Collection: Shop Woman

Maya Angelou's debut memoir is a modern American classic beloved worldwide. Her life story is told in the documentary film And Still I Rise, as seen on PBS's American Masters.

Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou's debut memoir is a modern American classic beloved worldwide.

Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local "powhitetrash." At eight years old and back at her mother's side in St. Louis, Maya is attacked by a man many times her age--and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors ("I met and fell in love with William Shakespeare") will allow her to be free instead of imprisoned.

Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read.

"I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity."--James Baldwin

After a decade apart, childhood sweethearts reconnect by chance in New York Times bestselling author Christina Lauren's touching, romantic novel Love and Other Words...how many words will it take for them to figure out where it all went wrong?

The story of the heart can never be unwritten.

Macy Sorensen is settling into an ambitious if emotionally tepid routine: work hard as a new pediatrics resident, plan her wedding to an older, financially secure man, keep her head down and heart tucked away.

But when she runs into Elliot Petropoulos--the first and only love of her life--the careful bubble she's constructed begins to dissolve. Once upon a time, Elliot was Macy's entire world--growing from her gangly bookish friend into the man who coaxed her heart open again after the loss of her mother...only to break it on the very night he declared his love for her.

Told in alternating timelines between Then and Now, teenage Elliot and Macy grow from friends to much more--spending weekends and lazy summers together in a house outside of San Francisco devouring books, sharing favorite words, and talking through their growing pains and triumphs. As adults, they have become strangers to one another until their chance reunion. Although their memories are obscured by the agony of what happened that night so many years ago, Elliot will come to understand the truth behind Macy's decade-long silence, and will have to overcome the past and himself to revive her faith in the possibility of an all-consuming love.

INSTANT NEW YORK TIMES BESTSELLER

From the #1 New York Times bestselling author known for her "superb pacing, twisted characters, and captivating prose" (BuzzFeed), Lisa Jewell returns with a scintillating new psychological thriller about a woman who finds herself the subject of her own popular true crime podcast.

Celebrating her forty-fifth birthday at her local pub, popular podcaster Alix Summer crosses paths with an unassuming woman called Josie Fair. Josie, it turns out, is also celebrating her forty-fifth birthday. They are, in fact, birthday twins.

A few days later, Alix and Josie bump into each other again, this time outside Alix's children's school. Josie has been listening to Alix's podcasts and thinks she might be an interesting subject for her series. She is, she tells Alix, on the cusp of great changes in her life.

Josie's life appears to be strange and complicated, and although Alix finds her unsettling, she can't quite resist the temptation to keep making the podcast. Slowly she starts to realize that Josie has been hiding some very dark secrets, and before she knows it, Josie has inveigled her way into Alix's life--and into her home.

But, as quickly as she arrived, Josie disappears. Only then does Alix discover that Josie has left a terrible and terrifying legacy in her wake, and that Alix has become the subject of her own true crime podcast, with her life and her family's lives under mortal threat.

Who is Josie Fair? And what has she done?

#1 NEW YORK TIMES BESTSELLER - GMA BOOK CLUB PICK - Meet Elizabeth Zott: "a gifted research chemist, absurdly self-assured and immune to social convention" (The Washington Post) in 1960s California whose career takes a detour when she becomes the unlikely star of a beloved TV cooking show. - STREAM ON APPLE TV+


This novel is "irresistible, satisfying and full of fuel" (The New York Times Book Review) and "witty, sometimes hilarious...the Catch-22 of early feminism" (Stephen King, via Twitter).

A BEST BOOK OF THE YEAR: The New York Times, Washington Post, NPR, Oprah Daily, Entertainment Weekly, Newsweek

Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing as an average woman. But it's the early 1960s and her all-male team at Hastings Research Institute takes a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant, Nobel-prize nominated grudge-holder who falls in love with--of all things--her mind. True chemistry results.

But like science, life is unpredictable. Which is why a few years later Elizabeth Zott finds herself not only a single mother, but the reluctant star of America's most beloved cooking show Supper at Six. Elizabeth's unusual approach to cooking ("combine one tablespoon acetic acid with a pinch of sodium chloride") proves revolutionary. But as her following grows, not everyone is happy. Because as it turns out, Elizabeth Zott isn't just teaching women to cook. She's daring them to change the status quo.

Laugh-out-loud funny, shrewdly observant, and studded with a dazzling cast of supporting characters, Lessons in Chemistry is as original and vibrant as its protagonist.

When a young woman is found dead on her college campus, her sister doesn't believe it was an accident--and her search for answers leads her closer to home than she ever would have imagined in this thrilling debut novel from an exciting new talent.

Maya can't wait to return to Princeton for Reunions--it's been a decade since she graduated, and she is looking forward to seeing old faces and reminiscing about her college days. This year is even more special because her little sister, Naomi, is graduating.

But what should have been a dream weekend becomes Maya's worst nightmare when she gets a call no one ever wants--Naomi is dead. The police are saying it's an accident, but Maya suspects there is more to the story than they are letting on.

As Maya pieces together the months leading up to her sister's death, she starts to realize how much Naomi hid from her. Naomi had joined Sterling Club, the most exclusive social club on campus--the same one Maya belonged to--despite Maya's warnings. And if she had to guess, she'd say Naomi was also tapped for the secret society within it.

The more Maya uncovers, the more terrified she becomes that Naomi's decision to follow in her footsteps might have been what got her killed. Because Maya's time at Princeton wasn't as wonderful as she always pretended it was--after all, her sister wasn't the first young woman to turn up dead. Now every clue is leading Maya back to the past...and to the secrets she's kept all these years.

A searing novel about being a wife, a mother, and an artist, and how marriage makes liars of us all--from the author of Very Cold People and 300 Arguments

A nuclear family can destroy a woman artist. I'd always known that. But I'd never suspected how easily I'd fall into one anyway.

When Jane, an aspiring writer, meets filmmaker John Bridges, they both want the same things: to be in love, to live a successful, creative life, and to be happy. When they marry, Jane believes she has found everything she was looking for, including--a few years later--all the attendant joys and labors of motherhood. But it's not long until Jane finds herself subsumed by John's ambitions, whims, and ego; in short, she becomes a wife.

As Jane's career flourishes, their marriage starts to falter. Throughout the upheavals of family life, Jane tries to hold it all together. That is, until John leaves her.

Liars is a tour de force of wit and rage, telling the blistering story of a marriage as it burns to the ground, and of a woman rising inexorably from its ashes.

One hook-up is about to become one seriously hilarious situationship in this vibrant and lively romantic comedy about taking chances . . . and breaking the rules.

Prima ballet dancer Lillian Jackson is all about control--on stage and in bed. Which is precisely why she keeps her hook-ups to one night, and one night only. No strings. No phone numbers. No scones in the morning. There's no room for mistakes, especially now that her dance company's survival depends entirely on winning a million-dollar cash prize in one of America's biggest reality competitions. That is, until one night with a certain curvy, blue-haired siren changes everything . . .

As burlesque dancer "Blue Lenox," Izzy Wells is the queen of on-stage seduction. Almost no one knows that she's close to losing everything--her theater, her home, and her troupe--unless she wins this competition. Now she's going toe-to-toe with a gorgeous ballerina in front of the world. The chemistry between them is hot, but even more distracting are the feelings they're starting to develop. There's no way Lillian can fit Izzy into her life, and Izzy knows better than to fall for someone who can't put her first. But if they can make it through the show with their hearts and dreams intact, they just might win the biggest prize of all.

A novel of family, secrets, ghosts, and homecoming set on the seaside cliffs of Maine, by the New York Times best-selling author of Friends and Strangers

"A stunning achievement, and J. Courtney Sullivan's best book yet. Sullivan weaves a narrative that's fascinating and thought-provoking. I literally could not put this book down."
--Ann Napolitano, New York Times best-selling author of Hello Beautiful

On a secluded bluff overlooking the ocean sits a Victorian house, lavender with gingerbread trim, a home that contains a century's worth of secrets. By the time Jane Flanagan discovers the house as a teenager, it has long been abandoned. The place is an irresistible mystery to Jane. There are still clothes in the closets, marbles rolling across the floors, and dishes in the cupboards, even though no one has set foot there in decades. The house becomes a hideaway for Jane, a place to escape her volatile mother.

Twenty years later, now a Harvard archivist, she returns home to Maine following a terrible mistake that threatens both her career and her marriage. Jane is horrified to find the Victorian is now barely recognizable. The new owner, Genevieve, a summer person from Beacon Hill, has gutted it, transforming the house into a glossy white monstrosity straight out of a shelter magazine. Strangely, Genevieve is convinced that the house is haunted--perhaps the product of something troubling Genevieve herself has done. She hires Jane to research the history of the place and the women who lived there. The story Jane uncovers--of lovers lost at sea, romantic longing, shattering loss, artistic awakening, historical artifacts stolen and sold, and the long shadow of colonialism--is even older than Maine itself.

Enthralling, richly imagined, filled with psychic mediums and charlatans, spirits and past lives, mothers, marriage, and the legacy of alcoholism, this is a deeply moving novel about the land we inhabit, the women who came before us, and the ways in which none of us will ever truly leave this earth.

"Brydie Lee-Kennedy's writing is sharp and funny and humane. A passionate chronicler of the ridiculous--in people, in society, in sex--Brydie skewers everyone equally, but always with empathy, warmth and wit." --Monica Heisey, author of Really Good, Actually

For readers of Dolly Alderton and Candice Carty-Williams, a spiky bisexual love story that introduces the unforgettable Ada--a free-spirited Holly Golightly for the age of DMs who follows the whimsies of her heart wherever they lead.

Ada is a seeker, a perpetually moving ball of excess. A twenty-six-year-old Australian living in London, she ekes out a living as a cabaret performer and part-time temp. Yet Ada can't imagine wanting to be any other age or any other place. Every night is an opportunity to be thrilled and every morning a chance to recount her escapades to friends.

So when Ada falls for Sadie and Stuart at the same time, she sees no reason not to pursue them both. But as the responsibilities of adult life begin to encroach--bills, family, more bills--and Sadie and Stuart find out about one another, the people around Ada increasingly insist it's time for her to settle down. Can she resist the inevitable?

Effortlessly hilarious and painfully relatable, Go Lightly is a love letter to girls who are the life of the party; girls who say yes without fear. In smartly observed and endlessly warm prose, Brydie Lee-Kennedy contemplates the great freedoms and greater uncertainties of modern love and friendship, introducing an utterly flawed yet charming character who revels in her youth and sexuality while reckoning with a serious case of main character syndrome.

Whether in front of the camera or behind it, Candice Vadala understood herself as both an artist and an entrepreneur. As Candida Royalle (1950-2015)--underground actress, porn star, producer of adult movies, and staunch feminist--she made a business of pleasure. She helped crystalize the broader hedonistic turn in American life in the second half of the twentieth century: a period when the rules of sex were rewritten; when the white-hot "sex wars" cleaved feminism and realigned American politics; when Big Freud, Big Drugs, and Big Porn all came into looming focus; when the sex industry of the 1970s and '80s radically upended conventional understandings of law, technology, culture, love, and human desire.

The sexual revolution was Royalle's war--even when other avowed feminists exited the field or became her opponents--and pornography emerged as the arena in which she would wage it. With the founding of her adult film company, Femme Productions, in 1984, Royalle became an owner of the means of pornographic production, infusing her sets with the ideals of labor feminism. On-screen and off-, she was, by turns, exuberant and thoughtful, self-possessed and gleefully shameless. A trailblazer who lived along the cultural fault lines of her generation, she danced at Woodstock, marched for women's liberation, survived the AIDS crisis, and became a talk show regular, interviewed by Phil Donahue, Dr. Ruth Westheimer, Morton Downey Jr., Jane Pauley, and many others. As a performer, director, producer, and writer, she moved the needle of her industry. But she never transcended the politics of pleasure.

With full access to Royalle's remarkable archive, historian Jane Kamensky has spent years examining the intersection of Royalle's life with the clashes that have defined her era--and ours. Deeply informed by these never-before-studied materials, Kamensky explodes the conventions of biography, with its assumptions about who makes history and how. Written with cinematic verve, Candida Royalle and the Sexual Revolution evokes Royalle's times in their broadest contours as Kamensky traces the rise of an improbable heroine who broke the mold and was herself broken in turn.

When Feminist Theory: From Margin to Center was first published in 1984, it was welcomed and praised by feminist thinkers who wanted a new vision. Even so, individual readers frequently found the theory "unsettling" or "provocative." Today, the blueprint for feminist movement presented in the book remains as provocative and relevant as ever. Written in hooks's characteristic direct style, Feminist Theory embodies the hope that feminists can find a common language to spread the word and create a mass, global feminist movement.

Evelyn Berry's debut poetry collection, Grief Slut, is an examination of the queer lineage of pleasure, grief, and resilience in the American South. Berry offers a portrait of a girl living through boyhood and grappling with the violence of nostalgia in poems that blend high art, archival slivers, and Taco Bell. This collection invites us into a landscape home to sloppy kissers, swamp suitors, scrappy "limbwrecked boys," and drag queens drenched in glitter sweat, where "each day is trespass" and queer youth fight to "hear one another breathe just a little while longer."

This acclaimed history illuminates the horrifying episode of Salem with visceral clarity, from those who fanned the crisis to satisfy personal vendettas to the four-year-old "witch" chained to a dank prison wall in darkness till she went mad. Antonia Fraser called it "a grisly read and an engrossing one."

What happens when the life you thought you had does a 180 turn? Everything, and yet...nothing.

Us is Sara and Diana's love story, as well as the story of Diana's gender transition. Full of humor, heartache, and the everyday triumphs and struggles of identity, this graphic memoir speaks to changing conceptions of the world as well as the self, at the same time revealing that some things don't really have to change.

Written, drawn, and colored by Sara Soler, with English translation by Silvia Perea Labayen and letters by Joamette Gil.

Over the past ten years, we have witnessed the rise of queer and trans communities that have defied and challenged those who have historically opposed them. Through bold, symbolic imagery and surrealist, overlapping landscapes, queer illustrator and curator Syan Rose shines a light on the faces and voices of these diverse, amorphous, messy, real and imagined queer and trans communities.

In their own words, queer and trans organizers, artists, healers, comrades, and leaders speak honestly and authentically about their own experiences with power, love, pain, and magic to create a textured and nuanced portrait of queer and trans realities in America. The many themes include Black femme mental health, Pacific Islander authorship, fat queer performance art, disability and healthcare practice, sex worker activism, and much more. Accompanying the narratives are Rose's startling and sinuous images that brings these leaders' words to visual life.

Our Work Is Everywhere is a graphic nonfiction book that underscores the brilliance and passion of queer and trans resistance.

Includes a foreword by Lambda Literary Award-winning author and activist Leah Lakshmi Piepzna-Samarasinha, author of Care Work: Dreaming Disability Justice.

"I tore through this urgent, timely, and deeply disturbing tale."--Andrea Bartz, New York Times bestselling author of We Were Never Here

Spine-chilling and sharp, Anne Heltzel's Just Like Mother is a modern gothic from a fresh new voice in horror, and "will disturb readers to their core." (Library Journal) A GoodReads Choice Award Finalist for Best Horror, and named one of the Best Books of 2022 by LitReactor!

The last time Maeve saw her cousin was the night she escaped the cult they were raised in. For the past two decades, Maeve has worked hard to build a normal life in New York City, where she keeps everything--and everyone--at a safe distance.

When Andrea suddenly reappears, Maeve regains the only true friend she's ever had. Soon she's spending more time at Andrea's remote Catskills estate than in her own cramped apartment. Maeve doesn't even mind that her cousin's wealthy work friends clearly disapprove of her single lifestyle. After all, Andrea has made her fortune in the fertility industry--baby fever comes with the territory.

The more Maeve immerses herself in Andrea's world, the more disconnected she feels from her life back in the city; and the cousins' increasing attachment triggers memories Maeve has fought hard to bury. But confronting the terrors of her childhood may be the only way for Maeve to transcend the nightmare still to come...

"A fierce, frightening novel."--Rachel Harrison, author of Cackle