Collection: Shop Latinx

National Book Award Finalist * William C. Morris YA Debut Award Finalist * Goodreads Finalist for Best Teen Book of the Year * Walter Honor Award Winner * Pura Belpré Honor Book * Lambda Literary Award Winner for LGBTQ+ Young Adult

A sharply funny and moving debut novel about a queer Mexican American girl navigating Catholic school, while falling in love and learning to celebrate her true self. Perfect for fans of Erika L. Sánchez, Leah Johnson, and Gabby Rivera.

Sixteen-year-old Yamilet Flores prefers to be known for her killer eyeliner, not for being one of the only Mexican kids at her new, mostly white, very rich Catholic school. But at least here no one knows she's gay, and Yami intends to keep it that way.

After being outed by her crush and ex-best friend before transferring to Slayton Catholic, Yami has new priorities: keep her brother out of trouble, make her mom proud, and, most importantly, don't fall in love. Granted, she's never been great at any of those things, but that's a problem for Future Yami.

The thing is, it's hard to fake being straight when Bo, the only openly queer girl at school, is so annoyingly perfect. And smart. And talented. And cute. So cute. Either way, Yami isn't going to make the same mistake again. If word got back to her mom, she could face a lot worse than rejection. So she'll have to start asking, WWSGD: What would a straight girl do?

Told in a captivating voice that is by turns hilarious, vulnerable, and searingly honest, The Lesbiana's Guide to Catholic School explores the joys and heartaches of living your full truth out loud.

One of the Today Show's Most Anticipated Books of 2024

From the American Book Award--winning author comes a multi-generational epic spanning 1960s Mexico City to contemporary Los Angeles, following a family of Luchadores as they contend with forbidden love and family secrets.

Ernesto and Elena Vega arrive in Mexico City where Ernesto works on a construction site until he is discovered by a local lucha libre trainer. At a time when luchadores--Mexican wrestlers donning flamboyant masks and capes--were treated as daredevils or rockstars, Ernesto finds fame as El Rey Coyote, rapidly gaining name recognition across Mexico.

Years later, in East Los Angeles Freddy Vega is struggling to save his father's gym while Freddy's own son Julian is searching for professional and romantic fulfillment as a Mexican American gay man refusing to be defined by stereotypes. The once larger-than-life Ernesto Vega is now dying, leading Freddy and Julian to find their own passions and discover what really happened back in Mexico.

Told from alternating perspectives, Ernesto takes you from the ranches of Michoacán to the makeshift colonias and crowded sports arenas of Mexico City. Freddy describes life in the suburban streets of 1980s Los Angeles and the community their family built as Julian descends deep into the culture of hook-up apps, lucha burlesque shows, and the dark underbelly of West Hollywood, The Sons of El Rey is an intimate portrait of a family wading against time and legacy, yet always choosing the fight.

In this joyous, big-hearted novel, Tomas Moniz--a finalist for the PEN/Hemingway and Lambda Literary awards--delivers a commanding new story about the power of friendship, community, and the families we create for ourselves.

Efren "Chino" Flores has just moved back to the Bay Area from Seattle, jumping from sublet to sublet. In Washington, he was a beloved middle school biology teacher with a loving wife and a child on the way until a stunning loss changed his life. Now he's working temp jobs and struggling to put himself back out into the world.

But there to nurture Chino is a coterie of new and old friends and lovers who form a protective web around him. Closest to him are Metal Matt, a redhaired metalhead with a soft spot for Courtney Love and a rangy dog named Sabbath, and Mike and Kay, a couple whose literary edge is matched only by the success of their secret OnlyFans account. As Chino begins to date more men and women--and to open himself up again to love--his bonds with other people grow both rich and profound. Like a fern blooming in the wake of a forest fire, new life comes after even the most devastating upheaval.

With a seemingly infinite catalog of tender, unexpected interactions, Tomas Moniz has created a striking mosaic of desire and belonging that will appeal to fans of Garth Greenwell, Jaquira Díaz, and Patricia Lockwood. An anthem to both queer and platonic love, All Friends Are Necessary evinces the wonder of friendship and the joy of giving yourself up to the essential force of community.

A lawyer and her elderly great-aunt use their supernatural gifts to find a lost child in this richly imagined and empowering story of motherhood, magic, and legacy in the vein of The Inheritance of Orquídea Divina and La Hacienda.

If you call to the witches, they will come.

1943, El Paso, Texas: teenager Nena spends her days caring for the small children of her older sisters, while longing for a life of freedom and adventure. The premonitions and fainting spells she has endured since childhood are getting worse, and Nena worries she'll end up like the scary old curandera down the street. Nena prays for help, and when the mysterious Sister Benedicta arrives late one night, Nena follows her across the borders of space and time. In colonial Mexico, Nena grows into her power, finding love and learning that magic always comes with a price.

In the present day, Nena's grandniece, Marta, balances a struggling legal aid practice with motherhood and the care of the now ninety-three-year-old Nena. When Marta agrees to help search for a daughter Nena left in the past, the two forge a fierce connection. Marta's own supernatural powers emerge, awakening her to new possibilities that threaten the life she has constructed.

"Sexy, smart, and soulful, Luis Jaramillo's The Witches of El Paso pulls us across borders and time to get to the essence of what it means for families to survive this beautiful, fractured world" (Mira Jacob, author of Good Talk).

Welcome to The Sunbearer Trials, where teen semidioses compete in a series of challenges with the highest of stakes, in this electric new Mexican-inspired fantasy from Aiden Thomas, the New York Times bestselling author of Cemetery Boys.

"Only the most powerful and honorable semidioses get chosen. I'm just a Jade. I'm not a real hero."

As each new decade begins, the Sun's power must be replenished so that Sol can keep traveling along the sky and keep the chaotic Obsidian gods at bay. Sol selects ten of the most worthy semidioses to compete in the Sunbearer Trials. The winner carries light and life to all the temples of Reino del Sol, but the loser has the greatest honor of all--they will be sacrificed to Sol, their body melted down to refuel the Sun Stones, protecting the world for another ten years.

Teo, a seventeen-year-old Jade semidiós and the trans son of the goddess of birds, isn't worried about the Trials . . . at least, not for himself. His best friend, Niya is a Gold semidiós and a shoo-in for the Trials, and while he trusts her abilities, the odds of becoming the sacrifice is one-in-ten.

But then, for the first time in over a century, the impossible happens. Sol chooses not one, but two Jade competitors. Teo, and Xio, the thirteen-year-old child of the god of bad luck. Now they must compete in five trials against Gold opponents who are more powerful and better trained. Worst of all, Teo's annoyingly handsome ex-best friend and famous semidiós Hero, Aurelio is favored to win. Teo is determined to get himself and his friends through the trials unscathed--for fame, glory, and their own survival.

An "effervescent" (Rachel Lynn Solomon) stand-alone Christmas LGBTQIA+ New Adult RomCom, perfect for fans of Schitt's Creek and Red White & Royal Blue.

BRING A LITTLE JOY TO THE WORLD? NOT TODAY, SANTA.

Matthew Prince is young, rich, and thoroughly spoiled. So what if his parents barely remember he exists and the press is totally obsessed with him? He's on top of the world. But one major PR misstep later, and Matthew is cut off and shipped away to spend the holidays in his grandparents' charming small town hellscape. Population: who cares?

It's bad enough he's stuck in some festive winter wonderland--it's even worse that he has to share space with Hector Martinez, an obnoxiously attractive local who's unimpressed with anything and everything Matthew does.

Just when it looks like the holiday season is bringing nothing but heated squabbles, the charity gala loses its coordinator and Matthew steps in as a saintly act to get home early on good behavior...with Hector as his maddening plus-one. But even a Grinch can't resist the unexpected joy of found family, and in the end, the forced proximity and infectious holiday cheer might be enough to make a lonely Prince's heart grow three sizes this year.

While part of a series, this book stands alone.

People Are Raving About Timothy Janovsky:

"This book made my queer heart so very full and deeply happy."--Anita Kelly

"A cinematic daydream guaranteed to steal your heart."--Julian Winters

"Wonderfully upbeat and sweet."--Suzanne Park

"Full of hope and heart."--Alexandria Bellefleur

"[A] fresh, sweet, and swoony love story that blends coming-of-age comedy with the nuances of exploring sexual identity."--Alison Cochrun

Literary icon Julia Alvarez, bestselling author of In the Time of the Butterflies shares an inventive and emotional novel about storytelling and her homeland of the Dominican Republic.

Alma Cruz, the celebrated writer at the heart of The Cemetery of Untold Stories, doesn't want to end up like her friend, a novelist who fought so long and hard to finish a book that it threatened her sanity. So when Alma inherits a small plot of land in the Dominican Republic, her homeland, she has the beautiful idea of turning it into a place to bury her untold stories--literally. She creates a graveyard for the manuscript drafts and revisions, and the characters whose lives she tried and failed to bring to life and who still haunt her.

Alma wants her characters to rest in peace. But they have other ideas, and the cemetery becomes a mysterious sanctuary for their true narratives. Filomena, a local woman hired as the groundskeeper, becomes a sympathetic listener as Alma's characters unspool their secret tales. Among them: Bienvenida, the abandoned second wife of dictator Rafael Trujillo, consigned to oblivion by history, and Manuel Cruz, a doctor who fought in the Dominican underground and escaped to the United States.

The characters defy their author: they talk back to her and talk to one another behind her back, rewriting and revising themselves. The Cemetery of Untold Stories asks: Whose stories get to be told, and whose buried? Finally, Alma finds the meaning she and her characters yearn for in the everlasting vitality of stories.

Readers of Isabel Allende's Violeta and Barbara Kingsolver's Demon Copperhead will devour Alvarez's extraordinary new novel about beauty and authenticity, and will be reminded that the stories of our lives are never truly finished, even at the end.

A rich, accomplished, intensely intimate collection with 2 full sections of new poems bookending Blanco's selections from his 5 previous volumes

"An engineer, poet, Cuban American . . . his poetry bridges cultures and languages--a mosaic of our past, our present, and our future--reflecting a nation that is hectic, colorful, and still becoming."--President Joe Biden, conferring the National Humanities Medal on Richard Blanco, 2023

"What a gift, this new gathering of poems from the singular Richard Blanco. A cause for rejoicing!"--Krista Tippett, author of Being Wise and host of On Being

"Blanco's poems are journeys to a homeland within the heart, a welcome homecoming earned from a lifetime's wise voyaging."--Sandra Cisneros

"A triumphant anthem to a rich life in all its ages and awakenings."--Naomi Shihab Nye

In this collection of over 100 poems, Richard Blanco has carefully selected poems from his previous books that represent his evolution as a writer grappling with his identity, working to find and define "home," and bookended them with new poems that address those issues from a fresh, more mature perspective, allowing him to approach surrendering the pain and urgency of his past explorations. Pausing at this pivotal moment in mid-career, Blanco reexamines his life-long quest to find his proverbial home and all that it encompasses: love, family, identity and ultimately art itself. In the closing section of the volume, he has come to understand and internalize the idea that "home" is not one place, not one thing, and lives both inside him and inside his art.

The poems range in form, voice, and setting, showcasing his command of craft, but in essence they are one continuous reflection on the existential question at the core of all of Blanco's poetry: how can we find our place in the world. All are characterized by his keen eye, deep sensibility, and polished craft, without pretense. This volume is a gift to Blanco's many readers but even more to those who have yet to discover that they can understand, and fall in love with poetry, that a poet can speak to them about his own and their own lives so profoundly, and that this poet, as Barack Obama discovered, can speak for all of us.

Richard Blanco has been justly celebrated for his poetic gifts and his command of the many forms poetry can take, from the finely structured to the prose poem formats. His previous volumes have been praised by Patricia Smith, Eileen Myles, Sandra Cisneros, Elizabeth Alexander, and many others. His poems have appeared in The New Yorker, The Atlantic, and dozens of other publications.

A FINALIST FOR THE 2022 NATIONAL BOOK AWARD FOR FICTION

LONGLISTED FOR THE 2023 ASPEN WORDS LITERARY PRIZE

ONE OF THE MOST ANTICIPATED BOOKS OF 2022 - Boston Globe, BuzzFeed, LitHub, Electric Literature, LGBTQ Reads, Latinx in Publishing

*Recommended by The New York Times*

In this contemporary debut novel--an intimate portrait of queer, racial, and class identity --Andrés, a gay Latinx professor, returns to his suburban hometown in the wake of his husband's infidelity. There he finds himself with no excuse not to attend his twenty-year high school reunion, and hesitantly begins to reconnect with people he used to call friends.

Over the next few weeks, while caring for his aging parents and navigating the neighborhood where he grew up, Andrés falls into old habits with friends he thought he'd left behind. Before long, he unexpectedly becomes entangled with his first love and is forced to tend to past wounds.

Captivating and poignant; a modern coming-of-age story about the essential nature of community, The Town of Babylon is a page-turning novel about young love and a close examination of our social systems and the toll they take when they fail us.

An intersectional history of the shared struggle for African American and Latinx civil rights

Spanning more than two hundred years, An African American and Latinx History of the United States is a revolutionary, politically charged narrative history, arguing that the "Global South" was crucial to the development of America as we know it. Scholar and activist Paul Ortiz challenges the notion of westward progress as exalted by widely taught formulations like "manifest destiny" and "Jacksonian democracy," and shows how placing African American, Latinx, and Indigenous voices unapologetically front and center transforms US history into one of the working class organizing against imperialism.

Drawing on rich narratives and primary source documents, Ortiz links racial segregation in the Southwest and the rise and violent fall of a powerful tradition of Mexican labor organizing in the twentieth century, to May 1, 2006, known as International Workers' Day, when migrant laborers--Chicana/os, Afrocubanos, and immigrants from every continent on earth--united in resistance on the first "Day Without Immigrants." As African American civil rights activists fought Jim Crow laws and Mexican labor organizers warred against the suffocating grip of capitalism, Black and Spanish-language newspapers, abolitionists, and Latin American revolutionaries coalesced around movements built between people from the United States and people from Central America and the Caribbean. In stark contrast to the resurgence of "America First" rhetoric, Black and Latinx intellectuals and organizers today have historically urged the United States to build bridges of solidarity with the nations of the Americas.

Incisive and timely, this bottom-up history, told from the interconnected vantage points of Latinx and African Americans, reveals the radically different ways that people of the diaspora have addressed issues still plaguing the United States today, and it offers a way forward in the continued struggle for universal civil rights.

2018 Winner of the PEN Oakland/Josephine Miles Literary Award

The Hour of the Star, Clarice Lispector's consummate final novel, may well be her masterpiece. Narrated by the cosmopolitan Rodrigo S.M., this brief, strange, and haunting tale is the story of Macabéa, one of life's unfortunates. Living in the slums of Rio and eking out a poor living as a typist, Macabéa loves movies, Coca-Cola, and her rat of a boyfriend; she would like to be like Marilyn Monroe, but she is ugly, underfed, sickly, and unloved. Rodrigo recoils from her wretchedness, and yet he cannot avoid the realization that for all her outward misery, Macabéa is inwardly free. She doesn't seem to know how unhappy she should be. As Macabéa heads toward her absurd death, Lispector employs her pathetic heroine against her urbane, empty narrator--edge of despair to edge of despair--and, working them like a pair of scissors, she cuts away the reader's preconceived notions about poverty, identity, love, and the art of fiction. In her last book she takes readers close to the true mystery of life and leaves us deep in Lispector territory indeed.

WINNER OF THE 2021 PULITZER PRIZE IN POETRY

FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY

Natalie Diaz's highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award

Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz's brilliant second collection demands that every body carried in its pages--bodies of language, land, rivers, suffering brothers, enemies, and lovers--be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: "Let me call my anxiety, desire, then. / Let me call it, a garden." In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.

Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: "I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible." Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope--in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

Now a major motion picture starring Max Pelayo, Reese Gonzales, and Eva Longoria!
A Time Best YA Book of All Time (2021)

A lyrical novel about family and friendship from critically acclaimed author Benjamin Alire Sáenz.

Aristotle is an angry teen with a brother in prison. Dante is a know-it-all who has an unusual way of looking at the world. When the two meet at the swimming pool, they seem to have nothing in common. But as the loners start spending time together, they discover that they share a special friendship--the kind that changes lives and lasts a lifetime. And it is through this friendship that Ari and Dante will learn the most important truths about themselves and the kind of people they want to be.

Winner of the National Book Award for Young People's Literature, the Michael L. Printz Award, and the Pura Belpré Award!

Fans of Jacqueline Woodson, Meg Medina, and Jason Reynolds will fall hard for this astonishing New York Times-bestselling novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth.

Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking.

But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers--especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about.

With Mami's determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school's slam poetry club, she doesn't know how she could ever attend without her mami finding out. But she still can't stop thinking about performing her poems.

Because in the face of a world that may not want to hear her, Xiomara refuses to be silent.

"Crackles with energy and snaps with authenticity and voice." --Justina Ireland, author of Dread Nation

"An incredibly potent debut." --Jason Reynolds, author of the National Book Award Finalist Ghost

"Acevedo has amplified the voices of girls en el barrio who are equal parts goddess, saint, warrior, and hero." --Ibi Zoboi, author of American Street

This young adult novel, a selection of the Schomburg Center's Black Liberation Reading List, is an excellent choice for accelerated tween readers in grades 6 to 8.

Plus don't miss Elizabeth Acevedo's With the Fire on High and Clap When You Land!

New York Times Bestseller - Read With Jenna Book Club Pick as seen on Today - Winner of the Los Angeles Times Christopher Isherwood Prize for Autobiography - Winner of the American Library Association Alex Award

A young poet tells the inspiring story of his migration from El Salvador to the United States at the age of nine in this "gripping memoir" (NPR) of bravery, hope, and finding family.

Finalist for the PEN/John Kenneth Galbraith Award for Nonfiction - One of the New York Public Library's Ten Best Books of the Year

Longlisted for the Andrew Carnegie Medal for Excellence and the PEN/Open Book Award

"I read Solito with my heart in my throat and did not burst into tears until the last sentence. What a person, what a writer, what a book."--Emma Straub

"A riveting tale of perseverance and the lengths humans will go to help each other in times of struggle."--Dave Eggers

ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, NPR, The Washington Post, San Francisco Chronicle, Vulture, She Reads, Kirkus Reviews

Trip. My parents started using that word about a year ago--"one day, you'll take a trip to be with us. Like an adventure."

Javier Zamora's adventure is a three-thousand-mile journey from his small town in El Salvador, through Guatemala and Mexico, and across the U.S. border. He will leave behind his beloved aunt and grandparents to reunite with a mother who left four years ago and a father he barely remembers. Traveling alone amid a group of strangers and a "coyote" hired to lead them to safety, Javier expects his trip to last two short weeks.

At nine years old, all Javier can imagine is rushing into his parents' arms, snuggling in bed between them, and living under the same roof again. He cannot foresee the perilous boat trips, relentless desert treks, pointed guns, arrests and deceptions that await him; nor can he know that those two weeks will expand into two life-altering months alongside fellow migrants who will come to encircle him like an unexpected family.

A memoir as gripping as it is moving, Solito provides an immediate and intimate account not only of a treacherous and near-impossible journey, but also of the miraculous kindness and love delivered at the most unexpected moments. Solito is Javier Zamora's story, but it's also the story of millions of others who had no choice but to leave home.

A coming-of-age comedy. A telenovela-worthy drama. A moving family saga. All in a phone call you won't want to hang up on.

"Brilliant . . . Melissa Mogollon did not come to play."--Kiley Reid, New York Times bestselling author of Such a Fun Age

"Yes, hi, Mari. It's me. I'm over my tantrum now and calling you back . . . But first--you have to promise that you won't tell Mom or Abue any of this. Okay? They'll set the house on fire if they find out . . ."

Structured as a series of one-sided phone calls from our spunky, sarcastic narrator, Luciana, to her older sister, Mari, this wildly inventive debut "jump-starts your heart in the same way it piques your ear" (Xochitl Gonzalez). As the baby of her large Colombian American family, Luciana is usually relegated to the sidelines. But now she finds herself as the only voice of reason in the face of an unexpected crisis: A hurricane is heading straight for Miami, and her eccentric grandmother, Abue, is refusing to evacuate. Abue is so one-of-a-kind she's basically in her own universe, and while she often drives Luciana nuts, they're the only ones who truly understand each other. So when Abue, normally glamorous and full of life, receives a shocking medical diagnosis during the storm, Luciana's world is upended.

When Abue moves into Luciana's bedroom, their complicated bond intensifies. Luciana would rather be skating or sneaking out to meet girls, but Abue's wild demands and unpredictable antics are a welcome distraction for Luciana from her misguided mother, absent sister, and uncertain future. Forced to step into the role of caretaker, translator, and keeper of the devastating family secrets that Abue begins to share, Luciana suddenly finds herself center stage, facing down adulthood--and rising to the occasion.

As Luciana chronicles the events of her disrupted senior year of high school over the phone to Mari, Oye unfolds like the most fascinating and entertaining conversation you've ever eavesdropped on: a rollicking, heartfelt, and utterly unique novel that celebrates the beauty revealed and resilience required when rewriting your own story.