Collection: Shop Latinx

PULITZER PRIZE FINALIST - NATIONAL BOOK AWARD FINALIST - From the bestselling author of Fruit of the Drunken Tree, comes a dazzling, kaleidoscopic memoir reclaiming her family's otherworldly legacy.

A BEST BOOK OF THE YEAR: TIME, NPR, VULTURE, PEOPLE, BOSTON GLOBE, VANITY FAIR, ESQUIRE, & MORE

"Rojas Contreras reacquaints herself with her family's past, weaving their stories with personal narrative, unraveling legacies of violence, machismo and colonialism... In the process, she has written a spellbinding and genre-defying ancestral history."--New York Times Book Review

For Ingrid Rojas Contreras, magic runs in the family. Raised amid the political violence of 1980s and '90s Colombia, in a house bustling with her mother's fortune-telling clients, she was a hard child to surprise. Her maternal grandfather, Nono, was a renowned curandero, a community healer gifted with what the family called "the secrets" the power to talk to the dead, tell the future, treat the sick, and move the clouds. And as the first woman to inherit "the secrets," Rojas Contreras' mother was just as powerful. Mami delighted in her ability to appear in two places at once, and she could cast out even the most persistent spirits with nothing more than a glass of water.

This legacy had always felt like it belonged to her mother and grandfather, until, while living in the U.S. in her twenties, Rojas Contreras suffered a head injury that left her with amnesia. As she regained partial memory, her family was excited to tell her that this had happened before: Decades ago Mami had taken a fall that left her with amnesia, too. And when she recovered, she had gained access to "the secrets."

In 2012, spurred by a shared dream among Mami and her sisters, and her own powerful urge to relearn her family history in the aftermath of her memory loss, Rojas Contreras joins her mother on a journey to Colombia to disinter Nono's remains. With Mami as her unpredictable, stubborn, and often amusing guide, Rojas Contreras traces her lineage back to her Indigenous and Spanish roots, uncovering the violent and rigid colonial narrative that would eventually break her mestizo family into two camps: those who believe "the secrets" are a gift, and those who are convinced they are a curse.

Interweaving family stories more enchanting than those in any novel, resurrected Colombian history, and her own deeply personal reckonings with the bounds of reality, Rojas Contreras writes her way through the incomprehensible and into her inheritance. The result is a luminous testament to the power of storytelling as a healing art and an invitation to embrace the extraordinary.

NATIONAL BESTSELLER - A "dazzling, cinematic, intimate, lyrical" (Roxane Gay) epic of betrayal, love, and fate that spans five generations of an Indigenous Chicano family in the American West, from the author of the National Book Award finalist Sabrina & Corina

"Sometimes you just step into a book and let it wash over you, like you're swimming under a big, sparkling night sky."--Celeste Ng, author of Little Fires Everywhere and Everything I Never Told You

A PHENOMENAL BOOK CLUB PICK AND AN AUDACIOUS BOOK CLUB PICK - ONE OF THE BEST BOOKS OF THE YEAR: Book Riot

There is one every generation, a seer who keeps the stories.

Luz "Little Light" Lopez, a tea leaf reader and laundress, is left to fend for herself after her older brother, Diego, a snake charmer and factory worker, is run out of town by a violent white mob. As Luz navigates 1930s Denver, she begins to have visions that transport her to her Indigenous homeland in the nearby Lost Territory. Luz recollects her ancestors' origins, how her family flourished, and how they were threatened. She bears witness to the sinister forces that have devastated her people and their homelands for generations. In the end, it is up to Luz to save her family stories from disappearing into oblivion.

Written in Kali Fajardo-Anstine's singular voice, the wildly entertaining and complex lives of the Lopez family fill the pages of this multigenerational western saga. Woman of Light is a transfixing novel about survival, family secrets, and love--filled with an unforgettable cast of characters, all of whom are just as special, memorable, and complicated as our beloved heroine, Luz.

LONGLISTED FOR THE JOYCE CAROL OATES PRIZE - LONGLISTED FOR THE CAROL SHIELDS PRIZE FOR FICTION

NEWBERY HONOR AWARD WINNER - In this timely and moving novel in verse, a preteen girl navigates seventh grade while facing mental health challenges. A hopeful, poetic story about learning to advocate for the help and understanding you deserve.

"Powerful." --Lisa Fipps, Printz Honor-winning author of Starfish

How do you speak up when it feels like no one is listening?

The end of elementary school?
Worst time of my life.
And the start of middle school?
I just wasn't quite right.
But this year?
YO VOY A MI.

Seventh grade is going to be Iveliz's year. She's going to make a new friend, help her abuela Mimi get settled after moving from Puerto Rico, and she is not going to get into any more trouble at school. . . .

Except is that what happens? Of course not. Because no matter how hard Iveliz tries, sometimes people say things that just make her so mad. And worse, Mimi keeps saying Iveliz's medicine is unnecessary--even though it helps Iveliz feel less sad. But how do you explain your feelings to others when you're not even sure what's going on yourself?

Powerful and compassionate, Andrea Beatriz Arango's debut navigates mental health, finding your voice, and discovering that those who really love you will stay by your side no matter what.

Winner of the Pura Belpré Award and Walter Dean Myers Award for Young Adult Literature!

Saints of the Household is a haunting contemporary YA about an act of violence in a small-town--beautifully told by a debut Indigenous Costa Rican-American writer--that will take your breath away.

Max and Jay have always depended on one another for their survival. Growing up with a physically abusive father, the two Bribri American brothers have learned that the only way to protect themselves and their mother is to stick to a schedule and keep their heads down.

But when they hear a classmate in trouble in the woods, instinct takes over and they intervene, breaking up a fight and beating their high school's star soccer player to a pulp. This act of violence threatens the brothers' dreams for the future and their beliefs about who they are. As the true details of that fateful afternoon unfold over the course of the novel, Max and Jay grapple with the weight of their actions, their shifting relationship as brothers, and the realization that they may be more like their father than they thought. They'll have to reach back to their Bribri roots to find their way forward.

Told in alternating points of view using vignettes and poems, debut author Ari Tison crafts an emotional, slow-burning drama about brotherhood, abuse, recovery, and doing the right thing.

"From a comedic cast of supporting characters to an emphasis on the importance of community... A vibrant second-chance love story about repairing community and romantic connection." --Kirkus Reviews (STARRED)

"It's a pleasure to watch [Caña's characters] develop over the course of the novel. This is a treat."--Publishers Weekly (STARRED)

Santiago "Saint" Vega gets a second shot at love with Lola León, but when duty to his family forces him to do something she'll never forgive, will everything he's built come crumbling down?

Years ago, Saint walked away from the girl he loved to fulfill his duty. Now he's struggling to build bridges between his drifting family, take on more responsibilities at his uncle's construction company, figure out why his daughter refuses to talk at school and curtail his mischievous abuelo's escalating pranks. Then she walks back into his life.

Social justice advocate Lola León has returned to Humboldt Park for two reasons: to help care for her dear abuelo and to serve the community center she loved, particularly the shelter for unhoused LGBTQIA+ youths. When she finds out that the Vegas are responsible for endangering both, she is more than ready to go to war--even if the boy she never forgot is standing at the front of the battlefield.

Neither of them expects to become allies in saving the shelter, helping Saint's daughter or ending the decades-long feud between their grandfathers. They definitely don't expect all of their old feelings to come rushing back. As Saint and Lola enter combat, they can't help but wonder where the other's true allegiance lies, and whether they'll win these battles only to lose each other.

Vega Family Love Stories

Book 1: A Proposal They Can't Refuse
Book 2: A Dish Best Served Hot

Winner of the Pura Belpré Medal!

Little Lobo returns to share his love of food and wrestling in Vamos! Let's Go Eat, a paper-over-board picture book follow-up to Vamos! Let's Go to the Market from New York Times bestselling, three-time Pura Belpré Award-winning author-illustrator Raúl the Third.

Little Lobo is excited to take in a show with wrestling star El Toro in his bustling border town!

After getting lunch orders from the luchador and his friends to help prepare for the event, Little Lobo takes readers on a tour of food trucks that sell his favorite foods, like quesadillas with red peppers and Mexican-Korean tacos.

Peppered with easy-to-remember Spanish vocabulary and packed with fun details and things to see, this glorious celebration of food is sure to leave every reader hungry for lunch!

An NPR Books We Love selection for 2023

"An unforgettable read that should be at the top of every TBR list."--NPR

In 1934, a luxury cruise becomes a fight for survival as two women's pasts collide on a round-trip voyage from New York to Havana in New York Times bestselling author Chanel Cleeton's page-turning new novel inspired by the true story of the SS Morro Castle.

New York heiress Catherine Dohan seemingly has it all. There's only one problem. It's a lie. As soon as the Morro Castle leaves port, Catherine's past returns with a vengeance and threatens her life. Joining forces with a charismatic jewel thief, Catherine must discover who wants her dead--and why.

Elena Palacio is a dead woman. Or so everyone thinks. After a devastating betrayal left her penniless and on the run, Elena's journey on the Morro Castle is her last hope. Steeped in secrecy and a burning desire for revenge, her return to Havana is a chance to right the wrong that has been done to her--and her prey is on the ship.

As danger swirls aboard the Morro Castle and their fates intertwine, Elena and Catherine must risk everything to see justice served once and for all.

Could you plan the Fall Formal with your (hot) nemesis? Whit Rivera is about to find out.

Frenemies Whit and Zay have been at odds for years (ever since he broke up with her in, like, the most embarrassing way imaginable), so when they're forced to organize the fall formal together, it's a literal disaster. Sparks fly as Whitney--type-A, passionate, a perfectionist, and a certified sweater-weather fanatic--butts heads with Zay, a dry, relaxed skater boy who takes everything in stride. But not all of those sparks are bad. . . .

Has their feud been a big misunderstanding all along?

Blisteringly funny and profoundly well-observed, The Fall of Whit Rivera is a snug and cozy autumn romcom that also tackles weightier topics like PCOS, chronic illness, sexuality, fatphobia, Latine identity, and class. Funny, honest, insightful, romantic, and poignant, it is classic Crystal Maldonado--and it will have her legion of fans absolutely swooning.

A New York Public Library Best Book of the Year
A Kirkus Reviews Best Young Adult Book of the Year
A Junior Library Guild Gold Standard Selection

"Meaningful. . . Multidimensional. . . An important addition to YA literature."--Kirkus Reviews, starred review

"A celebration of love in all its forms--family, friends, romance, and (especially!) self. Whit Rivera's wry, optimistic voice will linger happily in your mind long after you turn the last page."--Monica Gomez-Hira, author of Once Upon a Quinceañera

"Satisfying and delightful... Maldonado shines!"--Kelly Jensen, editor and author of (Don't) Call Me Crazy, Body Talk, and Here We Are: Feminism for the Real World

A delicious picture book about the ways plantains shape Latinx culture, community, and family, told through a young girl's experiences in the kitchen with her abuela.

Abuela says, "plátanos are love."
I thought they were food.
But Abuela says they feed us in more ways than one.

With every pop of the tostones, mash of the mangú, and sizzle of the maduros, a little girl learns that plátanos are her history, they are her culture, and--most importantly--they are love.

Learn all about the traditions of Día de los Muertos with this second book in the brand-new board book series Celebrate the World, which highlights special occasions and holidays across the globe.

At the end of October each year, it's time to celebrate an ancient tradition: Día de los Muertos! With vibrant illustrations by Golden Globe-winning Mexican illustrator Jorge Gutierrez, this festive board book teaches that Día de los Muertos honors ancestors and loved ones who have passed. From sugar skulls to papel picado, this is a holiday that truly commemorates the cycle of life.

A 2018 Pura Belpré Author Honor Book

The First Rule of Punk is a wry and heartfelt exploration of friendship, finding your place, and learning to rock out like no one's watching.

There are no shortcuts to surviving your first day at a new school--you can't fix it with duct tape like you would your Chuck Taylors. On Day One, twelve-year-old Malú (María Luisa, if you want to annoy her) inadvertently upsets Posada Middle School's queen bee, violates the school's dress code with her punk rock look, and disappoints her college-professor mom in the process. Her dad, who now lives a thousand miles away, says things will get better as long as she remembers the first rule of punk: be yourself.

The real Malú loves rock music, skateboarding, zines, and Soyrizo (hold the cilantro, please). And when she assembles a group of like-minded misfits at school and starts a band, Malú finally begins to feel at home. She'll do anything to preserve this, which includes standing up to an anti-punk school administration to fight for her right to express herself!

Black and white illustrations and collage art by award-winning author Celia C. Pérez are featured throughout.

"Malú rocks!"
--Victoria Jamieson, author and illustrator of the New York Times bestselling and Newbery Honor-winning Roller Girl

"The Pitcher," is a classic story of baseball, the price of dreams, and the lessons of life. A mythic baseball story about a broken down World Series Pitcher is mourning over the death of his wife and an underprivileged Mexican-American boy who lives across the street and wants to learn to pitch. This is a mainstream contemporary novel about dreams lost and found. In the great tradition of books like, "The Natural." This is a novel with the mythic themes, readability, and appeal to be a mainstream bestseller.

An award-winning novel in verse about a boy who navigates the start of seventh grade and life growing up on the border the only way that feels right--through poetry.

They call him Güero because of his red hair, pale skin, and freckles. Sometimes people only go off of what they see. Like the Mexican boxer Canelo Álvarez, twelve-year-old Güero is puro mexicano. He feels at home on both sides of the river, speaking Spanish or English. Güero is also a reader, gamer, and musician who runs with a squad of misfits called Los Bobbys. Together, they joke around and talk about their expanding world, which now includes girls. (Don't cross Joanna--she's tough as nails.)

Güero faces the start of seventh grade with heart and smarts, his family's traditions, and his trusty accordion. And when life gets tough for this Mexican American border kid, he knows what to do: He writes poetry.

Honoring multiple poetic traditions, They Call Me Güero is a classic in the making and the recipient of a Pura Belpré Honor, a Tomás Rivera Mexican American Children's Book Award, a Claudia Lewis Award for Excellence in Poetry, and a Walter Dean Myers Honor.

A meditation on the nature of life and time, Água Viva (1973) shows Lispector discovering a new means of writing about herself, more deeply transforming her individual experience into a universal poetry. In a body of work as emotionally powerful, formally innovative, and philosophically profound as Clarice Lispector's, Água Viva stands out as a particular triumph.

Elogiado por la crítica, admirado por lectores de todas las edades, en escuelas y universidades de todo el país y traducido a una multitud de idiomas, llega una nueva traducción al español de un clásico, de la mano de Fernanda Melchor.

La casa en Mango Street es la extraordinaria historia de Esperanza Cordero. Contada a través de una serie de relatos --a veces desgarradores, a veces profundamente alegres-- es el historia de una niña latina que crece en un barrio de Chicago, inventando por sí misma en qué y en quién se convertirá. Pocos libros de nuestra era han conmovido a tantos lectores.

ENGLISH DESCRIPTION

Praised by critics, admired by readers of all ages, in schools and universities across the country, and translated into a multitude of languages, now comes a new Spanish translation by Fernanda Melchor of this classic.

The House on Mango Street tells the extraordinary story of Esperanza Cordero. Told through a series of vignettes -- sometimes heartbreaking, sometimes deeply joyful -- this is the tale of a Latin girl who grows up in a Chicago neighborhood, discovering for herself what and who she will become. There are only a few books in this era that have touched so many readers.

Édouard Glissant, long recognized in the French and francophone world as one of the greatest writers and thinkers of our times, is increasingly attracting attention from English-speaking readers. Born in Martinique in 1928, Glissant earned a doctorate from the Sorbonne. When he returned to his native land in the mid-sixties, his writing began to focus on the idea of a "relational poetics," which laid the groundwork for the "créolité" movement, fueled by the understanding that Caribbean culture and identity are the positive products of a complex and multiple set of local historical circumstances. Some of the metaphors of local identity Glissant favored--the hinterland (or lack of it), the maroon (or runaway slave), the creole language--proved lasting and influential.
In Poetics of Relation, Glissant turns the concrete particulars of Caribbean reality into a complex, energetic vision of a world in transformation. He sees the Antilles as enduring suffering imposed by history, yet as a place whose unique interactions will one day produce an emerging global consensus. Arguing that the writer alone can tap the unconscious of a people and apprehend its multiform culture to provide forms of memory capable of transcending "nonhistory," Glissant defines his "poetics of relation"--both aesthetic and political--as a transformative mode of history, capable of enunciating and making concrete a French-Caribbean reality with a self-defined past and future. Glissant's notions of identity as constructed in relation and not in isolation are germane not only to discussions of Caribbean creolization but also to our understanding of U.S. multiculturalism. In Glissant's view, we come to see that relation in all its senses--telling, listening, connecting, and the parallel consciousness of self and surroundings--is the key to transforming mentalities and reshaping societies.
This translation of Glissant's work preserves the resonating quality of his prose and makes the richness and ambiguities of his voice accessible to readers in English.
"The most important theoretician from the Caribbean writing today. . . . He is central not only to the burgeoning field of Caribbean studies, but also to the newly flourishing literary scene in the French West Indies." --Judith Graves Miller, University of Wisconsin, Madison
Édouard Glissant is Distinguished Professor of French at City University of New York, Graduate Center. Betsy Wing's recent translations include Lucie Aubrac's Outwitting the Gestapo (with Konrad Bieber), Didier Eribon's Michel Foucault and Hélêne Cixous's The Book of Promethea.