Lesbian Potentiality and Feminist Media in the 1970s

Jed Samer

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Book cover for Lesbian Potentiality and Feminist Media in the 1970s
Book cover for Lesbian Potentiality and Feminist Media in the 1970s
Book cover for Lesbian Potentiality and Feminist Media in the 1970s
Book cover for Lesbian Potentiality and Feminist Media in the 1970s

Lesbian Potentiality and Feminist Media in the 1970s

Lesbian Potentiality and Feminist Media in the 1970s

Jed Samer

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Description

In Lesbian Potentiality and Feminist Media in the 1970s, Jed Samer explores how 1970s feminists took up the figure of the lesbian in broad attempts to reimagine gender and sexuality. Samer turns to feminist film, video, and science fiction literature, offering a historiographical concept called "lesbian potentiality"--a way of thinking beyond what the lesbian was, in favor of how the lesbian signified what could have come to be. Samer shows how the labor of feminist media workers and fans put lesbian potentiality into movement. They see lesbian potentiality in feminist prison documentaries that theorize the prison industrial complex's racialized and gendered violence and give image to Black feminist love politics and freedom dreaming. Lesbian potentiality also circulates through the alternative spaces created by feminist science fiction and fantasy fanzines like The Witch and the Chameleon and Janus. It was here that author James Tiptree, Jr./Alice B. Sheldon felt free to do gender differently and inspired many others to do so in turn. Throughout, Samer embraces the perpetual reimagination of "lesbian" and the lesbian's former futures for the sake of continued, radical world-building.
Jed Samer is Assistant Professor of Visual and Performing Arts at Clark University and editor of the "Transgender Media" special issue of Spectator.

"Samer's excellent book . . . is relevant to contemporary 21C debates on who may and who may not claim to be a lesbian but, more significantly, the range of its scope, imagination, and ambition far exceeds the narrow and prescriptive terms in which such debates are framed by the British media."

--Nick Hubble "Prospective Cultures" (12/1/2022 12:00:00 AM)

"Jed Samer reworks the genealogy of contemporary feminist, queer, and trans cultural politics in this fascinating foray into the futures envisioned by speculative lesbian literature and media half a century ago. It's brilliant, generative, and timely."--Susan Stryker, Executive Editor, "TSQ: Transgender Studies Quarterly"

"Feminist documentary and science fiction: they nourish so many of our lives in tandem, but we so often study them separately. By merging the perspectives of the scholar, maker, and fan while traversing spaces from the archive to the convention hall and refining ideas as elegant as their gorgeous prose, Jed Samer is the perfect person to conduct this tour of the distinctive yet deeply overlapping legacies of these genres and the people who made them possible."--Nick Davis, author of "The Desiring-Image: Gilles Deleuze and Contemporary Queer Cinema"

"Samer's work creates new ground for feminist sf scholarship, deeply contextualizing the importance of lesbian feminist fannish productions in the 1970s. . . . A valuable source for those interested in exploring feminist fan histories. It would also be suitable in courses exploring feminist sf, gender, and sexuality studies."--Kathryn Heffner "Science Fiction Studies" (6/2/2023 12:00:00 AM)

Publisher: Duke University Press
Pub date: 2022-03-18
Length: 304 pages

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