Collection: Poetry

This poetry collection celebrates the impossible truths of the natural world and the magic that hides in plain sight. Poet and podcaster Jarod K. Anderson (creator of The CryptoNaturalist Podcast) has built a large audience of social media followers and podcast listeners with his strange, vibrant appreciations of nature. Ranging from contemplations of mortality to appreciations of single-celled organisms, the poems in this collection highlight our connection to a living universe and affirm our place in a wilderness worthy of our love.

How do you untangle the real you from the curated you? In this introspective yet whimsical collection, poet Grant Chemidlin takes readers into the thicket of self-discovery.

What We Lost in the Swamp is a lush and vibrant collection of poems that examines the many manifestations of green: nature, inexperience, jealousy, burgeoning love, and exploring sexuality. It is a slow unfurling. It is a love letter to growth, to rediscovery, to finally learning how to speak the truth. These astonishing poems ask the reader: Who do you want to be in this world? How do you want to build a life?

This is not a coming out. This is a coming in to one's truest self.

Find out why this is one of TikTok's most viral poetry books.

Ovid's sensuous and witty poem, in an accessible translation by David Raeburn

In Metamophoses, Ovid brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformation--often as a result of love or lust--where men and women find themselves magically changed into new and sometimes extraordinary beings. Beginning with the creation of the world and ending with the deification of Augustus, Ovid interweaves many of the best-known myths and legends of ancient Greece and Rome, including Daedalus and Icarus, Pyramus and Thisbe, Pygmalion, Perseus and Andromeda, and the fall of Troy. Erudite but light-hearted, dramatic and yet playful, Metamorphoses has influenced writers and artists throughout the centuries from Shakespeare and Titian to Picasso and Ted Hughes.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The Tradition explores cultural threats on black bodies, resistance, and the interplay of desire and privilege in a dangerous era.

New York Times Book Review Edtitors' Choice

"Among the year's highlights . . . groundbreaking, epic . . . Like visitors exiting the Met's galleries, readers will emerge from Information Desk bedazzled by the transformative horizons of art." --Washington Post

"An effluvial rush of memory, desire, data, and metaphor . . . It's bracing to encounter a mind so voracious, so unapologetic in its intelligence." --New York Review of Books

A book-length poem set in the Metropolitan Museum of Art, from a writer whose work offers "something few poets ever discover: a vision of the whole world" (Dan Chiasson, The New Yorker)

Robyn Schiff's fourth collection is an ambitious book-length poem in three parts set at The Metropolitan Museum of Art's information desk, where Schiff long ago held a staff position. Elaborately mapping an interconnected route in and out of the museum through history, material, and memory, Information Desk: An Epic takes us on an anguished soul-quest and ecstatic intellectual query to confront the violent forces that inform the museum's encyclopedic collection and the spiritual powers of art.

Novelistic in its sweep, frantically informative, and deeply intimate in its private recollections, Information Desk: An Epic wayfares with riveting lyric intensity through an epic array of topics and concerns, including illusion, deception, self-deception, complicity, lecherous coworkers, the composition of pigment, the scattering of seeds, ideas, and capital, and insect infestations spreading within artwork. Along the way, Schiff pauses to invoke three terrifying muses--parasitic wasps--in desperate awe of their powers of precision and generative energy. Information Desk: An Epic undertakes a hemorrhaging ekphrastic journey through artifice and the natural world.

FINALIST FOR THE 2021 NATIONAL BOOK AWARD FOR YOUNG PEOPLE'S LITERATURE

A debut YA novel-in-verse by Amber McBride, Me (Moth) is about a teen girl who is grieving the deaths of her family, and a teen boy who crosses her path.

Moth has lost her family in an accident. Though she lives with her aunt, she feels alone and uprooted.

Until she meets Sani, a boy who is also searching for his roots. If he knows more about where he comes from, maybe he'll be able to understand his ongoing depression. And if Moth can help him feel grounded, then perhaps she too will discover the history she carries in her bones.

Moth and Sani take a road trip that has them chasing ghosts and searching for ancestors. The way each moves forward is surprising, powerful, and unforgettable.

Here is an exquisite and uplifting novel about identity, first love, and the ways that our memories and our roots steer us through the universe.

A beautifully illustrated book from Cleo Wade--the artist, poet, and speaker who has been called "the Millennial Oprah" by New York Magazine--that offers creative inspiration and life lessons through poetry, mantras, and affirmations, perfect for fans of the bestseller Milk & Honey.

True to her hugely popular Instagram account, Cleo Wade brings her moving life lessons to Heart Talk, an inspiring, accessible, and spiritual book of wisdom for the new generation. Featuring over one hundred and twenty of Cleo's original poems, mantras, and affirmations, including fan favorites and never before seen ones, this book is a daily pep talk to keep you feeling empowered and motivated.

With relatable, practical, and digestible advice, including "Hearts break. That's how the magic gets in," and "Baby, you are the strongest flower that ever grew, remember that when the weather changes," this is a portable, replenishing pause for your daily life.

Keep Heart Talk by your bedside table or in your bag for an empowering boost of spiritual adrenaline that can help you discover and unlock what is blocking you from thriving emotionally and spiritually.

NATIONAL BESTSELLER - From the former United States Poet Laureate and New York Times bestselling author of Aimless Love, a collection of more than 135 small poems, eleven of them new to this edition, and each a thought or observation compressed to its emotional essence

"Whenever I pick up a new book of poems, I flip through the pages looking for small ones. Just as I might have trust in an abstract painter more if I knew he or she could draw a credible chicken, I have faith in poets who can go short."--Billy Collins

You can spot a Billy Collins poem immediately. The amiable voice, the light touch, the sudden turn at the end. He "puts the 'fun' back in profundity," says poet Alice Fulton. In his own words, his poems tend to "begin in Kansas and end in Oz."

Now "America's favorite poet" (The Wall Street Journal) has found a new form for his unique poetic style: the small poem. Here Collins writes about his trademark themes of nature, animals, poetry, mortality, absurdity, and love--all in a handful of lines. Neither haiku nor limerick, the small poem pushes to an extreme poetry's famed power to condense emotional and conceptual meaning. Inspired by the small poetry of writers as diverse as William Carlos Williams, W.S. Merwin, Kay Ryan, and Charles Simic, and written with Collins's recognizable wit and wisdom, the poems of Musical Tables show one of our greatest poets channeling his unique voice into a new phase of his exceptional career.

3:00 AM

Only my hand
is asleep,
but it's a start.

In this stunning collection of new poems, Mary Oliver returns to the imagery that has defined her life's work, describing with wonder both the everyday and the unaffected beauty of nature.

Herons, sparrows, owls, and kingfishers flit across the page in meditations on love, artistry, and impermanence. Whether considering a bird's nest, the seeming patience of oak trees, or the artworks of Franz Marc, Oliver reminds us of the transformative power of attention and how much can be contained within the smallest moments.

At its heart, Blue Horses asks what it means to truly belong to this world, to live in it attuned to all its changes. Humorous, gentle, and always honest, Oliver is a visionary of the natural world.

Playing off "The Wheels on the Bus," this nursery rhyme book from a founder of Drag Queen Story Hour is a fun, freewheeling celebration of being your most fabulous self.
The Hips on the Drag Queen Go Swish, Swish, Swish encourages readers to boldly be exactly who they are. Written by a founding member of the nationally recognized Drag Queen Story Hour (DQSH), this playful picture book offers a quirky twist on a classic nursery rhyme by illustrating all of the ways to "work it". The story plays off "The Wheels on the Bus" as it follows a drag queen who performs her routine in front of an awestruck audience. A fun frenzy of fierceness, this book will appeal to readers of all ages.

Essential poems by the late New York poet.

Lunch Poems, first published in 1964 by City Lights Books as number nineteen in the Pocket Poets series, is widely considered to be Frank O'Hara's freshest and most accomplished collection of poetry.

Edited by the poet in collaboration with Lawrence Ferlinghetti and Donald Allen, who had published O'Hara's poems in his monumental The New American Poetry in 1960, it contains some of the poet's best known works including "The Day Lady Died," "Ave Maria," and "Poem" [Lana Turner has collapsed!]. These are the compelling and formally inventive poems--casually composed, for example, in his office at The Museum of Modern Art, in the street at lunchtime or on the Staten Island Ferry en route to a poetry reading--that made O'Hara a dynamic leader of the "New York School" of poets.

"O'Hara speaks directly across the decades to our hopes and fears and especially our delights; his lines are as intimate as a telephone call. Few books of his era show less age."--Dwight Garner, New York Times

"As collections go, none brings . . . quality to the fore more than the thirty-seven Lunch Poems, published in 1964 by City Lights."--Nicole Rudick, The Paris Review

"What O'Hara is getting at is a sense of the evanescence, and the power, of great art, that inextricable contradiction -- that what makes it moving and transcendent is precisely our knowledge that it will pass away. This is the ethos at the center of Lunch Poems: not the informal or the conversational for their own sake but rather in the service of something more intentional, more connective, more engaged." --David L. Ulin, Los Angeles TImes

"The collection broadcasts snark, exuberance, lonely earnestness, and minute-by-minute autobiography to a wide, vague audience--much like today's Twitter and Facebook feeds."--Micah Mattix, The Atlantic

"Sweet poems, funny, exhilarating, spontaneous, subversive, poignant, and sometimes--often--more deeply, even darkly moving. But above all sweet. Probably a greater proportion of O'Hara's poems can be read for sheer pleasure than the poems of any other 20th-century writer. This slim volume is his liveliest, most distilled and delectable single collection. Quintessential O'Hara, and such a bargain!"--Lloyd Schwartz, Grolier Poetry Book Shop

Winner of the Pulitzer Prize for Poetry
Mary Oliver's most acclaimed volume of poetry, American Primitive contains fifty visionary poems about nature, the humanity in love, and the wilderness of America, both within our bodies and outside.
"American Primitive enchants me with the purity of its lyric voice, the loving freshness of its perceptions, and the singular glow of a spiritual life brightening the pages." -- Stanley Kunitz
"These poems are natural growths out of a loam of perception and feeling, and instinctive skill with language makes them seem effortless. Reading them is a sensual delight." -- May Swenson

A vibrant, playful verse that celebrates a beautiful brown baby's adorable little toes, for fans of Ten Little Fingers and Ten Little Toes.

Who do you suppose has such fine toes?So brown and sweet. Who could have such darling feet?
Snuggle with a child on your lap with this cheerful rhyme inspired by the classic giggle-inspiring game of This Little Piggy. With lush, adorable pictures from New York Times bestselling illustrator LeUyen Pham, reminiscent of the beloved work of Ezra Jack Keats, this interactive board book full of toddler appeal is a perfect baby gift for parent-child playtime.

This poetic lift-the-flap board book features haikus about hidden woodland animals, plus flaps that reveal those animals!

Warm breezes blowing,
pond open for summer fun--
slip, slide, belly ride!
(Peek-a-boo, OTTER!)

Each haiku in this lift-the-flap board book will have readers guessing the animal it describes--with the answer revealed under a flap on each page! With lovely text, sweet illustrations, and cute creatures, this lyrical and interactive book is a joy to read!

More than 30 acclaimed writers--including diverse voices such as Nikki Giovanni, David Omotosho Black, Natasha Trethewey, Barry Jenkins, Jacqueline Woodson, Tayari Jones, and Angela Flournoy--reflect on their experience and expertise in this unique book on the craft of writing that focuses on the Black creative spirit.

How We Do It is an anthology curated by Black writers for the creation and proliferation of Black thought. While a creator's ethnicity does not solely define them, it is inherently part of who they are and how they interpret the world.

For centuries, Black creators have utilized oral and written storytelling traditions in crafting their art. But how does one begin the process of constructing a poem or story or character? How do Black writers, when faced with questions of "authenticity," dive deep into the essence of their lives and work to find the inherent truth? How We Do It addresses these profound questions. Not a traditional "how to" writing handbook, it seeks to guide rather than dictate and to validate the complexity and range of styles--and even how one thinks about craft itself.

An outstanding list of contributors offer their insights on a range of important topics. Pulitzer Prize winner Jericho Brown explores the lives personified in poetry, while Pulitzer Prize winner Natasha Trethewey explores decolonizing enduring metaphors. National Book Award finalist Angela Flournoy illuminates the pain of grief in all forms and how it can be revealed in the act of creation, and iconoclast Nikki Giovanni offers an elegiac declaration on language.

New and previously published essays and interviews provide encouragement, examples, and templates, and offer lessons on everything from poetic form and plotting a story to the lessons inherent in the act of writing, trial & error, and finding inspiration in the works of others, including those of Toni Morrison, Shakespeare, and Edward P. Jones. A handbook and a reference tool, How We Do It is a thoughtful and welcome tool that offers direction to help Black artists establish their own creative practice while celebrating and widening the scope of the Black writer's role in art, history, and culture.

Contributors include Daniel Omotosho Black, Jericho Brown, Breena Clark, Rita Dove, Camille T. Dungy, W. Ralph Eubanks, Curdella Forbes, Angela Flournoy, Ernest Gaines, Nikki Giovanni, Marita Golden, Ravi Howard, Terrance Hayes, Mitchell S. Jackson, Barry Jenkins, Charles Johnson, Tayari Jones, Jamaica Kincaid, Tony Medina, E. Ethelbert Miller, Elizabeth Nunez, Carl Phillips, Jewell Parker Rhodes, Rion Amilcar Scott, Evie Shockley, Natasha Trethewey, Frank X Walker, Afaa M. Weaver, Crystal Wilkinson, Jacqueline Woodson, Tiphanie Yanique.

The award-winning poet reinvents a genre in a stunning work that is both a novel and a poem, both an unconventional re-creation of an ancient Greek myth and a wholly original coming-of-age story set in the present.

Geryon, a young boy who is also a winged red monster, reveals the volcanic terrain of his fragile, tormented soul in an autobiography he begins at the age of five. As he grows older, Geryon escapes his abusive brother and affectionate but ineffectual mother, finding solace behind the lens of his camera and in the arms of a young man named Herakles, a cavalier drifter who leaves him at the peak of infatuation. When Herakles reappears years later, Geryon confronts again the pain of his desire and embarks on a journey that will unleash his creative imagination to its fullest extent. By turns whimsical and haunting, erudite and accessible, richly layered and deceptively simple, Autobiography of Red is a profoundly moving portrait of an artist coming to terms with the fantastic accident of who he is.

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR
National Book Critics Circle Award Finalist

"Anne Carson is, for me, the most exciting poet writing in English today." --Michael Ondaatje

"This book is amazing--I haven't discovered any writing in years so marvelously disturbing." --Alice Munro

"A profound love story . . . sensuous and funny, poignant, musical and tender." --The New York Times Book Review

"A deeply odd and immensely engaging book. . . . [Carson] exposes with passionate force the mythic underlying the explosive everyday." --The Village Voice