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Big, burly, lascivious, and soft around the edges: welcome to the hypermasculine world of Japanese gay manga. Massive: Gay Erotic Manga and the Men Who Make It is the first English-language anthology of its kind: an in-depth introduction to nine of the most exciting comic artists making work for a gay male audience in Japan. Jiraiya, Seizoh Ebisubashi, and Kazuhide Ichikawa are three of the irresistibly seductive, internationally renowned artists featured in Massive, as well as Gengoroh Tagame, the subject of The Passion of Gengoroh Tagame: Master of Gay Erotic Manga. Get to know each of these artists intimately, through candid interviews, photography, context-providing essays, illustrations, and manga. Massive also includes the groundbreaking, titillating work of gay manga luminaries Takeshi Matsu, Fumi Miyabi, Inu Yoshi, Gai Mizuki, and comic essayist Kumada Poohsuke.

From the New York Times bestselling author of We Begin at the End comes a soaring thriller and an epic love story that spans decades.

"Impeccably crafted, deeply emotional, entirely shattering. I was captivated from page one." ―Bonnie Garmus, New York Times bestselling author of Lessons in Chemistry

1975 is a time of change in America. The Vietnam War is ending. Mohammed Ali is fighting Joe Frazier. And in the small town of Monta Clare, Missouri, girls are disappearing.

When the daughter of a wealthy family is targeted, the most unlikely hero emerges--Patch, a local boy with one eye, who saves the girl, and, in doing so, leaves heartache in his wake.

Patch and those who love him soon discover that the line between triumph and tragedy has never been finer. And that their search for answers will lead them to truths that could mean losing one another.

A missing person mystery, a serial killer thriller, a love story, a unique twist on each, Chris Whitaker has written a novel about what lurks in the shadows of obsession, and the blinding light of hope.

A god fighting his fate. A prince burdened with secrets. And a romance that could end in flames.

Apollo is a deity... almost. Half mortal and refusing to take his position as god of the sun, he spends his nights drowning out haunting memories and his days avoiding responsibilities.

Until his father forces him into an ultimatum:

Ascend immediately.

Or spend the year mentoring under the obnoxious Prince Hyacinth.

Forced together, Apollo and Hyacinth grapple with their mutual disdain for each other.

But what starts as a kindling of irritation begins to burn into something new. A spark that, if it turns to flame, could incinerate everything they've always protected.

A reimagining of the Greek myth of Apollo and Prince Hyacinth, this NA, enemies-to-lovers fantasy series is a whirlwind journey full of romance, intrigue, and enthralling characters.

NOTE: This book is the first in a NA Fantasy series that features mature situations, adult language, and romances that lead to moderate steam as the series progresses.

An artful and contemplative tribute to the late actor famed for his role as Dylan McKay in Beverly Hills, 90210.

Best known for playing loner rebel Dylan McKay in Beverly Hills 90210, Luke Perry was fifty-two years old when he died of a stroke in 2019. There have been other deaths of 90's stars, but this one hit different. Gen X was reminded of their own inescapable mortality, and robbed of an exciting career resurgence for one of their most cherished icons--with recent roles in the hit series Riverdale and Quentin Tarantino's Once Upon a Time In Hollywood bringing him renewed attention and acclaim. Only upon his death, as stories poured out online about his authenticity and kindness, did it become clear how little was known about the exceedingly humble actor and how deeply he impacted popular culture.

In A Good Bad Boy, Margaret Wappler attempts to understand who Perry was and why he was unique among his Hollywood peers. To do so, she uses an inventive hybrid narrative. She speaks with dozens who knew Perry personally and professionally. They share insightful anecdotes: how he kept connected to his Ohio upbringing; nearly blew his 90210 audition; tried to shed his heartthrob image by joining the HBO prison drama Oz; and in the last year of his life, sought to set up two of his newly divorced friends. (After his death, the pair bonded in their grief and eventually married.) Amid these original interviews and exhaustive archival research, Wappler weaves poignant vignettes of memoir in which she serves as an avatar to show how Perry shaped a generation's views on masculinity, privilege and the ideal of "cool."

Timed to the fifth anniversary of Perry's death, A Good Bad Boy is a profound and entertaining examination of what it means to be an artist and an adult.

Three starred reviews!
"Harrowing but deeply illuminating." --School Library Journal

A young boy gets detained by ICE while crossing the border from Mexico to the United States in this timely and unflinching novel by award-winning author Alexandra Diaz.

The bed creaks under Santiago's shivering body. They say a person's life flashes by before dying. But it's not his whole life. Just the events that led to this. The important ones, and the ones Santiago would rather forget.

The coins in Santiago's hand are meant for the bus fare back to his abusive abuela's house. Except he refuses to return; he won't be missed. His future is uncertain until he meets the kind, maternal María Dolores and her young daughter, Alegría, who help Santiago decide what comes next: He will accompany them to el otro lado, the United States of America. They embark with little, just backpacks with water and a bit of food. To travel together will require trust from all parties, and Santiago is used to going it alone. None of the three travelers realizes that the journey through Mexico to the border is just the beginning of their story.

Longlisted for the National Book Award in Fiction - A Finalist for the PEN/Faulkner Award for Fiction - A Finalist for the Los Angeles Times Book Prize for Fiction - A Finalist for the James Taite Black Prize for Fiction - A Finalist the Center for Fiction First Novel Prize - A Finalist for the Green Carnation Prize - A New York Times Book Review Editors' Choice - A Los Angeles Times Bestseller

Named One of the Best Books of the Year by More Than Fifty Publications, Including: The New Yorker, The Paris Review, The New York Times (selected by Dwight Garner), GQ, The Washington Post, Esquire, NPR, Slate, Vulture, the San Francisco Chronicle, The Guardian (London), The Telegraph (London), The Evening Standard (London), The Philadelphia Inquirer, The Miami Herald, The Millions, BuzzFeed, The New Republic (Best Debuts of the Year), Kirkus Reviews, and Publishers Weekly (One of the Ten Best Books of the Year)

"Garth Greenwell's What Belongs to You appeared in early 2016, and is a short first novel by a young writer; still, it was not easily surpassed by anything that appeared later in the year....It is not just first novelists who will be envious of Greenwell's achievement."--James Wood, The New Yorker

On an unseasonably warm autumn day, an American teacher enters a public bathroom beneath Sofia's National Palace of Culture. There he meets Mitko, a charismatic young hustler, and pays him for sex. He returns to Mitko again and again over the next few months, drawn by hunger and loneliness and risk, and finds himself ensnared in a relationship in which lust leads to mutual predation, and tenderness can transform into violence. As he struggles to reconcile his longing with the anguish it creates, he's forced to grapple with his own fraught history, the world of his southern childhood where to be queer was to be a pariah. There are unnerving similarities between his past and the foreign country he finds himself in, a country whose geography and griefs he discovers as he learns more of Mitko's own narrative, his private history of illness, exploitation, and want.

What Belongs to You is a stunning debut novel of desire and its consequences. With lyric intensity and startling eroticism, Garth Greenwell has created an indelible story about the ways in which our pasts and cultures, our scars and shames can shape who we are and determine how we love.

An intimate look at one of culture's most enduring taboos: public sex.

Park Cruising takes a long look at the men who cruise for sex in urban parks. Human rights lawyer Marcus McCann uses park cruising as a point of departure for discussions of consent, empathy, public health, municipal planning, and our relationship to strangers. Prompted by his work opposing a police sting in a suburban park, McCann's ruminations go beyond targeted enforcement and police indifference to violence to examine cruising as a type of world-building.

The result is a series of insightful and poetic walks through history, law, literature, and popular representations of cruising in search of the social value of sex. What McCann ultimately reveals is a world of connection, care, and unexpected lessons about the value of pleasure.

From Molly Knox Ostertag, writer-illustrator of the New York Times and ABA Indie bestselling The Witch Boy trilogy and The Girl from the Sea, comes a darkly beautiful story of identity, family, love, loss, and magic.

Everyone has secrets. Mags's has teeth.

Magdalena Herrera is about to graduate high school, but she already feels like an adult with serious responsibilities: caring for her ailing grandmother; working a part-time job; clandestine makeouts with a girl who has a boyfriend. And then there's her secret, which pulls her into the basement each night, drains her of energy, and leaves her bleeding. A secret that could hurt and even kill if it ever got out -- like it did once before.

So Mags keeps her head down, isolated in her small desert community. That is, until her childhood friend Nessa comes back to town, bringing vivid memories of the past, an intoxicating glimpse of the future, and a secret of her own. Mags won't get attached, of course. She's always been strong enough to survive without anyone's help.

But when the darkness starts to close in on them both, Mags will have to drag her secret into the daylight, and choose between risking everything... or having nothing left to lose.

A moving, beautifully illustrated true story for children ages 6 to 9 about growing up in Japanese American incarceration camps during World War II--from the iconic Star Trek actor, activist, and author of the New York Times bestselling graphic memoir They Called Us Enemy.

February 19, 1942. George Takei is four years old when his world changes forever. Two months after the bombing of Pearl Harbor, President Franklin D. Roosevelt declares anyone of Japanese descent an enemy of the United States.

George and his family were American in every way. They had done nothing wrong. But because of their Japanese ancestry, they were removed from their home in California and forced into camps with thousands of other families who looked like theirs.

Over the next three years, George had three different "homes" the Santa Anita racetrack, swampy Camp Rohwer, and infamous Tule Lake. But even though they were now living behind barbed wire fences and surrounded by armed soldiers, his mother and father did everything they could to keep the family safe.

In My Lost Freedom, George Takei looks back at his own memories to help children today understand what it feels like to be treated as an enemy by your own country. Featuring powerful meticulously researched watercolor paintings, this is a story of a family's courage, a young boy's resilience, and the importance of staying true to yourself in the face of injustice.

A rich, accomplished, intensely intimate collection with 2 full sections of new poems bookending Blanco's selections from his 5 previous volumes

"An engineer, poet, Cuban American . . . his poetry bridges cultures and languages--a mosaic of our past, our present, and our future--reflecting a nation that is hectic, colorful, and still becoming."--President Joe Biden, conferring the National Humanities Medal on Richard Blanco, 2023

"What a gift, this new gathering of poems from the singular Richard Blanco. A cause for rejoicing!"--Krista Tippett, author of Being Wise and host of On Being

"Blanco's poems are journeys to a homeland within the heart, a welcome homecoming earned from a lifetime's wise voyaging."--Sandra Cisneros

"A triumphant anthem to a rich life in all its ages and awakenings."--Naomi Shihab Nye

In this collection of over 100 poems, Richard Blanco has carefully selected poems from his previous books that represent his evolution as a writer grappling with his identity, working to find and define "home," and bookended them with new poems that address those issues from a fresh, more mature perspective, allowing him to approach surrendering the pain and urgency of his past explorations. Pausing at this pivotal moment in mid-career, Blanco reexamines his life-long quest to find his proverbial home and all that it encompasses: love, family, identity and ultimately art itself. In the closing section of the volume, he has come to understand and internalize the idea that "home" is not one place, not one thing, and lives both inside him and inside his art.

The poems range in form, voice, and setting, showcasing his command of craft, but in essence they are one continuous reflection on the existential question at the core of all of Blanco's poetry: how can we find our place in the world. All are characterized by his keen eye, deep sensibility, and polished craft, without pretense. This volume is a gift to Blanco's many readers but even more to those who have yet to discover that they can understand, and fall in love with poetry, that a poet can speak to them about his own and their own lives so profoundly, and that this poet, as Barack Obama discovered, can speak for all of us.

Richard Blanco has been justly celebrated for his poetic gifts and his command of the many forms poetry can take, from the finely structured to the prose poem formats. His previous volumes have been praised by Patricia Smith, Eileen Myles, Sandra Cisneros, Elizabeth Alexander, and many others. His poems have appeared in The New Yorker, The Atlantic, and dozens of other publications.

An astonishing, epic graphic memoir in the spirit of Fun Home by Alison Bechdel and Gender Queer by Maia Kobabe

"I'm So Glad We Had This Time Together is that rarest of things: a book about coming out to a loving yet conservative family that is as heartrending to read as it is to look at. It's an incredibly moving, funny, and ultimately triumphant account (spoiler alert!) of what can only be described as a magical fairy tale (pun totally intended!)."--Anderson Cooper

Meet little Maurice Vellekoop, the youngest of four children raised by Dutch immigrants in the 1970s in a blue-collar suburb of Toronto. Despite their working-class milieu, the Vellekoops are devoted to art, music, and film, and they instill a deep reverence for the arts in young Maurice--except for literature. He'd much rather watch Cher and Carol Burnett on TV than read a book. He also loves playing with his girlfriends' Barbie dolls and helping his Mum in her hair salon, which she runs out of the basement of their house. In short, he is really, really gay. Which is a huge problem, because the family is part of the Christian Reformed Church, a strict Calvinist sect. They go to church twice on Sunday, and they send their kids to a private Christian school, catechism classes, and the Calvinist Cadet Corps. Needless to say, the church is intolerant of homosexuality. Though she loves her son deeply, Maurice's mother, Ann, cannot accept him, setting the course for a long estrangement.

Vellekoop struggles through all of this until he graduates from high school and is accepted into the Ontario College of Art in the early 1980s. Here he finds a welcoming community of bohemians, including a brilliant, flamboyantly gay professor who encourages him to come out. But just as he's dipping his toes into the waters of gay sex and love, a series of romantic disasters, followed by a violent attack, sets him back severely. And then the shadow of the AIDS era descends. Maurice reacts by retreating to the safety of childhood obsessions, and seeks to satisfy his emotional needs with film- and theatre-going, music, boozy self-medication, and prolific art-making. When these tactics inevitably fail, Vellekoop at last embarks on a journey towards his heart's true desire. In psychotherapy, the spiderweb of family, faith, guilt, sexuality, mental health, the intergenerational fallout of World War II, King Ludwig II of Bavaria, French Formula Hairspray, and much more at last begins to untangle. But it's going to be a long, messy, and occasionally hilarious process.

I'm So Glad We Had This Time Together is an enthralling portrait of what it means to be true to yourself, to learn to forgive, and to be an artist.

A FINALIST FOR THE 2022 NATIONAL BOOK AWARD FOR FICTION

LONGLISTED FOR THE 2023 ASPEN WORDS LITERARY PRIZE

ONE OF THE MOST ANTICIPATED BOOKS OF 2022 - Boston Globe, BuzzFeed, LitHub, Electric Literature, LGBTQ Reads, Latinx in Publishing

*Recommended by The New York Times*

In this contemporary debut novel--an intimate portrait of queer, racial, and class identity --Andrés, a gay Latinx professor, returns to his suburban hometown in the wake of his husband's infidelity. There he finds himself with no excuse not to attend his twenty-year high school reunion, and hesitantly begins to reconnect with people he used to call friends.

Over the next few weeks, while caring for his aging parents and navigating the neighborhood where he grew up, Andrés falls into old habits with friends he thought he'd left behind. Before long, he unexpectedly becomes entangled with his first love and is forced to tend to past wounds.

Captivating and poignant; a modern coming-of-age story about the essential nature of community, The Town of Babylon is a page-turning novel about young love and a close examination of our social systems and the toll they take when they fail us.

A 2021 Hugo Award Finalist!
A 2021 Locus Award Finalist!
A 2020 ALA Booklist Top 10 SF/F Pick!
A Booklist Editor's Choice Pick!
Book Riot's Best Books of 2020 So Far!

Named a Best of 2020 Pick for NPR NYPL Booklist Bustle Den of Geek

In Upright Women Wanted, award-winning author Sarah Gailey reinvents the pulp Western with an explicitly antifascist, near-future story of queer identity.

"That girl's got more wrong notions than a barn owl's got mean looks."

Esther is a stowaway. She's hidden herself away in the Librarian's book wagon in an attempt to escape the marriage her father has arranged for her--a marriage to the man who was previously engaged to her best friend. Her best friend who she was in love with. Her best friend who was just executed for possession of resistance propaganda.

The future American Southwest is full of bandits, fascists, and queer librarian spies on horseback trying to do the right thing.

Praise for Upright Women Wanted

"A good old-fashioned horse opera for the 22nd century. Gunslinger librarians of the apocalypse are on a mission to spread public health, decency, and the revolution."--Charles Stross

"A dazzling neo-western adventure. . . . Gailey's gorgeous writing and authentic characters make this slim volume a pure delight."--Publishers Weekly, starred review

Perfect for fans of The Hazel Wood, this genre-bending page-turner from New York Times bestselling author Madeleine Roux follows two girls who transport themselves into the world of their favorite book only to encounter the sinister alternate reality that awaits them.

No matter how different best friends Adelle and Connie are, one thing they've always had in common is their love of a little-known gothic romance novel called Moira. So when the girls are tempted by a mysterious man to enter the world of the book, they hardly suspect it will work. But suddenly they are in the world of Moira, living among characters they've obsessed about for years.

Except...all is not how they remembered it. The world has been turned upside down: The lavish balls and star-crossed love affairs are now interlaced with unspeakable horrors. The girls realize that something dark is lurking behind their foray into fiction--and they will have to rewrite their own arcs if they hope to escape this nightmare with their lives.

It's the summer of 1984 in Swaffham, Massachusetts, when Mel (short for Melanie) meets Sylvia, a tough-as-nails trans woman whose shameless swagger inspires Mel's dawning self-awareness. But Sylvia's presence sparks fury among her neighbors and throws Mel into conflict with her mother and best friend. Decades later, in 2019, Max (formerly Mel) is on probation from his teaching job for, ironically, defying speech codes around trans identity. Back in Swaffham, he must navigate life as part of a fractured family and face his own role in the disasters of the past.

Populated by a cast of unforgettable characters, Some Strange Music Draws Me In is a propulsive page turner about multiple electrifying relationships--between a working-class mother and her queer child, between a trans man and his right-wing sister, and between a teenager and her troubled best friend. Griffin Hansbury, in elegant, arresting, and fearless prose, dares to explore taboos around gender and class as he offers a deeply moving portrait of friendship, family, and a girlhood lived sideways. A timely and captivating narrative of self-realization amid the everyday violence of small-town intolerance, Some Strange Music Draws Me In builds to an explosive conclusion, illuminating the unexpected ways that difference can provide a ticket to liberation.

Adam Silvera reminds us that there's no life without death and no love without loss in this devastating yet uplifting story about two people whose lives change over the course of one unforgettable day. This special collector's edition features an exclusive short story, a letter from the author, and a stunning stepback cover with a brand-new design.

#1 New York Times bestseller * four starred reviews * A School Library Journal Best Book of the Year * A Kirkus Best Book of the Year * A Booklist Editors' Choice * A Bustle Best YA Novel * A Paste Magazine Best YA Book * A Book Riot Best Queer Book * A BuzzFeed Best YA Book of the Year * A BookPage Best YA Book of the Year

On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: They're going to die today.

Mateo and Rufus are total strangers, but, for different reasons, they're both looking to make a new friend on their End Day. The good news: There's an app for that. It's called the Last Friend, and through it, Rufus and Mateo are about to meet up for one last great adventure--to live a lifetime in a single day.

In the tradition of Before I Fall and If I Stay, They Both Die at the End is a tour de force from acclaimed author Adam Silvera, whose debut, More Happy Than Not, the New York Times called "profound."

Plus don't miss The First to Die at the End: #1 New York Times bestselling author Adam Silvera returns to the universe of international phenomenon They Both Die at the End in this prequel. New star-crossed lovers are put to the test on the first day of Death-Cast's fateful calls.