Collection: Poetry

An anthology of queer nature poetry spanning three centuries.

This anthology amplifies and centers LGBTQIA+ voices and perspectives in a collection of contemporary nature poetry. Showcasing over two hundred queer writers from the nineteenth to the twenty-first century, Queer Nature offers a new context for and expands upon the canon of nature poetry while also offering new lenses through which to view queerness and the natural world.

In the introduction, editor Michael Walsh writes that the anthology is "concerned with poems that speak to and about nature as the term is applied in everyday language to queer and trans bodies and identities . . . Queer Nature remains interested in elements, flora, fauna, habitats, homes, and natural forces--literary aspects of the work that allow queer and trans people to speak within their specific cultural and literary histories of the abnormal, the animal, the elemental, and the unnatural." The anthology features poets including Elizabeth Bishop, Richard Blanco, Kay Ryan, Jericho Brown, Allen Ginsberg, Natalie Diaz, and June Jordan, as well as emerging voices such as Jari Bradley, Alicia Mountain, Eric Tran, and Jim Whiteside.

Part elegy, part true crime story, this memoir-in-verse from the author of the award-winning The Argonauts expands the notion of how we tell stories and what form those stories take through the story of a murdered woman and the mystery surrounding her last hours.

Jane tells the spectral story of the life and death of Maggie Nelson's aunt Jane, who was murdered in 1969 while a first-year law student at the University of Michigan. Though officially unsolved, Jane's murder was apparently the third in a series of seven brutal rape-murders in the area between 1967 and 1969. Nelson was born a few years after Jane's death, and the narrative is suffused with the long shadow her murder cast over both the family and her psyche.

Exploring the nature of this haunting incident via a collage of poetry, prose, dream-accounts, and documentary sources, including local and national newspapers, related "true crime" books such as The Michigan Murders and Killer Among Us, and fragments from Jane's own diaries written when she was 13 and 21, its eight sections cover Jane's childhood and early adulthood, her murder and its investigation, the direct and diffuse effect of her death on Nelson's girlhood and sisterhood, and a trip to Michigan Nelson took with her mother (Jane's sister) to retrace the path of Jane's final hours.

Each piece in Jane has its own form, and the movement from each piece to the next--along with the white space that surrounds each fragment--serve as important fissures, disrupting the tabloid, "page-turner" quality of the story, and eventually returning the reader to deeper questions about girlhood, empathy, identification, and the essentially unknowable aspects of another's life and death. Equal parts a meditation on violence (serial, sexual violence in particular), and a conversation between the living and the dead, Jane's powerful and disturbing subject matter, combined with its innovations in genre, shows its readers what poetry is capable of--what kind of stories it can tell, and how it can tell them.

Bestselling poet, writer, and Instagram sensation Nikita Gill returns with a collection of poetry and prose retelling the legends of the Goddesses, both great and small, in their own words.

With lyrical prose and striking verse, beloved poet Nikita Gill (Fierce Fairytales, Wild Embers) uses the history of Ancient Greece and beyond to explore and share the stories of the mothers, warriors, creators, survivors, and destroyers who shook the world. In pieces that burn with empathy and admiration for these women, Gill unearths the power and glory of the very foundations of mythology and culture that have been too-often ignored or pushed aside.

Complete with beautiful hand-drawn illustrations, Gill's poetry and stories weave old and forgotten tales of might and love into an empowering collection for the modern woman.

Lyrics and never-before-seen poetry and sketches from the iconic musician of Florence and the Machine

Songs can be incredibly prophetic, like subconscious warnings or messages to myself, but I often don't know what I'm trying to say till years later. Or a prediction comes true and I couldn't do anything to stop it, so it seems like a kind of useless magic.

Debut best-selling title by nationally recognized poet Yesika Salgado.

From one of America's most cherished and celebrated poets, a landmark collection of Nikki Giovanni's early work!

"Nikki Giovanni is one of our national treasures."--Gloria Naylor

When Nikki Giovanni's poems first emerged during the Black Arts Movement of the 1960s, she immediately took a place among the most celebrated and controversial artists of our time. More than 50 years later, Giovanni still stands as one of the most commanding, luminous voices to grace America's political and poetic landscape. This timeless classic brings readers Nikki Giovanni's poems from 1967 to 1983, from her books Black Feeling Black Talk; Black Judgement; Re: Creation; My House; The Women and the Men; Cotton Candy on a Rainy Day; and Those Who Ride the Night Winds.

Stirring, provocative, and resonant, these poems heralded the arrival of an indelible literary voice that resounds to this day.

2016 Goodreads Choice Award-winning poet Amanda Lovelace returns in the witch doesn't burn in this one -- the bold second book in her "women are some kind of magic" series.

The witch: supernaturally powerful, inscrutably independent, and now--indestructible. These moving, relatable poems encourage resilience and embolden women to take control of their own stories. Enemies try to judge, oppress, and marginalize her, but the witch doesn't burn in this one.

Goodreads Choice Award-winning poet and bestselling author amanda lovelace presents the you are your own fairy tale series bound collection-- a beautiful and empowering trilogy that proves the only thing needed for a happily ever after is yourself.

this elegantly bound edition of amanda lovelace's you are your own fairy tale trilogy includes all of the poems from break your glass slippers, shine your icy crown, & unlock your storybook heart that you fell in love with, as well as a new & never-before-seen introduction written by the author. you are your ownfairy tale is a must have for every lover of beautiful things & magical words.

"This may be the most anticipated poetry book of the last decade...expect it to haunt you."--NPR.org

In reviewing Richard Siken's first book, Crush, the New York Times wrote that "his territory is [where] passion and eloquence collide and fuse." In this long-awaited follow-up to Crush, Siken turns toward the problems of making and representation, in an unrelenting interrogation of our world of doublings. In this restless, swerving book simple questions--such as, Why paint a bird?--are immediately complicated by concerns of morality, human capacity, and the ways we look to art for meaning and purpose while participating in its--and our own--invention.

* "Slippery, magnetic riffs on the arbitrary divisions made by the human mind in light of the mathematical abstractions that delete them; poetry lovers will want to read."--Library Journal, starred review

"[P]oems of passion, examining what it means to love, to be, and to create."--Vanity Fair

"Siken's stark, startling collection focuses tightly on both the futility and the importance of creating art."--Booklist

"Poems primarily about painting and representation give way to images that become central characters in a sequence of fable-like pieces. Animals, landscapes, objects, and an array of characters serve as sites for big, human questions to play out in distilled form. Siken's sense of line has become more uniform, this steadiness punctuated by moments of cinematic urgency."--Publishers Weekly

"War of the Foxes builds upon the lush and frantic magic of Richard Siken's first book, Crush. In this second book, Siken takes breathtaking control of the rich, varied material he has chosen...Siken paints and erases--the metaphor of painting with words allows him to leave those traces that mostly go unseen. He is the Trickster. If paint/then no paint. He does this with astonishing candor and passion."--The Rumpus

The Museum

Two lovers went to the museum and wandered the rooms.
He saw a painting and stood in front of it
for too long. It was a few minutes before she
realized he had gotten stuck. He was stuck looking
at a painting. She stood next to him, looking at his
face and then the face in the painting. What do you
see? she asked. I don't know, he said. He didn't
know. She was disappointed, then bored. He was
looking at a face and she was looking at her watch.
This is where everything changed . . .

Richard Siken is a poet, painter, and filmmaker. His first book, Crush, won the Yale Younger Poets' prize. He lives in Tucson, Arizona.

The late feminist icon and author of over twenty books, including her classic New York Times bestseller All About Love, bell hooks reminds us of the good and bad moments we spend in love through her inspiring poetry.

Written from the heart, When Angels Speak of Love is a book of 50 love poems by the icon of the feminist movement and most famous among public intellectuals. In beautiful, profoundly poetic terms, hooks challenges our views and experiences with love--tracing the link between seduction and surrender, the intensity of desire, and the anguish of death. Whether towards family, friends, or oneself, hooks's creative genius makes love both magical and beautiful.

Finalist for the National Book Award for Poetry
Winner of the Forward Prize for Best Collection

"[Smith's] poems are enriched to the point of volatility, but they pay out, often, in sudden joy."--The New Yorker

Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality--the dangers experienced in skin and body and blood--and a diagnosis of HIV positive. "Some of us are killed / in pieces," Smith writes, "some of us all at once." Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America--"Dear White America"--where every day is too often a funeral and not often enough a miracle.

Winner of the Goodreads Choice Award for Best Poetry (2016), amanda lovelace's the princess saves herself in this one is a collection of poetry about resilience. It is about writing your own ending.

From Amanda Lovelace, a poetry collection in four parts: the princess, the damsel, the queen, and you. The first three sections piece together the life of the author while the final section serves as a note to the reader. This moving book explores love, loss, grief, healing, empowerment, and inspiration.

the princess saves herself in this one is the first book in the "women are some kind of magic" series.

Finalist for the National Book Award for Poetry

WHEREAS her birth signaled the responsibility as mother to teach what it is to be Lakota therein the question: What did I know about being Lakota? Signaled panic, blood rush my embarrassment. What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don't worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father's language. To sing she motions simultaneously with her hands; I watch her be in multiple musics.

--from "WHEREAS Statements"

WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. "I am," she writes, "a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation--and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live." This strident, plaintive book introduces a major new voice in contemporary literature.

Poems of migration, womanhood, trauma, and resilience from the celebrated collaborator on Beyoncé's Lemonade and Black Is King, award-winning Somali British poet Warsan Shire

"The beautifully crafted poems in this collection are fiercely tender gifts."--Roxane Gay, author of Bad Feminist

"Shire is the real thing--fresh, cutting, indisputably alive."--Dwight Garner, The New York Times

LONGLISTED FOR THE GRIFFIN POETRY PRIZE - ONE OF THE BEST BOOKS OF THE YEAR: Vanity Fair, The Guardian, Publishers Weekly

Mama, I made it / out of your home / alive, raised by / the voices / in my head.

With her first full-length poetry collection, Warsan Shire introduces us to a young girl, who, in the absence of a nurturing guide, makes her own way toward womanhood. Drawing from her own life, as well as pop culture and news headlines, Shire finds vivid, unique details in the experiences of refugees and immigrants, mothers and daughters, Black women and teenage girls. In Shire's hands, lives spring into fullness. This is noisy life, full of music and weeping and surahs and sirens and birds. This is fragrant life, full of blood and perfume and shisha smoke and jasmine and incense. This is polychrome life, full of henna and moonlight and lipstick and turmeric and kohl. The long-awaited collection from one of our most exciting contemporary poets, this book is a blessing, an incantatory celebration of resilience and survival. Each reader will come away changed.

"Emotionally resonant and stirring."--Kirkus Reviews (starred review)

"Lucky the reader who would have this collection lying around for visiting and revisiting."--Horn Book Magazine

This celebratory book collects in one volume award-winning and beloved poet Naomi Shihab Nye's most popular and accessible poems.

Featuring new, never-before-published poems; an introduction by bestselling poet and author Edward Hirsch, as well as a foreword and writing tips by the poet; and stunning artwork by bestselling artist Rafael López, Everything Comes Next is essential for poetry readers, classroom teachers, and library collections.

Everything Comes Next is a treasure chest of Naomi Shihab Nye's most beloved poems, and features favorites such as "Famous" and "A Valentine for Ernest Mann," as well as widely shared pieces such as "Kindness" and "Gate A-4." The book is an introduction to the poet's work for new readers, as well as a comprehensive edition for classroom and family sharing. Writing prompts and tips by the award-winning poet make this an outstanding choice for aspiring poets of all ages.

Author, activist, feminist, teacher, and artist bell hooks is celebrated as one of the nation's leading intellectuals. Born in Hopkinsville, Kentucky, hooks drew her unique pseudonym from the name of her grandmother, an intelligent and strong-willed African American woman who inspired her to stand up against a dominating and repressive society. Her poetry, novels, memoirs, and children's books reflect her Appalachian upbringing and feature her struggles with racially integrated schools and unwel