Collection: Poetry

May you know fear but not be driven by it
May you know joy and follow it everywhere
May you know light and shine it every chance you get

From the bestselling author of What the Road Said, Cleo Wade's next heartfelt and lyrical picture book is a love letter to the infinite potential of the future, expressing the many hopes and dreams we hold for our children and ourselves. Gorgeously illustrated by the author and filled to the brim with her signature big-hearted emotions, this book is an important reminder that, above all, what we wish for everyone's precious life is that they can love and be loved.

We Will be Shelter stands as a powerful anthology of contemporary poems that unflinchingly confront issues of social justice.

What sets this collection apart is its unwavering commitment to inspiring positive transformation through the art of poetry. Within its pages, beautifully crafted verses take center stage, captivating readers with their evocative power.

This anthology serves as both a call to awareness and an invitation to introspection, urging readers to examine their role in shaping a just and equitable world. Through the eloquence of these poems, readers are compelled to take meaningful action, transforming empathy into activism and propelling society toward a brighter future.

*Half of all proceeds from this book go to the charity of Andrea Gibson's choice every year. In 2019, a donation was made to This is About Humanity.

Andrea Gibson's second poetry collection, The Madness Vase, beautifully extends their tender and honest work.

While their first book, Pole Dancing to Gospel Hymns, unveiled Gibson's unapologetic voice, The Madness Vase delves even deeper into themes like family, war, spirituality, gender, grief, and hope.

Covering subjects from hate crimes to love and loneliness to global conflicts, Gibson's verses pull us into their darkest moments, only to release us into words that radiate light.

Their luminous imagery acts as a buoy, guiding us to new possibilities. Throughout their career, Gibson's poetry has called for social justice, and this collection pushes past mere awareness. After reading "The Madness Vase," you too will believe, "Folks like us/ We've got shoulder blades that rust in the rain/But they are still G-sharp/Whenever our spinal chords are tuned to the key of redemption/So go ahead world/Pick us/To make things better."

The death of someone we love cracks us open inviting us to become the person we were born to be. This is the book Tom Zuba wishes he had read after his daughter Erin died. And after his wife Trici died. It's the book he wishes he'd been handed following his son Rory's death. But Tom had to live it. First. Before he could write it. For you. In the beginning, Tom did grief the old way. Repressing, denying, pretending, numbing and stuffing every feeling and every emotion that arose. He created pain on top of pain until he began searching for a new way. A new way to do grief. Once he gave himself permission to mourn, healing began. Along the way, Tom discovered that: * Grief is not the enemy. Grief can be one of our greatest teachers. * It's the stories we tell that determine whether or not we will heal. * We will always have a relationship with the people we love that have died. * We were not born to suffer. We were born to be radiant. There is a new way to do grief. Let Tom Zuba teach you how.

The 2004 winner of the Yale Younger Poets competition: a powerful, confessional, erotic collection

Finalist for the 2005 National Book Critics Circle Award in Poetry

"Siken writes about love, desire, violence, and eroticism with a cinematic brilliance and urgency that makes this one of the best books of contemporary poetry."--Victoria Chang, Huffington Post

Richard Siken's Crush, selected as the 2004 winner of the Yale Younger Poets prize, is a powerful collection of poems driven by obsession and love. Siken writes with ferocity, and his reader hurtles unstoppably with him. His poetry is confessional, gay, savage, and charged with violent eroticism. In the world of American poetry, Siken's voice is striking.

In her introduction to the book, competition judge Louise Glück hails the "cumulative, driving, apocalyptic power, [and] purgatorial recklessness" of Siken's poems. She notes, "Books of this kind dream big. . . . They restore to poetry that sense of crucial moment and crucial utterance which may indeed be the great genius of the form."

Stonewall Book Award Winner * A Time Magazine Best YA Book Of All Time

A fierce coming-of-age verse novel about identity and the power of drag, from acclaimed poet and performer Dean Atta. Perfect for fans of Elizabeth Acevedo, Jason Reynolds, and Kacen Callender.

Michael is a mixed-race gay teen growing up in London. All his life, he's navigated what it means to be Greek-Cypriot and Jamaican--but never quite feeling Greek or Black enough.

As he gets older, Michael's coming out is only the start of learning who he is and where he fits in. When he discovers the Drag Society, he finally finds where he belongs--and the Black Flamingo is born.

Told with raw honesty, insight, and lyricism, this debut explores the layers of identity that make us who we are--and allow us to shine.

"In this uplifting coming-of-age novel told in accessible verse, Atta chronicles the growth and glory of Michael Angeli, a mixed-race kid from London, as he navigates his cultural identity as Cypriot and Jamaican as well as his emerging sexuality." (Publishers Weekly, "An Anti-Racist Children's and YA Reading List")

Pierced by grief and charged with history, this new poetry collection from the award-winning author of Prelude to Bruise and How We Fight for Our Lives confronts our everyday apocalypses.

In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us.

Drawing from memoir, fiction, and persona, Jones confronts the everyday perils of white supremacy with a finely tuned poetic ear, identifying moments that seem routine even as they open chasms of hurt. Viewing himself as an unreliable narrator, Jones looks outward to understand what's within, bringing forth cultural icons like Little Richard, Paul Mooney, Aretha Franklin and Diahann Carroll to illuminate how long and how perilously we've been living on top of fault lines. As these poems seek ways to love and survive through America's existential threats, Jones ushers his readers toward the realization that the end of the world is already here--and the apocalypse is a state of being.

Suppose I were to begin by saying that I had fallen in love with a color . . .

A lyrical, philosophical, and often explicit exploration of personal suffering and the limitations of vision and love, as refracted through the color blue. With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists.

Maggie Nelson is the author of numerous books of poetry and nonfiction, including Something Bright, Then Holes (Soft Skull Press, 2007) and Women, the New York School, and Other True Abstractions (University of Iowa Press, 2007). She lives in Los Angeles and teaches at the California Institute of the Arts.

2019 Independent Publisher Book Awards (IPPY) Gold Medal Winner
2019 Midwest Book Awards - Poetry Winner
2019 Eric Hoffer Book Awards - Poetry Winner
2019 Goodreads Choice Awards - Best Poetry Book Finalist
2018 Forewords Reviews INDIES Awards - Poetry Finalist

Andrea Gibson's latest collection is a masterful showcase from the poet whose writing and performances have captured the hearts of millions. With artful and nuanced looks at gender, romance, loss, and family, Lord of the Butterflies is a new peak in Gibson's career. Each emotion here is deft and delicate, resting inside of imagery heavy enough to sink the heart, while giving the body wings to soar.

Poetry of Presence: An Anthology of Mindfulness Poems is a collection of poetry that provides a refuge of quiet clarity very much needed in today's restless, chaotic world. Every reader will find favorites to share and to return to, again and again. The diverse group of contributing poets includes contemporary favorites such as Wendell Berry, Joy Harjo, Jane Hirshfield, Li-Young Lee, Naomi Shihab Nye, and Derek Walcott, as well as poets of the past such as Hafiz, Pablo Neruda, Li Po, and Rumi. Readers of the poems in this book will begin to find themselves becoming less stressed, more balanced, and more fully present in the world.

Leo Herrera's debut book "Post" is a collection of poems, lectures, prayers and grudges. In 2020, amidst the uncertainty of COVID-19, Herrera's voice emerged as a source of comfort, clarity, and difficult truths. Originally presented as "meme essays" on social media, Herrera's densely-written posts covered politics, race, immigration, class, religion and public health. The book presents Herrera's prose chronologically from 2020 to the end of 2023, from a small following to millions of eyes, from celebrity reposts to IRL protest signs. Beyond the viral hits and accolades, "Post" sets the stage for a dance of authenticity under the pressures of the digital spotlight. Delivered with a touch of humor and fury, "Post" skewers white privilege, virtue signaling, and late-stage capitalism in Herrera's signature decolonized and spiritual tone rare to social media space. Leo Herrera is a Mexican artist and activist whose work centers around the image, best known for his painting, photography and filmmaking. His social media writings were a complete pivot for fans. In Herrera's foreword essay for "Post", he shares how his posts were an act of defiance. Their resurfacing as printed matter is a bold act of preservation against tech giants who threaten queer narratives with a click. This is Herrera reclaiming his digital archive.

Her, Him & I tells the story of a bisexual man on his journey of self-discovery. Weissmann offers the reader a peek into his psyche: the poems are refined journal entries, documenting his voyage to self-actualization. This collection magnifies the reality of exploring emotional and physical intimacy with multiple genders, in the midst of figuring out to love oneself in the process.

Charged with sensuality and passion, Pablo Neruda's love poems caused a scandal when published anonymously in 1952. In later editions, these verses became the most celebrated of the Noble Prize winner's oeuvre, captivating readers with earthbound images that reveal in gentle lingering lines an erotic re-imagining of the world through the prism of a lover's body: "today our bodies became vast, they grew to the edge of the world / and rolled melting / into a single drop / of wax or meteor...." Written on the paradisal island of Capri, where Neruda "took refuge" in the arms of his lover Matilde Urrutia, Love Poems embraces the seascapes around them, saturating the images of endless shores and waves with a new, yearning eroticism. This wonderful book collects Neruda's most passionate verses.

A New York Times Bestseller, chosen as Oprah's "Books That Help Me Through" for Oprah's Book Club

"No matter where one starts reading, Devotions offers much to love, from Oliver's exuberant dog poems to selections from the Pulitzer Prize-winning American Primitive, and Dream Work, one of her exceptional collections. Perhaps more important, the luminous writing provides respite from our crazy world and demonstrates how mindfulness can define and transform a life, moment by moment, poem by poem." --The Washington Post

"It's as if the poet herself has sidled beside the reader and pointed us to the poems she considers most worthy of deep consideration." --Chicago Tribune

Pulitzer Prize-winning poet Mary Oliver presents a personal selection of her best work in this definitive collection spanning more than five decades of her esteemed literary career.

Throughout her celebrated career, Mary Oliver has touched countless readers with her brilliantly crafted verse, expounding on her love for the physical world and the powerful bonds between all living things. Identified as "far and away, this country's best selling poet" by Dwight Garner, she now returns with a stunning and definitive collection of her writing from the last fifty years.

Carefully curated, these 200 plus poems feature Oliver's work from her very first book of poetry, No Voyage and Other Poems, published in 1963 at the age of 28, through her most recent collection, Felicity, published in 2015. This timeless volume, arranged by Oliver herself, showcases the beloved poet at her edifying best. Within these pages, she provides us with an extraordinary and invaluable collection of her passionate, perceptive, and much-treasured observations of the natural world.

Written after two years of artistic silence, during which the world came to a halt due to the COVID-19 pandemic and Minneapolis became the epicenter of protest following the murder of George Floyd, Bluff is Danez Smith's powerful reckoning with their role and responsibility as a poet and with their hometown of the Twin Cities. This is a book of awakening out of violence, guilt, shame, and critical pessimism to wonder and imagine how we can strive toward a new existence in a world that seems to be dissolving into desolate futures.

Smith brings a startling urgency to these poems, their questions demanding a new language, a deep self-scrutiny, and virtuosic textual shapes. A series of ars poetica gives way to "anti poetica" and "ars america" to implicate poetry's collusions with unchecked capitalism. A photographic collage accrues across a sequence to make clear the consequences of America's acceptance of mass shootings. A brilliant long poem--part map, part annotation, part visual argument--offers the history of Saint Paul's vibrant Rondo neighborhood before and after officials decided to run an interstate directly through it.

Bluff is a kind of manifesto about artistic resilience, even when time and will can seem fleeting, when the places we most love--those given and made--are burning. In this soaring collection, Smith turns to honesty, hope, rage, and imagination to envision futures that seem possible.

In his Illuminated Books, William Blake combined text and imagery on a single page in a way that had not been done since the Middle Ages. For Blake, religion and politics, intellect and emotion, mind and body were both unified and in conflict with each other: his work is expressive of his personal mythology, and his methods of conveying it were integral to its meaning. There is no comparison with reading books such as Jerusalem, America, and Songs of Innocence and of Experience in Blake's own medium, infused with his sublime and exhilarating colors. Tiny figures and forms dance among the lines of the text, flames appear to burn up the page, and dense passages of Biblical-sounding text are brought to a jarring halt by startling images of death, destruction, and liberation. Blake's hope that his books would obtain wide circulation was unfulfilled: some exist only in unique copies and none was printed in more than very small numbers. Now, for the first time, the plates from the William Blake Trust's Collected Edition have been brought together in a single volume, with transcripts of the texts and an introduction by the noted scholar David Bindman.

Includes: Jerusalem; Songs of Innocence and of Experience; All Religions are One; There is No Natural Religion; The Book of Thel; The Marriage of Heaven and Hell; Visions of the Daughters of Albion; America a Prophecy; Europe a Prophecy; The Song of Los Milton a Poem; The Ghost of Abel; On Homers Poetry [and] On Virgil; Laocoon; The First Book of Urizen; The Book of Ahania; The Book of Los.