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Gannibal, the thrilling and terrifying manga horror series by Masaaki Ninomiya, continues on...

The antagonism between the villagers and Daigo worsens as the days pass. His ongoing investigation of cannibalism within the village leads him to further conflict, and Daigo comes to crossroads in which he'll have to make a decision. Will he leave the village to minimize the risk to his family, or will he be spurred towards another confrontation with the Goto clan?

Stream Season One of the Gannibal TV series on Hulu/Disney+ now!

Help girls ages 8 to 12 find their strength and succeed

Girl power encourages and celebrates all girls--which means every girl's version of girl power is equally awesome! And this journal helps girls discover what girl power means to them. They'll dive into writing prompts that make them think and drawing prompts that challenge their creativity as they practice being brave, confident, and powerful.

What sets this book apart from other books for girls:

• The power of words--Teach tween girls that journaling regularly can help them understand their thoughts and feelings and become the strongest version of themselves.
• It's made for tweens--Girls will explore a journal that's designed especially for them, no matter where they're from or what their lives are like.
• It's more than just a journal--Find fun facts about awesome girls throughout history, along with activities like easy meditations and positive affirmations.

Inspire self-love and determination in young girls with this empowering guided journal.

"Such a privilege to have known and worked with him. A remarkable man and artist. I loved him."

-- Mick Rock, 2016A unique tribute from David Bowie's official photographer and creative partner, Mick Rock, compiled in 2015, with Bowie's blessing.

In 1972, David Bowie released his groundbreaking album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. With it landed Bowie's Stardust alter ego: a glitter-clad, mascara-eyed, sexually ambiguous persona who kicked down the boundaries between male and female, straight and gay, fact and fiction into one shifting and sparkling phenomenon of '70s self-expression. Together, Ziggy the album and Ziggy the stage spectacular propelled the softly spoken Londoner into one of the world's biggest stars.

A key passenger on this glam trip into the stratosphere was fellow Londoner and photographer Mick Rock. Rock bonded with Bowie artistically and personally, immersed himself in the singer's inner circle, and, between 1972 and 1973, worked as the singer's photographer and videographer.

This collection, featuring around 50 percent previously unpublished images, brings together spectacular stage shots, iconic photo shoots, as well as intimate backstage portraits. With a lenticular cover of different headshots, it celebrates Bowie's fearless experimentation and reinvention, while offering privileged access to the many facets of his personality and fame. Through the aloof and approachable, the playful and serious, the candid and the contrived, the result is a passionate tribute to a brilliant and inspirational artist whose creative vision will never be forgotten.

Travel back in time to the early days of Magic: The Gathering!

It's the nineties at Tokiwagi Middle School. And for gamers like Hajime Kano, after the release of Magic: The Gathering, nothing will ever be the same again!

The year is 1998. The prophesied "end of the world" is nipping at the planet's heels along with the cold winds of winter. After an intense game of Magic with his best friend Kurushima, Hajime makes a promise with him that he intends to keep--to meet each other at one of the biggest tournaments in Kyoto. However, when Emi gets upset with Hajime at karaoke, he finds himself weathering more than just the icy cold of winter.

"Though we have encountered our share of grief and troubles on this earth, we can still hold the line of beauty, form, and beat. No small accomplishment in a world as challenging as this one."
-- from the preface

I was born to grow,
alongside my garden of plants,
poems
like
this one

So writes Alice Walker in this new book of poems, poems composed over the course of one year in response to joy and sorrow both personal and global: the death of loved ones, war, the deliciousness of love, environmental devastation, the sorrow of rejection, greed, poverty, and the sweetness of home. The poems embrace our connections while celebrating the joy of individuality, the power we each share to express our truest, deepest selves. Beloved for her ability to speak her own truth in ways that speak for and about countless others, she demonstrates that we are stronger than our circumstances. As she confronts personal and collective challenges, her words dance, sing, and heal.

Come meet The Liar, The Secret Keeper, The Crybaby, and the rest.
Nine children travel with their families to their Grandfather's vacation property, where strange things begin to happen: eyes blink from the bottom up, mushrooms ooze blood, people's faces don't hang right anymore-except they do, once you look more closely. Transformations warp the children's sense of time and place, the very land itself seeming to encroach upon them.
As The Liar watches the children succumb one by one to an unknown fate, she must make sense of absent stars in the night sky, vials of amber liquid that taste of milk, a funny little rope tied in knots. She's faced with a choice: join or resist, only the choice is not so simple.
Set in The Grandfather's Lake House as he continues to extend his property lines and told in the eerie we of the children, Root Rot explores predatory family dynamics, the boundaries of bodies and home, and how individuals choose to participate in or push back against structures that would harm them.

Elvira is back, and she's going PSYCHO!

The Mistress of the Dark has discovered that films create their own pocket dimensions, and now she's lost in the Multiverse of Movies! Will she find her way home, or is it just a big Hitchcock-tease?
Join writer David Avallone (Elvira Meets Vincent Price, Bettie Page: Unbound) and artist Silvia Califano for a comic you shouldn't show mother: she just goes a little mad sometimes.

A liberatory anthology of twenty-six writers--a community in book form--charting paths ahead for action and care in the face of political uncertainty, curated by Maggie Smith and Saeed Jones.

Inspired by Saeed Jones and Maggie Smith's conversations in the wake of the 2024 election, this is a collection of poems, essays, and visual art on what we--individually and collectively--can hold onto, and what we can work towards.

In times of difficulty, with a government working against its own people, we must turn to our friends and loved ones to provide context, language, energy, and hope. The People's Project offers a range of perspectives, drawing wisdom from their communities and histories: from know-your-place aggression to crip time as a way forward, from finding strength in nature to how trans people provide a guide for the future, and how hope has everything to do with survival.

We hope these meditations and strategies will provide you with inspiration and fortitude for the years ahead.

Featuring original and selected work from Alexander Chee, Chase Strangio, Tiana Clark, Hala Alyan, Aubrey Hirsch, Imani Perry, Abi Maxwell, Victoria Chang, Koritha Mitchell, Jason Silverstein, Alice Wong, Mira Jacob, Aruni Kashyap, Sam Sax, Ashley C. Ford, Marlon James, Eula Biss, Randall Mann, Danez Smith, Ada Limon, Kiese Laymon, Joy Harjo, Jill Damatac, and Patricia Smith.

The long-anticipated third collection from the revered Richard Siken delivers his most personal and introspective collection yet.

Richard Siken's long-anticipated third collection, I Do Know Some Things, navigates the ruptured landmarks of family trauma: a mother abandons her son, a husband chooses death over his wife. While excavating these losses, personal history unfolds. We witness Siken experience the death of a boyfriend and a stroke that is neglectfully misdiagnosed as a panic attack. Here, we grapple with a body forgetting itself--"the mind that / didn't work, the leg that wouldn't move...". Meditations on language are woven throughout the collection. Nouns won't connect and Siken must speak around a meaning: "dark-struck, slumber-felt, sleep-clogged." To say "black tree" when one means "night."Siken asks us to consider what a body can and cannot relearn. "Part insight, part anecdote," he is meticulous and fearless in his explorations of the stories that build a self. Told in 77 prose poems, I Do Know Some Things teaches us about transformation. We learn to shoulder the dark, to find beauty in "The field [that] had been swept clean of habit."

From beloved graphic novelist Whitney Gardner comes a big-hearted, touching, and spooky coming-of-age story about a young aspiring songwriter who forms a ghostly partnership with the pop star who haunts her secondhand piano.

The piano is free, but fame has a price.

On the sleepy streets of Cascade Cove, lonely Margot knows that when she stumbles across a discarded synthesizer with a "not haunted" sign, she's discovered the key to realizing her dreams. Determined to become a real songwriter and earn her absent father's admiration, Margot dives headfirst into trying to gain followers and fans online. But her musical journey takes an unexpected turn when she realizes the (not haunted) piano is very much...haunted.

Enter Vision, teen pop sensation of 1979 whose untimely demise left her spirit intertwined with the keys of her synthesizer. Though Margot and Vision couldn't be more different, the girls form an unlikely bond fueled by their shared passion for music.

But as Margot's obsession with fame and recognition grows, she may come dangerously close to losing what she loves about music...and herself.

What queer modes of resilience and care can teach us about enduring environmental collapse

What does it mean to live at the end of life, the end of a family line, the end of a species, or the end of the future itself? When faced with unfurling catastrophes, environmentalists often limit the conversation by focusing on the future. Activists work for the welfare of future generations, while scientists labor over projections of future outcomes. In Queer Lasting, Sarah Ensor asks what this emphasis on the future makes unthinkable. She looks to queer scenes of futurelessness to consider what ecocriticism can learn from queer theory, which imagines and inhabits the immanent ethical possibilities of a terminal present. While living "at the last" is often a terrifying prospect, queer culture reminds us that "to last" is itself also one way to go on.

Defining queerness as a mode of collective life in which these paradigms of lasting--ending and persisting--are constitutively intertwined, Ensor turns to two periods of queer extinction for models of care, continuance, and collective action predicated on futurelessness: the 1890s, in which existing forms of erotic affiliation were extinguished through the binary of homo/heterosexuality, and the 1980s, in which the spread of the AIDS epidemic threatened the total loss of gay lives and of specific erotic ways of life. Through readings that trace unexpected formal resonances across the works of Sarah Orne Jewett, Willa Cather, Melvin Dixon, Essex Hemphill, Allen Barnett, and Samuel Delany, Queer Lasting maintains that queer writing, in its intimacy with death and loss, offers a rich archive for imagining new ways of thinking through environmental collapse. Whether confronting the epidemic contours of the AIDS crisis, theorizing the temporary encounters of cruising, or reckoning with the lives of non-reproductive subjects, this book about futurelessness is also a book about persistence. It demonstrates how, far from giving up in the face of the terminal paradigms that environmentalism fears, queer culture has instead predicated its living--and its lasting--upon them.

The food on our plates has long been designed, twisted, and elevated by queer hands. Piecing together a dazzling mosaic of queer lives, spaces, and meals, beloved food writer John Birdsall unfolds the complex story of how, through times of fear and persecution, queer people used food to express joy and build community--and ended up changing the shape of the table for everyone.

Tracing the evolution of queer food from the early decades of the twentieth century through the LGBTQ civil rights movement of post-Stonewall liberation and the devastation of AIDS, Birdsall fills the gaps between past and present. He channels the twin forces of criticism and cultural history to propel readers into the kitchens, restaurants, swirling party houses, and buzzing interior lives of James Baldwin, Alice B. Toklas, Truman Capote, Esther Eng, and others who left an indelible mark on the culinary world from the margins. Queer food, as Birdsall brilliantly reveals, is quiche and Champagne eleganza at Sunday brunch and joyous lesbian potlucks in the bunker world of Cold War homophobic purges. It's paper chicken for the gender-rebel divas of Chinese opera in San Francisco, Richard Olney's ecstatic salade composée, and Rainbow Ice-Box Cake from Ernest Matthew Mickler's White Trash Cooking. It's the intention surrounding a meal, the circumstances behind it, the people gathered around the table.

With cinematic verve and delicious prose, What Is Queer Food? is a monumental work: a testament to food's essential link to modern queerness that reveals how, like fashion or pop music, cooking and eating have become a crucial language of LGBTQ+ identity. By reframing our understanding of both food and queerness, it opens the door for courageous reckoning and boundless conversation.

New York Times-bestselling author Aiden Thomas returns to the beloved world of Cemetery Boys in Espiritu, this time following Julian, who is dealing with newfound powers, a new relationship with Yadriel, and the return of demons he had hoped were gone forever!

Julian used to be a ghost and now he can't stop seeing them.

Ever since being sacrificed as part of a forbidden ritual, Julian has been able to see and communicate with the spirits of passed brujx. And that would be okay, if it allowed him to be part of his new boyfriend's community. But Julian's also seeing other things: shadows in the corner of his eyes, glowing eyes in the dark, and "dark spots" on people - gaping, black gashes that are somehow wrong. He did ask his new magical boyfriend about it, but Yadriel has never heard of anything like it either, and he's so busy with his new Brujx responsibilities, trying to figure out where all the new malingos are coming from, that Julian hates for his problems to ruin what little time together they have.

Then, a strange new brujx shows up. Ángel, as a nonbinary brujx, can heal the living and release the dead, but more than that, they can also see the same dark spots as Julian. Despite Yadriel's reservations, Julian eagerly accepts their help. But, Ángel's ruthless methods feel wrong to Julian, who wants to move away from hurting others.

With the shadows growing darker, and the discovery of a gaping dark spot on his friend Luca, Julian has to decide who he wants to put his trust in, and just how far he's willing to go to save what is his.

In the vein of Alice Hoffman and Charlie Jane Anders's own All the Birds in the Sky comes a novel full of love, disaster, and magic.

A young witch teaches her mother how to do magic--with very unexpected results--in this relatable, resonant novel about family, identity, and the power of love.

Jamie is basically your average New England academic in-training--she has a strong queer relationship, an esoteric dissertation proposal, and inherited generational trauma. But she has one extraordinary secret: she's also a powerful witch.

Serena, Jamie's mother, has been hiding from the world in an old one-room schoolhouse for several years, grieving the death of her wife and the simultaneous explosion in her professional life. All she has left are memories.

Jamie's busy digging into a three-hundred-year-old magical book, but she still finds time to teach Serena to cast spells and help her come out of her shell. But Jamie doesn't know the whole story of what happened to her mom years ago, and those secrets are leading Serena down a destructive path.

Now it's up to this grad student and literature nerd to understand the secrets behind this mysterious novel from 1749, unearth a long-buried scandal hinted therein, and learn the true nature of magic, before her mother ruins both of their lives.

Randy Rainbow is uniquely himself. He loves painting his nails and listening to old Broadway albums.

But when some kids at school tease Randy for being who he is, he goes to his beloved granny for a solution. And she has just the thing - a pair of sparkly pink glasses.

The moment Randy puts the glasses on, the drab world around him turns Technicolor in a blink! The town swimming pool? It's full of mermaids, including a mer-Randy!

Everything is more fun with the glasses - including Randy himself - and Randy's confidence grows and grows. But is the magic inside the glasses... or inside Randy?

With bright, beautiful art and a hero you'll root for on every page, this is a fun and powerful book about embracing who you really are - even when it's easier to blend in.