A San Francisco Chronicle Top 50 Best Nonfiction Book of the Year
Named a Best Book of the Year by The Economist, The Kansas City Star, Library Journal

" An articulate reminder of the framework that is essential to constructing a lasting work of the
imagination." --The Miami Herald

" Wood's arranging of source material to prove his points is as fluid and lovely as any great composer's arrangement of musical notes, and, if nothing else, How Fiction Works will inspire you to simply read more . . . [A] lovely, eloquent ode to reading." --The Oregonian

" This admirable book is, among other things, a successful attempt to replace E. M. Forster's Aspects
of the Novel as an accessible guide to the mechanics of fiction. Without losing sight of its promise to address the common reader rather than the specialist, How Fiction Works is much more sophisticated than Forster's book . . . Wood has thought keenly and profitably about such matters. He also benefits, as Forster did not, from wide reading in contemporary fiction." --Frank Kermode, The New Republic

"How Fiction Works should delight and enlighten practicing novelists, would-be novelists, and all passionate readers of fiction . . . Enchanting." --The Economist

"Wood's enthusiasm is glorious . . . A delight . . . The pleasure in this book lies in watching Wood read." --Lev Grossman, Time

"An articulate reminder of the framework that is essential to constructing a lasting work of the imagination." --The Miami Herald

"Wood is among the few contemporary writers of great consequence . . . Reading Wood, no matter the book under review, provides enormous pleasure." --Los Angeles Times

"Highly stimulating stuff--if it doesn't make you hug your bookcase gratefully, you're probably an incorrigible 'formalist-cum-structuralist.' " --Kirkus Reviews

"Through Wood's close, mostly loving, frequently funny, occasionally dizzying examination, our reading experience is amplified and enriched . . . Wood's wit and occasional hilarious commentary are well timed and sizzlingly accurate." --Virginia Quarterly Review

" By examining the minutiae of character, narrative, and style in a range of fictional works that starts with the Bible and ends with Coetzee and Pynchon, he fondly and delicately pieces back together what the deconstructors put asunder." --The Guardian (UK)

"A fiercely committed critic and consummate stylist." --John Banville, The New York Review of Books

"A perceptive and graceful essay which almost anybody who's interested in books could read . . . Well worth reading." --The Sunday Times (UK)