dank prison wall in darkness till she went mad. Antonia Fraser called it "a grisly read and an engrossing one."

One of the key figures in the New York art world of the 1980s, Keith Haring (1958-1990) created a signature style that blended street art, graffiti, a Pop sensibility, and cartoon elements to unique, memorable effect. With thick black outlines, bright colors, and kinetic figures, his public (and occasionally illegal) interventions, sculptures, and works on canvas and paper have become instantly recognizable icons of 20th-century visual culture. From his first chalk drawings in the New York City subway stations, to his renowned "Radiant Baby" symbol, and his commissions for Swatch Watch and Absolut Vodka, Haring's work was both emblematic of the manic work ethic of 1980s New York, yet distinctive for its social awareness. Belying their bright, playful aesthetics, his pieces often tackled intensely controversial socio-political issues, including racism, capitalism, religious fundamentalism, and the increasing impact of AIDS on New York's gay community, the latter foreshadowing his own death from the disease in 1990. In this vivid introduction to Haring's work, we explore the dynamic life and innovative spirit of this singular artist, who spent little more than a decade in the spotlight, but through the accessibility of his visual vocabulary and the strength of his political commitment became one of the most significant artists to emerge from New York's vibrant, downtown community.

From the New York Times bestselling and award-winning author, Joanna Ho, comes an uplifting call to action that highlights Asian American history, paired with vibrant and colorful illustrations by artist and activist, Amanda Phingbodhipakkiya.

In Joanna Ho's true classic style, she creates a poetic ode that celebrates Asian American communities and their history. We Who Produce Pearls, is an anthem for Asian America that celebrates the richness and diversity within the Asian American identity and serves as a reminder of our self worth, our legacy and most of all, our destiny. Amanda Phingbodhipakkiya's signature bright and bold palette brings to light the strength and power within us all, creating a mesmerizing, stunning, and magical masterpiece that proves how we can shape our pain and struggle into one of joy and power. Together, Joanna and Amanda remind readers to rise up, speak out, and step into power.

What happens when the life you thought you had does a 180 turn? Everything, and yet...nothing.

Us is Sara and Diana's love story, as well as the story of Diana's gender transition. Full of humor, heartache, and the everyday triumphs and struggles of identity, this graphic memoir speaks to changing conceptions of the world as well as the self, at the same time revealing that some things don't really have to change.

Written, drawn, and colored by Sara Soler, with English translation by Silvia Perea Labayen and letters by Joamette Gil.

Set during the time of the New York Times bestseller Powerless, fan favorite Adena gets a story all her own in this captivating novella as she attempts to survive on the streets of Loot...and falls for a mysterious--and dangerous--Elite.

Adena and Paedyn have always been inseparable. Fate brought them together when they were young, but friendship ensured they would always protect each other and the home they built in the slums of Loot. But now Paedyn--an Ordinary--has been selected for the Purging Trials, which means almost certain death.

Now alone in Loot, Adena must fend for herself. After attempting to steal, she's rescued by a mysterious man from the market. Mak's shadowy past and secretive power set him apart from the other low-level Elites of Loot. And as the pair team up to see their loved ones before the Trials, the quest tests their loyalty, their love, and their lives.

This novella also includes a special extended teaser to Reckless--the exciting sequel to Powerless!

Rune Saint John, heir to the fallen Sun Court, finds clues to his Companion Brand's past on a mission into the ruins of his family estate. But while he's still agonizing over whether to tell Brand, a more pressing matter arises.

Rune's ward, Max, is nearly kidnapped by the Hanged Man, who has asserted a marriage claim on the young man. Rune isn't about to lose Max to the Hanged Man and his court, the Gallows, which is known to have unhealthy interests in necromancy and mutilation magics. Urgency will lead Rune and Brand to the family of an old servant, whose own son has fallen into the Hanged Man's orbit. In going to her aid, Rune may find a way to free both young men, but only if he's willing to gamble everything on a decision that will change his life forever.

Beautiful, rich short stories, drawing on myth and folklore to bring to life women's remarkable ability to transform themselves in the face of seemingly impossible circumstances.

'A book for all the wild women ... Foxfire, Wolfskin is simply the most perfect thing. I love each and every placement of each word. Love the wildness, the shapeshifting, the fearsomeness of it.' Jackie Morris, co-author of The Lost Words

'She lived fully, my fox, and I envied her with all my heart. I wanted to dance with her, sister or lover, across the snow-clad vastness of this land. Together, we'd create the Northern Lights. For that is what foxes do - racing over the fells, whipping up the snow with their tails, the friction of it sending up sparks into the midnight sky. This is what makes the aurora's glow. Revontulet, we call it: foxfire.'

Charged with drama and beauty, this memorable collection by a master storyteller weaves a magical world of possibility and power from female myths of physical renewal, creation and change. It is an extraordinary immersion into the bodies and voices, mindscapes and landscapes, of the shapeshifting women of our native folklore.

Drawing on myth and fairy tales found across Europe from Croatia to Sweden, Ireland to Russia, these stories are about coming to terms with our animal natures, exploring the ways in which we might renegotiate our fractured relationship with the natural world, and uncovering the wildness and wilderness within.

Beautifully illustrated by Helen Nicholson, Foxfire, Wolfskin and Other Stories of Shapeshifting Women is Blackie's first collection of short stories.

'Sharon Blackie has wrought a new-old magic for our times: glorious, beautiful, passionate myths. They show who we could have been, and they give us a glimpse of a world-that-could-be.' Manda Scott, author of A Treachery of Spies and Boudica

'A deeply evocative and haunting collection... Part rally cry, part warning, part manifesto and all parts enchanting, Sharon Blackie's Foxfire, Wolfskin is a deeply evocative and haunting collection. I want to press this powerful book into the hands of everyone I know and say listen.' Holly Ringland, author of The Lost Flowers of Alice Hart