Description
Description
Chosen by Louise Glück for the Max Ritvo Poetry Prize, this engrossing debut interrogates history, identity, and the power of poetry to elucidate both.
Motherlands opens with a child drawn early to poetry. "In summer I write. Two lines at a time, two vying souls / running up the wall." The collection follows this speaker-poet through a childhood in post-Maoist China and an eventual move to the United States, laying bare cultural and linguistic tensions in both historical and modern settings. He cites Chinese laborers toiling in American factories--an echo of the brutalities endured by those who constructed the Transatlantic Railroad--and speaks to anxieties around belonging, assimilation, and identity. "If I forget one character a day," he writes. "I will have forgotten Chinese / by the end of 2042."
In these attentive, imaginative poems, Weijia Pan questions the artist's duty--his duty--as a chronicler of truth, especially through issues of displacement and global injustice. What can the poet do but observe? And yet, in unpacking ancestral traumas connected to Maoist China and modern-day bigotry exacerbated by the COVID-19 pandemic, he still finds himself turning to art as a way to understand both the self and the world at large. Through elegant juxtapositions, Pan crafts an emotional world that is at once regional and universal--Li Bai and Du Fu sit alongside Glenn Gould and Sviatoslav Richter, pepper used to bless new roads is repurposed in the mace used against protesters, two languages compete on a single tongue. Lyrical and visionary, this collection embodies poetry's capacity to ground us, teach us, and change us.
About the Author
About the Author
Critical Reviews
Critical Reviews
"[A] surprising and striking collection."--Publishers Weekly
"In Motherlands, Weijia Pan recalls the China of the past and the United States of his present--and the vast connections between them, connections that exist as much in deep history as they do in immediate consciousness. In poems at once intricate and expansive, Pan considers the fact of displacement and the vagaries of translation, as re-creation, transformation, betrayal. Here, he finds opportunity in portraiture and music to consider both global injustice and the most delicate nuances of feeling. 'Time's time's timestamp, ' he writes, 'which means that time keeps its own records.' And what records these are--imagined in brilliant poems by an essential young poet."--Kevin Prufer, author of The Fears
Publishing Information
Publishing Information

The Allstora Membership
Membership Perks:
- Save 30% on all online store purchases
- Exclusive access to author's content
- You pay less, but authors still earn double
Membership Terms:
- To access membership discount simply log in and add to cart, discount applied automatically.
- One month free trial, cancel anytime. Membership renews on the 15th of each month.
